When I first started making films like 'Saturday Night...

When I first started making films like 'Saturday Night Fever' and 'Urban Cowboy,' those were accidents as far as social impact is concerned and we didn't know what we were doing as far as the effects they would have. But when you make decisions like 'Primary Colors' or 'A Civil Action,' those are bolder and kind of dangerous in a way because you can't be guaranteed that anyone will come to them. I really can't do it without you (the film critics) because these kind of films don't survive out there without your acknowledgment. We have to be a team here, otherwise we can't survive very well.