But I think the children of actors share a certain pragmatic approach. One is denied some of that 'running away with the circus' element of being an actor.
There are things that I would avoid, so I have the choice to say no, when I feel I'm repeating myself too much. But then there could be a reason to do that with a good director. So I think actors have to have a loose philosophy.
I think it will be, as always, interesting to compare different portrayals of Hitchcock. I'm very honored that I'm playing the same part as Anthony Hopkins.
There's something in the rhythm and roll of it that is connected to the way Hitchcock thinks and moves. Then there is everything he ingested - the cigar smoking and drinking that's imprinted on his voice.
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
I work best when a little scared, when there's so much more than the lines to think about.