Thomas Heatherwick Quotations

I studied at a time when buildings were sterile things, and their creators were hands-off people - super-intelligent people, but you felt they didn't love the stuff buildings are made from.

As a teenager, my father took me to the shows at the Architectural Association and to places like Milton Keynes back when it was first being built. But I couldn't find anything for me. There seemed to be despair at the possibility of the built environment possessing any imagination in the real world.

An interest in ideas is a sign of human life. People are fascinated by what the future is going to be - and the future is going to be an accumulation of ideas.

To make architecture with any real value is a massive challenge.

I am finally getting the chance to build large structures and break preconceptions that my designs are just sculptures for people to be in. But my work always comes down to the human scale.

It's important for people who criticise architects - whether what they build is or isn't to your taste - to appreciate how they devote themselves and put everything into bringing a building into existence.

I don't feel I'm trying to make art. I'm trying to make interesting things. People can relate to that.

The British government - any government - is potentially the worst [architectural] client in the world.

I have a strong sense that every project is an invention, which is not a word I hear being used in architecture courses

Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.