Art is head space that is very exclusive: it shuts people out; other people cease to exist.
All my novels are about people who strive to heal and evolve.
I get increasingly respectful of people who have faith and increasingly creeped out by them.
Very few stories embody a human truth so definitively that we cannot think of the truth without remembering the story and cannot imagine how people ever got by without it.
So many books that have Christian characters but are written by atheists mercilessly pillory and mock and question the motives of people with faith. I'm past all that.
I think throughout the 20th century, for some reason, serious writers increasingly had contempt for the average reader. You can really see this in the letters of such people as Joyce and Virginia Woolf.
I strive to use references that may still make some kind of sense once our age has passed into history. That robs my writing of a certain connectedness to my time, but potentially might allow it to make sense to people who are not in this time.
I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me.
And you know what people immediately start looking for, five minutes after they arrive someplace new? You know what's on their minds? I'll tell you: How are they gonna get laid, and where are they gonna find some mind-altering substances.