Since philosophy now criticizes everything it comes across, a critique of philosophy would be nothing less than a just reprisal.
A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
Whoever could properly characterize Goethe's Meister would have actually expressed what is the timely trend in literature. He would be able, as far as literary criticism is concerned, to rest.
If the mystical lovers of the arts, who consider all criticism dissection and all dissection destruction of enjoyment, thought logically, an exclamation like "Goodness alive!" would be the best criticism of the most deserving work of art. There are critiques which say nothing but that, only they do so more extensively.
The following are the universally fundamental laws of literary communication: 1. one must have something to communicate; 2. one must have someone to whom to communicate it; 3. one must really communicate it, not merely express it for oneself alone. Otherwise it would be more to the point to remain silent.
We should never invoke the spirit of antiquity as our authority. Spirits are peculiar things; they cannot be grasped with the hands and be held up before others. Spirits reveal themselves only to spirits. The most direct and concise method would be, in this case as well, to prove the possession of the only redeeming faith by good works.