There is an edginess in my work that people don't always recognize.
I know Chuck Lorre personally, and am familiar with his work going back to 'Roseanne' and 'Cybil.'
I just made the decision that I was going to try comedy, and if didn't work, then I knew it didn't work. Then I would go back and do whatever. But at least I wouldn't torture myself the rest of my life, wondering whatever would have happened.
You may have done 20 great shows in a row and come to one, and it doesn't work. You never presume anything.
I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.
Richard Pryor introduced me to the world of the inner city, and the urban world, and did it hysterically. My favorite comedian, even though we work 180 degrees differently, but funny is funny is funny.
The best advice I was probably given and the best advice I could give someone who is trying to get into the comedy field is to take advantage of every opportunity you have to work to hone your skills.