Mary Pope Osborne Quotations

With my writing, I can still play inside an enchanted castle or live inside an old fort. I can run from ghosts or ride dolphins any day of the week.

When I was a teenager, I continued to visit imaginary places by spending all my free time at our local community theater. Whether I acted in a play or worked backstage, the world of Tennessee Williams or Shakespeare always seemed more real to me than the dreary life of high school.

My imagination is closer to a child's imagination than to a grown-up's.

I discovered writing children's books was a way to keep living in my imagination like a child. So I wrote a number of books before I started 'Magic Tree House.' Then, once I got that, I never looked back because I could be somewhere different in every single book.

I loved Frances Hodgson Burnett, who wrote 'The Little Princess' and 'The Secret Garden.' And I loved the 'Little House on the Prairie' books by Laura Ingalls Wilder.

I get ideas from my own personal experiences, from my imagination, and from my research and from old stories.

I would love to live in 'The Lord of the Rings.' J. R. R. Tolkien's world is so vivid and rich and sensual. I love the country setting and the routine of the hobbits. Of course, I would like to be a hobbit who goes on small adventures - not huge, horrifying ones like Frodo's quest.

When I was growing up, kids would go outside and play all day and invent things. And my brothers and I pretended our picnic table was a ship one summer. Our bikes were horses, and our trees were forts. We turned everything in the world into make-believe.

When I was four years old, my father, who was a colonel in the army, was stationed in Salzburg, Austria. Across the street from our house was an ancient castle on a cliff. So when I first heard fairy tales, I felt as if the magic of 'Cinderella' or 'Sleeping Beauty' was taking place right in my own neighborhood.

When I was five, we moved to Virginia and lived inside an old fort that was surrounded by a moat. So when I heard stories of American history, I felt as if those dramas were taking place right in my own backyard.

Sometimes when I go out on the road, I feel almost embarrassed or dismayed because I can't be the image of what kids want me to be. So I just try to be myself, and usually that works out OK.

A vacation for me is when I'm home and I'm writing.

I wanted to be a cowboy in cowboy movies.

I love using my imagination. I love writing about animals.

I love reading all kinds of books. I usually have about ten books going at any one time - books about the past, the present, novels, non-fiction, poetry, mythology, religion, etc. Reading is my favorite thing to do.

A military childhood in the 1950s was very much informed by WWII. My brothers and I often heard stories from our dad - and from other kids - about things that had happened to their dads. We constantly played war games and, nearly every Saturday, saw a different WWII movie at the post theater.

Dappled sunlight and looked at the silver vapor swirling inside. "Mist gathered at first light on the first day of the new moon on the Isle of Avalon," he said. "Yep. Good for one hour of great talent," said Annie. Jack smiled, remembering their hour as horse trainers and their hour as stage magicians. "I wonder what we'll be great at this time," he said. "Maybe great nurses?" said Annie. "We'll see," said Jack. He put the tiny bottle in his backpack; then he picked up the piece of paper from the floor. On the paper he had written the two secrets of greatness they'd

set sail on a voyage of your own titanic facts

Icons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed.

It's difficult to choose between these art forms. Iconography is entirely different from the style of the 15th century masters, who were experts in foreshortening and perspective. The technical skill and visual effects of painters like Uccello have to be admired. They achieved a level of artistry that has never been surpassed, in my opinion.

I think it might be nice if there was a Cosimo de' Medici around today, offering commissions to the poor, but talented artists.

As an artist, I identify with Sandro Botticelli. We know him as the man who painted Primavera and The Birth Of Venus. The goddesses and ancient subjects he chose represented virtues which were meant to inspire people. Then he went through a dark phase when he was listening to the sermons of Savonarola, who preached against the worldly pleasures of the Renaissance. But Botticelli's works live on, inspiring people to this day. Five hundred years after his death, he still has thousands of fans!

As far as benefits to reading historical novels, there are several! For one thing, you learn about life in another era. Secondly, these novels help us to develop a deeper understanding of the legacy of women who came before us and the strides made by our ancestors.

I believe we're entering a new era, where dynamic female leaders will have an opportunity to bring greater harmony and peace to the planet.

Artists have to believe in the merit of their own work and persevere whether they receive public recognition or not, but it's ever so nice when someone says, "Job well done"!

Then everything was still. Absolutely still.

There is no water and still less soap. We have no city, but lots of hope.

Renaissance man, woman, either way it's a worthy pursuit! Like the painters of Emilia's day, I was raised in an environment that encouraged creative expression. Both my parents were artists, who didn't think much of TV and refused to upgrade our old black and white set. To entertain myself, I made art and wrote puppet shows.

I think today's young women are an especially powerful breed. They will be taking on even greater challenges, which is why achieving personal empowerment is so important for them. These women are going to be holding positions of significant authority, owning more businesses, and shaping public policy.

remember a feeling of excitement, of sudden inspiration, when I was visiting Giovanni Boccaccio's home in the walled village of Certaldo, outside of Florence. (Boccaccio was the medieval author of The Decameron.) It was as though I had met my muse! After this trip, I read The Decameron and began writing the Alchemy Series in earnest.

While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.)

After my husband died more than a decade ago, my mother prayed that I would remarry so that I could have a "normal" life again. Many people assumed that it would be too difficult for me to carry on as a single mother and raise a child without a man at my side. As the years went by, I found that it was indeed possible and that, in fact, I had no desire to remarry.

hough I was creative, I also liked math and science. At Knox College, I studied creative writing and earned a degree in chemistry, thinking I would attend medical school. Ultimately, I decided that a career in nursing would allow more time for pursuing other creative interests. While I worked as an RN, I wrote stories inspired by my patients, designed t-shirts, and made hand-painted sandals.

When I was contemplating medical school after graduating from Knox, several people suggested that nursing was a more suitable profession for women. My own mother discouraged me from becoming a doctor. But this is not why I became a nurse instead!

The historical novel gives us perspective on our modern lives and helps us connect with the story, which we are continuing ourselves.

I’m one of those very lucky people who absolutely love what they do for a living. There is no career better suited to my eccentricities, strengths, and passions than that of a children’s book author.

You have to be willing to endure the discomfort, the doubts and unknowing, you somehow find the courage to walk through your doubts and the difficult times because you are living the life you are meant to live.

Reading is the basic springboard for learning. And books provide the liftoff. They are the great equalizer, opening up new worlds to everyone.

When we believe we have all the answers, we are not open to mystery. To begin a mystical journey, you have to start with a sense of wonder, of not knowing where you are going or how you will travel. The initial phase of alchemy is called the nigredo-it's the phase of darkness, when it's "blacker than black." You feel this when you start something new-go off to college, start a new job, travel to a foreign land, or end a relationship that is not working.

I have to keep facing the darkness. If I stand tall and face the thing I fear, I have a chance to conquer it. If I just keep dodging and hiding it will conquer me.

Writing is a miracle. You can travel anywhere in the world, to any time and any place — and still be home in time to have dinner.

I love teaching. It's a job that lasts forever. Whatever you teach children today travels with them far into the future.