I think George just nailed the whole thing, the whole time period, the whole look and feel of what that newsroom was like. I did a lot of research for the role and believe me, it's all pretty genuine, down to the very last cigarette butt.
It's really a presentation of life, as it was at that moment, in a really artistic way. Everything was double-sourced. George was determined to do this as a journalist.
I think they were being kind saying that. Murrow read his stuff, so I had that ace in the hole. If I froze in front of the camera, I could always just look down. But George said, 'We want you looking at the camera a little bit more than reading, OK?' ... And it was scary.
In this film George presents issues that are important, essential and vital, whoever you are, about constitutional rights and the bedrock of a democracy. I am drawn to those kinds of stories because they inspire me - they are responsible to a populace and responsible to man.