Francis Ford Coppola Quotations | Page 2

I have always credited the writer of the original material above the title: Mario Puzo's The Godfather, Bram Stoker's Dracula, or John Grisham's The Rainmaker. I felt that I didn't have the right to Francis Coppola's anything unless I had written the story and the screenplay.

I was excited to discover, in this tale by Eliade, the key themes that I most hope to understand better time, consciousness and the dreamlike basis of reality.

Collaboration is like the sex of creativity.

In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.

I just finished a film a few days ago, and I came home and said I learned so much today. So if I can come home from working on a little film after doing it for 45 years and say, I learned so much today, that shows something about the cinema. Because the cinema is very young. It's only 100 years old.

Always make your work be personal. And, you never have to lie... There is something we know that's connected with beauty and truth. There is something ancient. We know that art is about beauty, and therefore it has to be about truth.

I was interested in the idea of succession - showing a father and a son both in their own time and drawing a contrast

If you're not allowed to experiment anymore for fear of being considered self-indulgent or pretentious or what have you, then everyone's going to just stick to the rules - there's not going to be any additional ideas.

I always think upon Lee Strasberg with warmth, and reviewing his wisdom is a pleasure.

Whom God wishes to destroy, He first makes successful in show business.