When I was at MGM some years ago, I remember that there was a serious discussion of trying to remake some of the (Spencer) Tracy and (Katharine) Hepburn pictures. And that's a great idea except that they were successful because of Tracy and Hepburn.
I love Audrey Hepburn. I thought she was very classy.
If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
I would really love to sit with Kathryn Hepburn because I find her so interesting.
My favorite Hepburn moment is in 'Sabrina,' when she steps off a boat in white shorts and a plaid shirt. Chic, classic, and unfussy.
Audrey Hepburn is someone I've always admired. She has that untouchable star quality.
The major trends are definitely dressier than it has been, but it's very wearable, ... It's like a Katharine Hepburn look, a well-dressed-man look. But there's going to be some femininity in there.
We need to see men and women as equal partners, but it's hard to think of movies that do that. When I talk to people, they think of movies of forty-five years ago! Hepburn and Tracy!
Never in my life have I been captivated by by anybody onscreen the way I was when I saw Audrey Hepburn for the first time. She's everything a woman should be.
'Breakfast at Tiffany's' isn't a great movie because Audrey Hepburn is brilliant and everyone else isn't. It's a great movie because everybody is fascinating, and she is at the center of it being amazing.