Nancy Werlin Quotations

You start thinking about a character in a new book, of course you're going to think pretty soon, 'Well, what's their secret? What is their problem?' Maybe, 'What is their secret?' is another way of saying, 'What is their problem?' There's got to be some issue, or you've got a totally boring book!

I do seem to have a lot of family secrets in my novels. I guess I'm one of those writers who is often writing about the same sort of themes, but taking different angles on them.

Going back to my own past as a reader, I was a big, big reader of romances, particularly as a teenager, the age that my books are aimed at.

'Extraordinary' is an original fairy tale, a contemporary story. But like a traditional fairy tale, it heads quickly into frightening, bloody territory. I am afraid for my book, as it goes out alone into the world, just as I was frightened for Phoebe as I wrote and rewrote her story.

I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.

I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.

No matter how beautiful and loved a cover may be, the jury on it remains uncommitted until the book has been in the world for a while. Perhaps bookstore buyers will be indifferent. Perhaps it will be lost on store shelves. Perhaps there's another book or two out there using the same or a similar photo.

There was a mission: To match the cover of 'Extraordinary' to the cover of the paperback 'Impossible,' which was commercially successful. Consider the outdoor natural setting, the single girl in motion with her hair blowing, and the cursive font used for the title; both covers have these in common.

Leo and Soledad simultaneously gave out a sort of half laugh, half snort. It was loud, and it was relieved, and it broke the tension and caused Pierre to bark again, indignantly. All of which meant that neither of them heard it when Zach turned to Lucy in that same second and whispered: There's something else you need to know. I'm not just your friend. I am completely in love with you.

Such a bad mistake it would be, to embark on marriage and adult life without a nice supply of duct tape.

There is nothing in this world that I want or need, but you.

I think you have a right to whine. Honestly, Lucy. We all have the right to whine when life gets tough.

Nothing that had happened in the past could be taken away. This was an amazing gift. The past was done and over and settled; you couldn't get it back, but still, whatever good you had gotten from it, spiritually, emotionally, would be yours for your lifetime.

Sometimes the people who mean you harm, are the ones that say they love you.

Anyone in this world can have the power of life and death over someone else. It's horrible, but true. All you need to do is take it. And once you have -- there is no going back. (The Killer's Cousin)

The human instinct for self-preservation is strong. I know, because mine pulls at me, too, like the needle on a compass. And everybody - I've been reading some philosophy - everybody seems to agree that the instinct and responsibility of all humans is to take care of themselves first. You have the right to self-defense. You have the right to survive, if you can.

Always remember: In the end, the surviver gets to tell the story.

It was any outcast's nightmare. If I looked carefully, I suspected I might find it beneath the black paint of the small acrylic by the window.

When you're living your life in endurance mode, you don't expect anything good to happen. I'm not saying that you don't dream about some miracle that would change everything for the better. But you pretty much know it's only a fantasy, and that you have no real control over anything.

But just now, he'd gotten on his knees and proposed marriage, like in a television commercial for a diamond ring. Except of course they had the roll of duct tape instead, which, when you came to think about it, was a far more practical item. Such a bad mistake it would be, to embark on marriage and adult life without a nice supply of duct tape.

You can be special without being extraordinary.

No. It's actually not okay. And I hate when people say that, when they say it's okay even though it's not. It's better to tell the truth.

When you first fall in love, it's supposed to be awful. Awful, uncertain, scary, wonderful, confusing, all at once. That's how you know it's real. You have to care deeply. Passionately. That hurts.

I'm not saying I'm glad it happened. Not exactly. But I'm not sorry to be the person I am today, and to have the life I have now. Even though it's not what I thought I wanted for my future, a year ago, it is what I want now. ...

We formed the fellowship of the ring when we should've all just gone on medication

If it ought to be done, then apply yourself to it strenuously

Zach found himself remembering something he'd heard Soledad and Leo saying the previous night, about healing. That it was mysterious. That it took time. And that Lucy was just at the beginning. That a terrible thing had happened - two terrible things, really - but they were now over. And that Lucy would be okay, in the end.

It's just that, right now, I want to hear you promise me that if we do run out of time and I go mad, like Miranda, it ends with me. The curse ends here, because our baby will be safe. You will make that happen. Isn't that so?" It took him a minute. "Yes," he said finnally. "It's so. Although, if we're just going to talk about the baby, I can think of an easier way to save her." Oh? What?" I'd just lock her up from her sixteenth birthday on." Lucy didn't laugh. "Don't think I haven't thought of that too, love. but here's the thing. That parents try that in all the fairy tales. It never works.

MATTHEW'S RULES OF SURVIVAL 1. Sometimes, the people who mean you harm are the ones who say they love you. 2. Fear is your friend. When you feel it, act. 3. Protect the little ones. 4. If you coped before, you can cope now. 5. Always remember: In the end, the survivor gets to tell the story.

Emmy, the events we lived through taught me to be sure of nothing about other people. They taught me to expect danger around every corner. They taught me to understand that there are people in this world that mean you harm, And sometimes, they're the people who say they love you.

From all of us Scarborough girls, greetings and thanks. This task required two, working together, trusting each other. It required the "us," not the "I." For that is true love, is it not?

Besides, Southerners are hospitable. They'll probably offer me lemonade." Excuse me? You're going to sit on a porch and drink lemonade while I plow a swamp with a goat's horn?" Yes, ma'am. And I aim to wear my seamless shirt while you do it.

People who're nuts never doubt their own sanity. (The Killer's Cousin)

Was true love when you wanted to slap someone and kiss him madly at the same time?

But I know that I'm not who I was supposed to be. Who I could have been. And I know it's because I was too afraid for too long.

It is absolutely okay with me if you need to keep some secrets. I've been thinking about this and I decided that a best friend is someone who, when they don't understand, they still understand.

Music links us humans, heart to heart...Across time and space, and life and death.