Steven Moffat People Quotations

I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?

Amy: "Can I come?" Doctor: "Not safe in here, not yet. Five minutes. Give me five minutes and I'll be right back." Amy: "People always say that." Doctor: "Am I people?...Do I even look like people?...Trust me, I'm the Doctor.

Kathy Nightingale: What's good about sad? Sally Sparrow: It's happy for deep people.

People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint - it's more like a big ball of wibbly wobbly... time-y wimey... stuff.

People don't really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it.

You'll go out of business if you think people are stupid.

The way you get your script to the right people is that you put it in an envelope. It's easy. The difficult bit is writing something that is so good people will take a punt on a brand new writer.

I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.

Fascinatingly confident, rude people are great.

Sherlock Holmes can be wise and funny. He wasn't, at the beginning. But later on, he's got a bantering relationship with loads of people. He's got a wisdom that he didn't have in the early stage. But he stays on the mountain top, and he will die up there. He's not going to change that.

An awful lot of storytelling isn't really about making people understand - it's about making people care.

[Sherlock Holmes] becomes more human and more adept at fitting in with a lot of people, but he remains separate from the human race because he finds that a better place to observe that from. He stays on the mountain top because there, he can see clearly.

You could only draw conclusions about my personal sexual politics if you proceed from the assumption that I was presenting the characters as the way it is and the way it ought to be. But both are clearly defined as deranged – it’s love among the mad. He’s a psycopath, so is she. She’s prepared to throw him to the dogs until he works out the code, he’s prepared to let her nearly get executed. They’re not really going to buy a house and a Volvo together. I’m not saying this is how people should date!