Michael Buble Quotations

I have a tendency to sabotage relationships; I have a tendency to sabotage everything. Fear of success, fear of failure, fear of being afraid. Useless, good-for-nothing thoughts.

When grandpa was ill and could've died, I would have swapped all my record sales so he could get well. He is the reason I am a singer. He was my best friend growing up.

It turns out that I'm far too schizophrenic musically for people to categorize me. I think people judge me a lot before they ever really know who I am.

I think I'm a mama's boy who wanted to be a hockey player, who failed, and had to become a singer. I think that I'm a generous, impatient, kind, jerk.

I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor and I am only learning now stupidly that you can't read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.

I get to study and I got to mimic and what I basically did was I stole from every person that I could steal from. I was an imitator. That's what I was. It was years before I could take all of these things that I loved about all of these different artists and put them together and find my voice.

I don't want to be the flavor, the passing thing that the girls scream at. I think that it's more important for me, honestly, that the guy who gets dragged to the show, you know, looks at his wife and says, thank you, that was great and tells his buddies.

The artist that had the biggest impact on me was Michael Jackson. He was my Elvis and Beatles. When I was 15, I listened to a lot of Sinatra, but my jean jacket didnt have, I love Frank on it, it had, I love AC/DC, Guns N Roses, Pearl Jam. I thought Eddie Vedder was the second coming.

Every time a new rock singer comes out they don't say, 'Are you the new John Lennon?' Every time a new rapper comes out, it's not, 'Are you the new Dre?' I am never sure why this sort of genre, the categorization is so strong. I have not earned the right to be called the young Sinatra, but give me time.

I want to be around for a long time. I want this to be a career. I want to sing like Tony Bennett. I want to be an old man and I want to go through all the ups and downs and I wanna still love what I do.

There will never be another Frank Sinatra. I never wanted to be another Frank Sinatra. I only wanted to be another Michael Buble.

I just don't want people to think I'm too sweet of a boy; and little miss angel boy, because I'm going to get caught doing somebody horrible.

My favorite music is '80s music which drives people around me crazy. I really love it.

I connect emotionally to these songs. I mean what I say when I say it, and that allows your audience to connect. That's the number-one reason why any music is successful, because you make people feel something.

Not that I'm some rocker, but what I do in a show is probably far more aggressive than what Dean Martin or Bobby Darin ever did.

I think the legacy we leave is our family. I don't think it's money. I don't think it's - I'm not saying that charity isn't a great thing. I just think that it's my family. Even now I look and I think, God, I'm lucky if I lost it all.

I have the most eclectic audience - I've got gay, I've got straight, black, white, rich, poor, young, old, in 45 countries. And they don't all come because I'm the Sinatra kid, though that's a big part of it. My biggest successes have come from pop songs that I write myself.

Look at Neil Diamond. Was he the cool guy? No, he was the housewives' guy. He didn't try to be what he wasn't. He just did what he did - made great music, was a good entertainer, nice-enough guy.

This is why I wanted to be different and why I wanted to have power and fame and money: because I wanted to be attractive to the opposite sex. I'd be lying to you if I didn't say that was a big part of it

I don't know what to say. I feel like Kelly Clarkson a bit.

I think this might be my favourite thing I've ever done,

Right now Save the Last Dance (for me) is the single so they're probably going to want me to do that.

That was awesome. Everybody was just so really nice. I've done the show three or four times in the U.K. where it's called 'Strictly Come Dancing.' It's a huge, huge, huge hit show there. As a show it's a great vehicle for any singer to come on and sell his or her record.

I've been keeping all the letters that I wrote to you. Each one a line or two: "I'm fine, baby. How are you?" I would send them, but I know that it's just not enough. My words are cold and flat, and you deserve more than that.

If I'm a betting man I think my chances are in the 40 per cent up (range).

I realize I have made a lot of mistakes and done things wrong. I've done things I wish I could have done in another way. I didn't come in with the same kind of desperation that I may have had on the first or second record. I didn't come in thinking, 'Oh God, please. I hope this does well because I have nothing else and I worked so hard at this.'

I don't think it's soft at all. I think a man can be in touch with his emotions.

For me I look at a group like Queen or AC/DC or the Beastie Boys. There was melody within what they did. There was a certain style with what they did. I think it is coming back.

I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody. ...

I have not earned the right to be called the young Sinatra, but give me time.

Someone asked me the other day, 'Do you get upset when people say you are the young Frank Sinatra?' It doesn't upset me. It is a huge compliment, but it is false.

I am singing a genre of music that people are very protective of. I am being compared to the greatest vocalist of all time.

When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.

I can't sit and compare my trouble to Brian Wilson but I came from a blue-collar family of fishermen. Music was an escape and a way for me to dream of better things and a better place to be. Let's just say I was an insecure, scared kid.

On social media and [in person] I hear stories of how a song like "Home" helps. Whether it's a guy overseas coping with missing his family or something deeper and terribly dramatic. Somebody once told me that ["Home"] is the song they listen to when they go to the cemetery to visit their child that passed away. It gives them hope. At the end of the day, that's all what I want to offer people.

I struggled more with my identity. Let's be honest - early on in my first records, I didn't have the power to tell David Foster or other producers what to do.

As I look back, I understand what [the record company] was getting at. They were trying to market a record and make it as commercially acceptable as possible. It hurt me and my credibility with critics.

I like my job but it's not who I am.

I love that I'm able to take people away just for a little while. Even if they come to my show and it's an escape from taxes or heartbreak or a shitty workplace experience - all those human beings I get to sing for laugh and emote with give me more happiness than I could ever give them.

