Episode Quotations | Page 3

I want to beat up Michael Fassbender in a movie. I was with him at the beginning of his career when he did an episode of 'Murphy's Law.' He's a proper superstar and enormously talented, but I want to do a scene where I properly duff him up.

Is this case, as these types of cases go, so remarkable? This case would not make a great episode of 'The Sopranos.' It's not that interesting.

It worked out extremely well. The 10th episode was an incredibly strong episode to start out the season. So it was really easy for us to end the season on that ninth episode and start up again on that tenth without missing a beat.

There's this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going.

Once again, this episode shows the agency's complete tone-deafness,

The key to any good comic strip or television sitcom is to reset the board at the end of the episode because people like familiarity.

Their concern was not having another episode like the Cadillac.

I hope to get justice because this whole episode has made me a depression patient.

I'm very delighted they didn't choose to do the very musical episode of 'Once Upon a Time' when Ariel came in because I probably wouldn't have been the best girl for the job!

I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.

I met the real George Steinbrenner on only one occasion when he actually came and played himself on an episode of 'Seinfeld.' He seemed to really enjoy himself. I did not get to know him, but the fact that he allowed himself and his beloved team to be satirized on our show is an indication to me of his true character.

I had more agents tell me that was the most frighteningly realistic episode they'd seen,

I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.

I'm not the kind of actor that can go completely cold into an emotional scene. I have to transport myself emotionally by whatever means possible, and that basically means you carry the situation with you all week, all episode or all day beforehand.

If Senator Lott can provide a satisfactory explanation for his statement, this entire episode should be forgotten. If he cannot, he needs to step down as the Senate majority leader.

I love nineties stuff like Alice in Chains and Nine Inch Nails. It'd be my dream to have a Radiohead-themed episode of 'Glee.' I also love jazz greats like Coltrane, Miles Davis, and Herbie Hancock.

I look at each episode in two ways - from a design standpoint and from an entertainment standpoint - this is TV, after all. We usually succeed on at least one of the levels.

I just finished an episode of a new show called 'Century City.' It's like 'Law & Order' set in the future, and I have a very dramatic role in that. I have to sob and weep and wail. It was very hard. When it was done, I was like, 'OK, time to watch 'SpongeBob!''

I really loved the 'Sopranos' but didn't have HBO. So someone would send me tapes of the show with three or four episodes. I would watch one episode and go: 'Oh my God, I've got to watch one more.' I'd watch the whole tape and champ at the bit for the next one.

In TV, you're basically shooting an episode in 10 to 14 days; 14 days is a luxury situation. And in film, you have anywhere from a month to three months, or it can be even longer than that, depending on what the production is.

In TV, you may think your character's one thing for two episodes, and then the third episode it could be something different.

If you watch '90210,' you see my hair changing every episode - I've chopped it off, and I've kept it long. I've done it all to my hair on that show.

If you're an English actor, and you're asked to do an episode - especially the Christmas episode - of 'Downton Abbey,' you can't turn it down. It's like, 'Of course!'

I had a great start in television; the first thing I did was an episode of 'Performance' called 'The Entertainer' with Michael Gambon playing Archie Rice.

I planned the episode knowing that it was possible that it could be the Super Bowl episode, but also knowing that we would do the episode whether or not it was on Super Bowl Sunday.

I personally think the best ideas for TV shows - at least comedies - are very low-fi ideas. High concepts often sell pitches in movies and TV, but, especially in TV when you're talking about hopefully a 100 or 150 episode proposition, those concepts just burn off, and then you're stuck with nothing.

He's the absolutely best friend to everybody, ... It's a beautiful story, and each episode is a great lesson in itself.

I didn't feel I was pressing. When things can go bad, they went bad. That's kind of how I felt, almost like a bad episode of the Twilight Zone .

He's trying to put the episode behind him,

I arrived at ILM during the final push to finish Episode I, and it was like going to heaven. A shop full of some of the best people I've ever had the honor to work with. I was lucky enough to spend a few weeks at Skywalker Ranch working on pre-production models for Episode II. Given that it was one of the first jobs I ever wanted to have, it was pretty cool to get a chance to participate.

I am pretty sure if the TV series 'Seinfeld' was on around when Maslow was writing this hierarchy of needs theory, not missing an episode would have made it somewhere between safety and love.

This idea that you can watch a show like 'True Detective,' and it was awesome, but is it really ruined for you if the finale is not your favorite episode of it? It's just odd to me.

The entire episode really damaged fiscal policy credibility in the Philippines." ()

The episode symbolized that she is capable of making unexpected decisions in difficult situations.

The episode of the 'shoe bomber,' Richard Reid, has suddenly meant more feet being bared at airports than at the average Hindu temple. My solution has been to replace my customary lace-up Oxfords with a pair of slip-on loafers when I fly. Generals are always fighting the last war, and security screeners are the same.

The episode is a painful reminder that reforms are needed everywhere in this part of the world.

The current episode is vastly worse than that; there's only been the slightest bit of a paltry recovery in the labor market.

The first time that I saw people actually make the thing that I wrote was my first episode of 'Six Feet Under.' It was called 'Back To The Garden.'

The first couple of minutes of the first episode will resolve all that in a fun and exciting way. We spend the whole first episode getting into the story between Mike and her and the new information he learned at the end of last season.

The Depression was an incredibly dramatic episode - an era of stock-market crashes, breadlines, bank runs and wild currency speculation, with the storm clouds of war gathering ominously in the background... For my money, few periods are so replete with human interest.

The Medium 3D episode provides a great way for fans to enjoy a heightened perspective of Allison's intriguing visions.

The 'Medium' 3-D episode provides a great way for fans to enjoy a heightened perspective of Allison's intriguing visions, ... We're thrilled to partner with TV Guide on this exciting event and thank Glenn Gordon Caron for developing the idea