Al Jarreau Music Quotations

Jazz told people about the special music that came out of America and about America in general and this kind of liberty and freedom that we have.

Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.

I'm really looking forward to it because it will give me the opportunity to do the whole other kind of approach to the music live that I haven't had a chance to do. and I think is important for me to do.

I'm not sure it's a better music world of appreciation and performance. I think the listener is a different guy, and listening is something he does in passing, with other stuff going on. There's less care and understanding of the relationship between the song and the listener.

I'm touched by rock n' roll. I'm touched by the Beatles. I want some of the music I do to reflect that.

What I try to get beyond is playing music at people and, instead, to play music with people because audience members are constantly part of the experience. What they say in their body language, what they say in their eyes, what they sing with me... it's an 'us,' and there's a communication that's like... it's like church, man.

You have to make a decided effort to not get seduced by the Blues.

Once you discover that you can, then you must.

I grew up the son of a Seventh Day Adventist minister, so I was really close to the church and sang church music between sips at my bottle, you know? I sat on the piano bench next to my mother. She was the church organist, so that music is deeply inside of me.

Music is such a balm. Always has been. It's such a heartbeat, like blood thrumming through the womb. That's why music appeals to people.

The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.

There's a wonderful tradition of jazz people getting on stage and jamming and finding some feeling for music with audiences who may be fresh. For others, it might be just like a comfortable shirt they've been wearing.

I was singing doo-wop on the corner under the streetlight with four other guys when it wasn't called doo-wop. We just got together and sang, so that music is inside of me. It's a lot of stuff that has been rolling around in here and becoming this compost and has made me who I am as a singer.

I have this image in my head of me in the house I grew up in, and hearing this incredible music on the television show, going over to it, and there's Jon Hendricks, Dave Lambert, and Annie Ross. It knocked me out of my socks, and I'm still in flight.

It's always been about making music. I've never gotten caught up with the trappings. You can't get caught up in the limousines and the chicks. The most important thing is the music.

I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.

I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that.