David Lynch Thinking Quotations

If the people in a relationship were able to get rid of this torment within and replace it with happiness, love, and a sense of well-being, they would never think to hurt another human being. They would be filled with an understanding of others and an appreciation of others and have an ability to reconcile differences without any violence whatsoever, to reconcile differences in a very loving way, a very happy way.

I felt I should have been the happiest person in the world. But I looked inside, and that happiness was only on the surface, not so deep. Beneath it was hollow. Up until that time, I had been thinking meditation was a joke, a fad and a waste of time.

I don't think anybody really loves the sound of their own voice, but the tweakability is huge.

Most of Hollywood is about making money - and I love money, but I don't make the films thinking about money...

As a teenager, I was really trying to have fun 24 hours a day. I didn't start thinking until I was 20 or 21. I was doing regular goof-ball stuff.

A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.

If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.

A poet could write volumes about diners, because they're so beautiful. They're brightly lit, with chrome and booths and Naugahyde and great waitresses. Now, it might not be so great in the health department, but I think diner food is really worth experiencing periodically.

People think in Hollywood there's a family, where everybody gets together talks about stuff and we all know each other, and it's just not that way at all to me.

I think that commercials can really ruin a song. You know that the person sold the song for a good deal of money, and that was the tradeoff. But, music and picture can marry in a beautiful way, and the reverse also.

I think true love is not only true personal love but totality of love, universal love - to be in love with everything manifest and everything unmanifest.

I think part of the reason ideas haven't come in is that the world of cinema is changing so drastically, and in a weird way, feature films I think have become cheap. Everything is kind of throwaway. It's experienced and then forgotten.

I don't think that people accept the fact that life doesn't make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it.

Man is evolving...but it's difficult to see his progress with a Western perception of time. The Hindus think of time in much larger segments. They watch the hour hand of the clock while we in the West are preoccupied with the second hand.

I'm not comfortable with words. I love images ,and I love sounds, and I love feelings. I like the idea of intuition. I think a lot of things in life are understood that way. But you internalize these things; they don't really pop out. Certain things are built inside - little areas of understanding. I feel that I live in darkness and confusion, and I'm trying, like we all are, to make some sort of sense of it.

I like the saying: "The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same--the same number, in the same sequence, with the same sounds--every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things. And it's probably different from what I fell in love with.

I'm not a political person.... I don't understand politics, I don't understand the concept of two sides and I think that probably there's good on both sides, bad on both sides, and there's a middle ground, but it never seems to come to the middle ground and it's very frustrating watching it and seemingly we're not moving forward.

I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.

I was raised Presbyterian, but I'm not really going to church. I think the experience in meditation is pretty much where it's at for me.

More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't.

A film is its own thing and in an ideal world I think a film should be discovered knowing nothing and nothing should be added to it and nothing should be subtracted from it.

Well, I've been blessed with good hair, or at least some people think it is. It is the way it is, sort of does what it wants to. So, yeah, I guess it is [a metaphor for your views on art and life].

I quit smoking in December. I’m really depressed about it. I love smoking, I love fire, I miss lighting cigarettes. I like the whole thing about it, to me it turns into the artist’s life, and now people like Bloomberg have made animals out of smokers, and they think that if they stop smoking everyone will live forever.

There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.

I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.

I just have to think of Philadelphia now, and I get ideas, I hear the wind, and I'm off into the darkness somewhere.

Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs.

I think that ideas exist outside of ourselves. I think somewhere, we're all connected off in some very abstract land. But somewhere between there and here ideas exist.

We think we understand the rules when we become adults but what we really experience is a narrowing of the imagination.