To be a white kid into hip-hop meant you'd sought it out and you practiced the art. Which meant dedication and diligence, as well as removing yourself at least occasionally from your own comfort zone and circumstances, and from people who looked like you.
The paradox of being in an industry where other people are usually the gatekeepers: publishers, editors - there are a lot of barriers to having control over your career. But coming out of hip-hop, the mindset was always to create your own.
How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
Graffiti writers were the most interesting people in hip hop. They were the mad scientists, the mad geniuses, the weird ones.
I came up in hip-hop, where people value the ability to tell it straight.
I've probably done more than a thousand interviews, and I can't remember what people asked me two months ago or two days ago.
Ultimately, very few people parent their kids in ways that strike anybody else as reasoned, appropriate or sane.
One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
I think there's a lot of anxiety about being seen as a bad parent. There's still a lot of subjects that I think people aren't entirely comfortable being honest about.
Sleeping is one of the more private aspects of parenting; it happens in a quiet room, whereas eating is a more public aspect of parenting. Other people can see it and compare it to what their kids eat.