Patrick Rothfuss Thinking Quotations

I think one of the biggest mistakes you can make as a writer is to follow your initial [writing] plan too stringently. A story needs room to grow and evolve.

I don't think people need to know much about me to understand the book, or to enjoy it. The book stands by itself. Over the last several years, my life has been all about writing these books, but the books aren't about my life.

However, while being able to think about two things at the same time is a terribly convenient, the training it takes to get there is frustrating at best, and at other times rather disturbing. I remember one time I looked for the stone for almost an hour before I consented to ask the other half of me where I'd hidden it, only to find I hadn't hidden the stone at all. I had merely been waiting to see how long I would look before giving up. Have you ever been annoyed and amused with yourself at the same time? It's an interesting feeling, to say the very least.

What were you thinking?" Bast said with an odd mixture of confusion and concern. Coat was a long while in answering. "I tend to think too much Bast. My greatest successes tended to come when I stopped thinking and simply did what felt right, even if there was no explantion for what I did.

Still, these days when I daydream about the movie, I don't think about the big picture. It's more fun for me to think of little things that would add to the movie. I like to think the powers that be would let me amuse myself with some small things in order to shut me up while they re-write the screenplay to turn Kvothe into a lesbian, shape-changing unicorn.

I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery.

I have an apple that thinks its a pear. And a bun that thinks it’s a cat. And a lettuce that thinks its a lettuce." "It’s a clever lettuce, then." "Hardly," she said with a delicate snort. "Why would anything clever think it’s a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too.

I think the best part of being an author is that I get to learn about anything I want and explain it away as research.

Elodin looked at me. "What a remarkably honest threat," he said. "Normally they're much more growlish and gristly than that." "Gristly?" I asked, emphasizing the 't.' "Don't you mean grisly?" "Both," he said. "Usually there's a lot of, 'I'll break your knees. I'll break your neck.'" He shrugged. "Makes me think of gristle, like when you're boning a chicken.

I took a deep breath, 'I took the nahlrout because I didn't want to faint. I needed to let them know they couldn't hurt me. I've learned that the best way to stay safe is to make your enemies think you can't be hurt.' It sounded ugly to say it so starkly, but it was the truth. I looked at him defiantly.

I needed to let them know they couldn't hurt me. I've learned that the best way to stay safe is to make your enemies think you can't be hurt.

What do they do to students at the University who eavesdrop?” Bast asked curiously. “I haven’t the slightest idea. I was never caught. I think making you sit and listen to the rest of my story should be punishment enough.

One of them had a large wooden sign nailed to its door proclaiming, NO SYMPATHY! I wondered what non-arcane visitors might think of the warning.

I've got an idea for a modern day faerie tale that I think would made a great short novel. But I just don't have the time to work on it right now. I'm way too busy with the 'Kingkiller Chronicles' and being a new dad.

85% of modern music doesn't have a damn thing to do with music. It has to do with looking good. Name me one woman on the top ten right now who isn't absolutely smoking hot. You think that's a coincidence?

The framed tale is, in my opinion, one of the most natural ways to tell a story. If you think of it, the conceit of the frame-less story is actually the odd way of doing things. Without the frame, how do you know the context for a story?

I think the tendency to over-explain and over describe is one of the most common failings in fantasy. It's an unfortunate piece of Tolkien's legacy. Don't get me wrong, Tolkien was a great worldbuilder, but he got a little caught up describing his world at times, at the expense of the overall story.

She looked at me. "What? Is there something wrong with my idea?" "It's not very heroic," I said dismissively. "I was expecting something with a little more flair." "Well, I left my armor and warhorse at home," she said. "You're just upset because your big University brain couldn't think of a way, and my plan is brilliant.

It's the questions we can't answer that teach us the most. They teach us how to think.

I'd like to do an anthology. Maybe a collection of songs set in my world, or based on my world. I think that would be a lot of fun...

I'm not a big fan of overt marketing. I'd much rather just put things out there for people to see. I'm just putting it out there for people to see. If people think this is cool, I'm hoping they'll tell their friends.

A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.

When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.