My dad didn't have a formal education, but he had a wonderful vocabulary. So in 'Harvest,' I wanted my main character to be an innately intelligent man who would have the vocabulary to say whatever he wanted in the same way as lots of working-class people can.
Part of me feels that I'm letting people down by not being as interesting as my books.
My tongue is what I used instead of my fists because I was a small and cowardly young man. Amusing people with stories and being bizarre with words was my way of getting out of fixes.
When people asked me what I did, I'd say, 'I work in publishing', and when they then say, 'What side of it?', I say, 'Supply' - no doubt leaving them to think I drive the books around in a van and deliver them.
I'm not going to write any more novels. I don't want to end up being one of these angry, bitter writers moaning that only three people are reading him. I don't want that.