Plenty of people say my guesses about a future drought in the western U.S. (where I live and grew up) are wrong, so I don't see why I won't be wrong in some people's eyes when I go set a story on foreign shores.
I think inherently, a little bit, I'm a bit of a pleaser, and I want people to like me and be nice, and to not ruffle feathers and just make everybody happy and stuff. It's a personality flaw.
There are parents who are really angry that I decided to portray people who have come into the country illegally as decent human beings.
People don't actually stay still, you know - when their area is a disaster, they go somewhere else, right? And that's just a natural human impulse.
I know people who have gone into career death spins, and that's something you're always aware of as a writer.
As an author, you're really grateful for the people who are supporting you, but on some other level, that can be a dangerous echo chamber.
All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The Man must be fought.
The things that have really gotten confusing to me is how you balance the desires of your publishers to produce things on a schedule, and people are always sort of giving you ideas on what you should follow up with or how you should proceed next and things like that.