Judd Apatow Thinking Quotations

I think people like Lena Dunham really opened up the door to what was possible, and they've inspired young women to go into filmmaking and writing and directing and acting in a way that maybe they didn't before, because now there is a path and there are jobs.

I really think more about being honest and truthful about feelings and how people behave for the movies that I direct, but I also love movies like Zohan and Anchorman, just balls to the wall, how much can you make people laugh in one 90 minute period.

I still feel like a weird kid who is about to take a punch in the face. So, I think it's permanent.

I don't think I'm going to get so mature that I lose touch with the whatever wounded part of myself that feels the need to be funny. I'm already old enough that I realize that's not going to happen.

Maybe you just get so attached to the music of your youth that you think it's better than what's coming out now.

My dad was a big fan of comedy. He wanted to be a stand-up. He loved Lenny [Bruce]. He also loved Lord Buckley and jazz and stuff. He was a hipster. My parents were kind of beatnik-y, you know, for Salt Lake City. But my humor, I think, came from wanting to disarm people before they hit me.

I don't think because a story has humor in it means it's brief. For some reason, people think anything that's 30 minutes is a comedy, comedies can be longer or shorter, so can dramas.

I start thinking about the next movie before it's a success, so I can never have one moment of happiness or peace. I'm instantly thinking about the next one.

I'm getting older, so how people face grave circumstances is of interest to me. And you meet a lot of people who are very courageous, and it doesn't reek of something funny to write about, but I always think that the higher the stakes, the bigger the laughs can be, and the more emotional the scenes can be.

One of my fears is that I'm suddenly not going to be funny, but still think I am. That's like my nightmare that I can wake up in a cold sweat from.

I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.

I remember before I did my HBO special, Chris [Rock] screamed at me - in a loving way, but still. He was like, "You need to do 200 shows in a row and a month straight on the road before you even think about recording a special!" And I had literally booked two weeks on the road and then went right into the recording. It put me in a panic, but it also made me work harder and made me realize that everyone works differently, and that's okay.

Every time I'm in editing, there's always a moment where you think, "Maybe this should be six or seven minutes shorter, but I'm losing character and story that I think is important." When I like things, I'm not in a rush for them to end.

There are people who like short movies, and I think they should just watch our movies on DVD because they can pause, go to the bathroom, eat dinner, and come back to it.

I don't think there's that many great 90-minute comedies.

I hear Amy Schumer on Howard Stern, and I think, "I wish there was a movie that starred her, because she's so interesting," and then at some point I go, "I guess I have to get involved, because it's not happening right now. Maybe I should help try to make that happen."

I think there have been so many documentaries about pop stars, made by pop stars. It's a new phenomenon. People making these movies where they praise themselves and show their own weaknesses. it's all designed to make you love them even more.

I think it's fun to have people see everything at once, and then I think certain shows are very well-suited to being on every week and being spread out over months.

I'm always talking to people. It's not that complicated. I just find somebody and say, "Do you have any ideas." If they do, we just start thinking things around.

I did get good enough to get on HBO's Young Comedians Special, but I certainly wasn't the person who got launched off of HBO's Young Comedians Special. That would be Ray Romano that year. I had some semi-intelligent jokes, but when people would see me, they would think, "Oh, that's a good writer." No one would ever have said, "Oh, that's a good performer."

It was always the most fun thing in the world to think of a joke area and talk about it with someone like Jim Carrey, and then he would get on stage fearlessly and tear the house down. That's something I always enjoyed. It also allowed me to not be terrified.

Some people make movies and think, "Well, I'll just keep asking for more money if this isn't enough." And then there are other people, like Clint Eastwood, who always come in under budget.

I think, there were probably problems with show business where producers and directors would try to get the writing credit also. So they created a rule where the bar, to get your name added to the writing credits, if you've done a revision, is very high if you're also the producer or director.

I think Jim [Carrey], in the best possible way, thought, "I need to do different things to establish to the audience that I'm not going to do the same thing every time."

The little details really connect for people in ways I never realized before.I think that's why some of the movies have done well, because people are relating to things that I'm willing to expose.

I used to watch 10 hours of television a night, my entire childhood. And I don't think it did all good things to me. I certainly still have social problems that are a result of being in my room alone too much.

I think we all have a love/hate relationship with the media.

I think a lot of studios today are run by women, and we are entering a time when a lot of women have evolved in Second City and Upright Citizens Brigade and wanted to become writers and comedians.

I think a lot of Hollywood is in retreat right now trying to figure out how to make money and make the safest bets.

There's something honorable about holding out for love and not breaking up for the sake of the baby. I see people get divorced, and there is a part of me that thinks, I wonder how hard they tried?

I think that everything I do tends to root for the underdog.

The moment you think of a joke is the best moment.

I think the story should always determine the visual approach. There are situations where you want things to feel alive and like life, and there are situations that should have some magic and the separation with the grain.

I put on a big show when I write something I think is funny.