Everything is so fragile. There's so much conflict, so much pain...you keep waiting for the dust to settle and then you realize this is it; the dust is your life going on. If happy comes along--that weird, unbearable delight that's actual happy--I think you have to grab it while you can. You take what you can get, 'cause it's here, and then...gone.
Are you all right?" "Oh my god! I phased!" "Are you all right?" "Are you?" "It was strange." "I can't believe I phased just then! That's never...it was totally your fault." "I like to think so, yes." "Tee hee.
The way a musical can make us feel is unlike anything else, in song and particularly in dance. I think people fly through plate-glass windows when they get shot because movies don't have dance scenes any more. This is what we do instead.
We need narrative; it feeds us in a particular way, and deconstructing it completely before you've actually experienced it, I think it leaves us unfed.
Cordelia: I personally don't think it's possible to come up with a crazier plan. Oz: We attack the Mayor with hummus. Cordelia: I stand corrected. Oz: Just keeping things in perspective.
If I wrote what I really think, I would be so sad all the time. We create to fill a gap - not just to avoid the idea of dying, it's to fill some particular gap in ourselves.
I think it's always important for academics to study popular culture, even if the thing they are studying is idiotic. If it's successful or made a dent in culture, then it is worthy of study to find out why.
I think there's a possibility that comic book movies are getting a tiny bit better on the one hand because they're no longer made by executives, who are, you know, ninety-year-old bald tailors with cigars, going, 'The kids love this!'
This is a sad, sad reflection on our times, when people must feed off the carcasses of beloved stories from their youths-just because they can't think of an original idea of their own, like I did with my Avengers idea that I made up myself
There was a time before I felt I was a real writer, when I was a yarn spinner and I just wanted to tell story until it was over. But then there came a time where I was like, 'No, I want to understand something through writing this that I might have not understood before. I want people to come away with something to think about.'
The news isn't there to tell you what happened. It's there to tell you what it wants you to hear or what it thinks you want to hear.
I think to an extent every human being needs to be redeemed somewhat or at least needs to look at themselves and say, 'I've made mistakes, I'm off course, I need to change.' Which is probably the hardest thing for a human being to do, and maybe that's why it interests me so.
Captain, I think you have a problem with your brain being missing.
You know, the thing that I do to waste time is think of things I want to make. That's how my mind is employed.
When you’re telling a story, you’re trying to connect to people in a particular way … The way in which you guys have inhabited this world, this universe, has made you part of it, part of the story. You are living in Firefly. When I see you guys, I don’t think the show is off the air. I don’t think there’s a show; I think that’s what the world is like. … The story is our lives.
I keep thinking they’re gonna call me. I keep thinking they’re gonna crunch the numbers and think, oh, we can make money with this! And they don’t.
I think it's not inaccurate to say that I had a perfectly happy childhood during which I was very unhappy.
You think we're dancing?" "That's all we've ever done.
An audience who watches my shows knows who I am, knows that right when they think I'm going to make a joke, I'm going to blow something up, or during the worst peril, I'm going to have someone give someone a kiss - it's just going to happen.
Everybody who labels themselves a 'nerd' isn't some giant person locked in a cubbyhole who's never seen the opposite sex. Especially with the way the Internet is now, I think that definition is getting a little more diffuse.
I don't think I'm a celebrity. Maybe I'm a cult figure?
I think 'Batman Begins' is certainly my favorite Batman movie I've seen.
I don't think I'm like Shakespeare.
People with real power never fear of losing it. People with control think of little else.
I think Spider-Man [film], the first one particularly, really figured out the formula of, "Oh, tell the story that they told in the comic. It was compelling. That's why it's iconic."
I'm more intrigued by things that I haven't really conceived of yet. I have the luxury of being able to think: "I've never done a ballet or an animated film myself." There are certain things that I feel I'd love to. I just want to keep trying new things and seeing if I'm any good at them, and if I'm not, then at least learning that. I definitely think I'm more interested in what medium I can explore right now than any specific story.
The thing with the comics is that you have license to go down every alley your brain can think of.
I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.
I generally think that Hillary Clinton is a good egg and a good politician.
It's a fun thing to do, to put yourself in the service of something if you think you can add an interpretation. It's no different than any other storytelling.
People feel removed from sexism. 'I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple.