Dean Koontz Writing Quotations

I don't write a quick draft and then revise; instead, I work slowly page by page, revising and polishing.

I never discuss a novel while I'm writing it, for fear that talking about it will diminish my desire to write it.

I think it's the people who have no doubt that every word they put down is gold that probably don't write very well.

The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.

If something in your writing gives support to people in their lives, that’s more than just entertainment-w hich is what we writers all struggle to do, to touch people.

Writing a novel is like making love, but it's also like having a tooth pulled. Pleasure and pain. Sometimes it's like making love while having a tooth pulled.

If you have to pay the bills, and you write something you're not proud of, use a pen-name for that.

When I'm working on a novel, I work 70-hour weeks.

The desire to write well can never be fulfilled without hard work.

Eventually, as my books became best-sellers, the nickels pile up and one day I was offered a substantial four-book deal that was lucrative as any airliner hijacking in history. Though writing those four books was hard work, at least I didn't have to wear Kevlar body armor, carry heavy bandoliers of spare ammunition, or work with associates named Mad Dog.

A plot without action is like pasta without garlic, like Dolly Parton without cleavage, and like a writer without his similes.

If Edgar Allan Poe were alive today, his agent would be constantly slapping him upside the head with tightly rolled copies of his brilliant short stories and novelettes, yelling, 'Full-length novels, you moron! Pay attention! What's the matter with you -- are you shooting heroin or something? Write for the market! No more of this midlength 'Fall of the House of Usher' crap

If you write with passion in your own style, you will make a place for yourself

But once an idea for a novel seizes a writer...well, it’s like an inner fire that at first warms you and makes you feel good but then begins to eat you alive, burn you up from within. You can’t just walk away from the fire; it keeps burning. The only way to put it out is to write the book.

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel.

Sometimes many publishers prefer that you write the same book every time, but I have a low boredom threshold so that isn't going to happen.

I realized you might make money at writing, and you might even make a living at it. So after that I didn't write stories just for the class but wrote them for the purpose of submitting them somewhere, and at some point in the process, I began writing them just to please myself and that's where you begin to see the real value of a life of writing.

I enjoy the hell out of writing but don't like what follows: promotion and publicity, which I always strive to keep to a minimum, sometimes to my publisher's dismay.

I don't procrastinate because I love the English language and the process of storytelling, and I'm always curious to see what will come to me next. If you procrastinate a lot, you might be one who loves having written, but doesn't so much like writing.

Writing isn't a source of pain. It's psychic chemotherapy. It reduces your psychological tumors and relieves your pain.

If I had to write a rough draft, all the way through and then go back and start over, I probably would just stop writing. I wouldn't find that interesting. I would feel that I had committed so many things to the paper that I couldn't easily undo because one thing leads to the next, the interconnectedness, the sequences would make it very hard to change something that simply didn't work.

There's still a fascination with somebody who can write at book length, no matter what the book is.