These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable.
Now having said that, I realize that releasing a film in the real world is like trying to get General Motors to release a handmade car.
So the location for this film is the images themselves - what is traditionally called stock and archival images. Then we animated those images.
Remember that the film is about the digital domain. From the point of view of the scenario, images are evil demons, if I can be so bold.
My job is to assemble this team of collaboration, hope that everyone has a strong ego but no vanity and that we can proceed with a critical path.