But being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.
Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.
I became aware that all sounds can make meaningful language.
In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.
We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.
Being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.
As I say, this is a new secret science, to master the emptiness and turn it into something that is filled with sound and visual images.
I knew that the synthesis of sound and space music would be the most important aspect of the music of our time and of the future, since '53.
So, for example, I produced a layer of sounds with the syllables sung by a young boy and elements from an impulse generator with filtered noises.
And with every work I have tried to expand my experience, moving sound and space, and finding new ways of superimposing different tempos and rhythms.