I was a political refugee living in Venezuela. I had a job that was twelve hours a day, no money. It was a hard time.
Every life of a character is within a context. If I write detached from a social and political background, my story looks like a soap opera where everybody is indoors, not working and living off their emotions.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
The longest, most solid and complex relationship in my life is with my mother. It started before I was born, and now, when I am 71 and living in California and she is 92 and living in Chile, we are still in touch daily.