Basically, we had a two-hour meeting where we both came to the same exact solution to how to do the show, which was it had to have a lot of characters, the characters had to be really mysterious and the island itself had to be even more mysterious than they were.
In television, if I write that Matthew Fox flies up around the island so he can see how big it is, we have to actually shoot that. In a comic book, you write it, somebody draws it and there it is. No budget, no actors. That frees you up to really do some outside-the-box storytelling.