People expect me to do the classics, and it is a lot like playing a favorite song.
It's a simple and an effective way of getting everyone on the same page, prepared and paying attention to the gag. People just get into that frame of mind of you doing impressions. It can take a minute or two for an audience to catch on when you aren't doing one.
When I used to watch vaudevillian impressionists, people like Rich Little or Frank Gorshin, I always felt like the voice was the only point. I didn't want to do that. I wanted to be of the Robin Williams or Jonathan Winters model, where observation and storytelling was important.
With Twitter, it's a little harder to tell jokes that somebody hasn't heard already. You have all these people out there sharing their opinions and telling jokes in real time, and by the time you get on, somebody's already done some version of what you're trying to do.
Most people want to be on TV as much as possible. I went up the ranks so fast because I was doing impressions, and nobody was really doing it when I started. I never got a chance to explore what's my comfort level onstage.
I'm kind of the antithesis of a comedian. People that don't like me will agree with that.