A lot of subjects blend into the same thing: intolerance. When you're a little kid, you don't know that it's going to get better. Your life experience hasn't told you that. I want to protect those people. I want to send out a message and at least try to get that across.

If [my son] had any pain in feeling that he couldn't express to me, that would hurt.

A lot of artists talk about getting out of their comfort zones and being the most proud of their newest album. But it is true for me. I rethought a lot of what I do.

As I've gotten older and the world has gotten far more complicated .

The fact that there's a more open discussion about everything from feminism to racism . . . I look at my two boys . . . this is their future I'm talking about. When I'll be long gone, it'll be them and their kids. I know that sometimes the darkest times are followed by the lightest. Sometimes bad things have to happen for good things to happen. At the very worst, we're having very open discussions, discussions about things we didn't even know f - king existed. I talk to my friends about it and they are absolutely shocked. They didn't even know.

I'm not talking about just Donald Trump's politics - it's what he's brought up. It's a real conversation. We're just people trying to fall in love as nations and human beings. We need therapy, man. The world does.

I was so lucky. I had a dad and a mom that loved me and my sisters so much. My Uncle Mike and Uncle Frank were married. They must be together for fortysomething years now. Long story short, there was never any stigma attached to that. At the youngest age, I remember my dad saying, "Sometimes men love men and women love women. It's nature."

I was reading a Time magazine interview with an author named Brené Brown. She said, "People that fail seem to ultimately do the same thing they think works over and over again." I had an epiphany and called my manager and started a creed with my producers. I promised we'd do whatever was best for the song and the album - no ego would get in the way.

I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.

Christopher Hitchens is perhaps the greatest orator ever. He's such a famous atheist.

[Dean Martin] my favourite out of everyone because there is a grace that he brings. What he did seemed so effortless.

I believe [Dean Martin] is underestimated as a vocalist only because it seemed like what he was doing looked easy - but it isn't and it stands the test of time.

I think Elvis Presley is a crooner. Even people like Eddie Vedder, I hear him sing some things and I go "wow". Seal, that kind of nice voice, too.

I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.

[Dean Martin ] had this really wonderful rich, authentic, distinct vocal style. His humour in movies [and] the self-deprecation and the coolness he had could overshadow what a marvellous vocalist in the Great American Songbook he is.

There was no way I was ever going to get a fair shake. How good could I be? I was Canadian. I wasn't from New York. I wasn't from Vegas. I was born in 1975, not 1917. My last name wasn't Sinatra or Darin or Martin. Early on and often, there was always the comparison. "He's good, but he's no '[fill in the]blank.' "

I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.

You can try to trick the people and come out wearing a fedora and a tuxedo but that's not me. I was born in the late '70s, I wear jeans. I don't hang out in casinos. The lifestyle isn't my thing. I don't drink martinis and I don't smoke cigars.

Jazz is like a great blues band that fell down the stairs

I met the [Frank] Sinatra family for a [performance] I did for his hundredth birthday and one of the first things Sinatra's daughters said to me was, "I'm so glad you make your own beautiful arrangements now."

It's all about love. We're either in love, dreaming about love, recovering from it, wishing for it or reflecting on it. That's what this record [Call Me Irresponsible] is about.

Who I am is a dad and a family guy. When I look in the mirror and talk to myself, that's what I want to reflect.

It's human nature and one day maybe 20 years from now some young kid will come up and people will tell him "my God, you are like a young Michael Bublé. It happened to Harry Connick Jr with the Sinatra thing and now people are saying to me that I am the new Harry Connick Jr. It is a natural thing. I remember hearing interviews with Harry Connick saying "I am not Sinatra, leave me alone, I am different". It's a small thing to deal with.

It's a bit shocking when you show up in Africa or you're in the middle of Spain and there are people that know the words and the young kids singing along.

I'm fascinated by politics. I love watching everyone from Neil deGrasse Tyson to Lawrence Krauss to people like Richard Dawkins and Noam Chomsky on YouTube.

I had this strange belief, perhaps naively, that somehow, if I kept working hard, and I kept doing it with integrity, that I would get my chance.

I see that I have been engaged to Emily [Blunt] without ever asking her. The big question I had was, do you think I would ask her to marry me through 'Hello' magazine? Would I do something like that? Would she allow that to happen? It is completely ridiculous.

I would rather have people be even cynical about me than to feed the negative vibe. Y

I look at my little ones and I love them so much. I think to myself, "By God, if my son is gay, it's not that he was turned or learned into it. My son, his soul, the way he was born . . . this is him."

I had done an interview with 'Hello' magazine. In it, they asked me if I was going to marry Emily Blunt. Of course, what was I going to say? I said, 'Oh yeah I am going to marry her and I love her and all of this stuff.' It's true. I was making a joke. They said to me, 'Have you asked her?' I said, 'Have I? Maybe I am asking her through the magazine.'

You want to be commercially successful and critically acclaimed. But the truth is, there's only a few Bruce Springsteens and Paul McCartneys out there.

I brought in producer Johan Carlsson [Ariana Grande, One Direction, Flo Rida] and asked, "Can you make this better?" And he did.

I was probably five years old or four years and I would listen to "White Christmas," and I just thought it was the most beautiful thing ever. The musicianship and his voice and the melody of that song; it's almost like I wish it wasn't a Christmas song because I wish that you were allowed to listen to it all year.

Sometimes being an artist means knowing when to let someone see something in you that is there that you can't hear or see.

I might have to wait. I'll never give up. I guess it's half timing, and the other half's luck. Wherever you are, whenever it's right, you'll come out of nowhere and into my life.

It's a beautiful day, and I can't stop myself from smiling!