Felt Quotations | Page 4

I felt that K wasn't getting a fair shake anyway.

I felt like I was trailblazing. And that's what I did.

I confess I've never felt like a passenger.

I felt that in time simple stone tools would be found in early Pleistocene in England.

In ancient Greece, Socrates reportedly didn't fancy a literate society. He felt that people would lose the capacity to think for themselves, simply adopting the perspective of a handy written opinion, and that they would cease to remember what could be written down.

I always felt more emotionally attached to Cambodia than I did to Vietnam.

I joined forces with the American Cancer Society in 2010 as a spokesperson for the N.F.L.'s 'A Crucial Catch' campaign, which benefits the American Cancer Society. This was important to me because I lost my mother to breast cancer, and I have always felt a strong commitment to doing all I can to fight this disease.

My mother and father were never frightened of anything. They always felt that they should go through life happily and without fear, and they did that. And it was a great boon to my brother and myself.

As I watched bookstores close, I began to wonder how that felt for the owners. Owning a bookstore was their dream and now they're struggling and seeing those dreams fall apart.

I specifically remember doing the musical 'Sweet Charity' at Stagedoor. I was playing Vittorio Vidal, which is a very funny part, and some other small roles. I couldn't really sing that well, but there were so many fun bits, and I just remember the tremendous adrenaline rush I felt from being onstage and hearing the audience enjoying it.

I've always felt I had the talent. I've done a lot in my life. I've written, been in bands, done live TV for a network in Perth. I'm well-trained when it comes to being on a set, which gives you freedom.

I felt like challenging myself and challenging my readers with something darker and heavier. I don't know how to explain it, because I'm not a political person. I have two political stories, and that's it: 'Human Diastrophism' and 'Poison River.'

The Populist Caucus is the only caucus in Congress devoted solely to addressing middle class economic issues. We formed the caucus because the founding members felt like there wasn't enough focus on middle class issues in Washington, and we're going to keep it focused on middle class issues.

I'm three-quarters Russian, so I've always felt an outsider. But I don't think you can be in a play with John Of Gaunt's 'This sceptred isle' speech and not feel proud to be British.

It felt as if my body was, like, literally betraying me because I went from a very athletic, straight-up-and-down little kid to a very curvaceous woman, and it was just horrifying to me.

I was a serious competitive figure skater and still ice-skate as much as I can. Anyway, I once brought a date to the rink to have him experience what I was into. So all is going fine, and then - bam! - he bit it extremely hard! Skate time was over. His bruises were scary. I felt so bad.

I really love music that's on the periphery of not fitting into a clear genre. I felt like I was constantly being described as something I didn't really feel like I identified with.

My father was a man who didn't consider himself learned. He was a man who liked to be a farmer. He enjoyed his dairy farm and felt the calling. So there was a dedication. I was dedicated as a child to the service of God, and so there was this continual centering of a greater purpose than your own.

When Phil and I started out, everyone hated rock n' roll. The record companies didn't like it at all - felt it was an unnecessary evil. And the press: interviewers were always older than us, and they let you know they didn't like your music, they were just doing the interview because it was their job.

The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.

I felt like I was the only person on the planet with this 'thing called depression', and I remember being frightened. I was knocked out and dopey, and I cried all of the time.

But these realities will make themselves felt soon enough and while I am certainly not asking you to close your eyes to the experiences of earlier generations, I want to advise you not to conform too soon and to resist the pressure of practical necessity.

For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.

I felt a little uncomfortable because, when I went in to the military, I was the main male vocalist they had and when I came out they had like two or three vocalists. Otis came in when I was in the military, too.

Cause I felt I didn't have anything else to prove as a musician... and boy was I wrong about that one.

I always felt that church is where I'm going to find my community and people to live my life with.

On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.

I felt like I was a teacher. But nowadays, I am as much a student of his. He writes a lot of what we play.

I've just always felt it's an incredibly empowering thing, particularly for young women, to capitalize on their coordination and their strength. It's a very empowering thing to feel strong in your body.

The rules and principles of case law have never been treated as final truths but as working hypotheses, continually retested in those great laboratories of the law, the courts of justice. Every new case is an experiment, and if the accepted rule which seems applicable yields a result which is felt to be unjust, the rule is reconsidered.

Even though I was manically overachieving and involved in everything, I still never felt like I belonged. That's definitely affected my whole life and why I wanted to become an actor and tell people stories, because communication and feeling like you belong is such an integral part of our social fabric.

When I arrived, I felt the spotlight shining brightly on me, and I knew the sharks were ready to strike if I did not pan out and prove myself to be the showman and the player the college ranks had labeled me to be.

Whenever I visited China in the past, the relationships always felt superficial; there was no time where I felt those moments of conflict and delight that make you feel close to another person. But since I started touring there in 2004, I would always collaborate with local musicians, and that opened up a new level of intimacy.

I have always felt that the Internet was a more important research tool for a writer than an artist.

It's hard to distinguish when I was actually struggling from when I only felt like I was struggling - which was pretty much always.

Obviously I'm very disappointed. I trained very hard this summer and felt in a good shape to play the U.S. Open.

The only problem was that I couldn't communicate with Dario. He speaks Italian and I don't. We had a translator the whole time. I just felt that something was lost with the go between. He was a delightful man, but I wish we could have spoken the same language.

I believe Johnson understood that the reason was Vietnam. I also believe that he felt that if there was a way to communicate the real issues in Vietnam, that the reasons would be answered or understood. But there was just no way to communicate.

After the Tiananmen Massacre, I felt compelled not only to continue writing but to actively resist the restrictions placed on freedom of speech. I set up the publishing company in Hong Kong, with offices in Shenzhen in mainland China, and managed to publish works of fiction, philosophy, and politics by unapproved authors.

I loved being back out on the pitch. Although I have not been in full training, I felt pretty good.

I felt that with 'In A Perfect World' I was still kind of finding myself - not just as a musician, but also in love and in life.

I just am a clean air freak. I grew up in the woods. I worked in China for a bit and was exposed to all the resources being used and the pollution and felt strongly that for our generation, the biggest economic and societal problem is energy.

I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.

I've never felt a strong urge to rush into Hollywood, so I bided my time and waited till I had a decent body of work to show people, the icing on the cake being 'Salmon Fishing' and 'Parade's End.'

In college, that was when I felt that acting is the one I really wanted because I got to be my true self; this is what I want to do for the rest of my life.

When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.

At this period the enthusiasm of the amateur was fast giving way to a more steady commercial instinct, and I let no opportunity slip of improving my position, but I felt that I was still labouring under the disadvantage of not having acquired some technical profession.

Ever since reading Jean Plaidy's 'Queen in Waiting,' I've felt deep admiration for Caroline of Ansbach.

One of my earliest memories is being backstage at 'Bran Nue Dae' in Darwin when I was about eight. It's such a fun, happy show and a real celebration of being Aboriginal... it felt really great and achievable as a career. It all felt normal.

I started with California, and I did not like it. I flew over to Seattle, and I did not like it much. I felt like Iowa is the place - I like the people and the environment.

Applause felt like approval, and it became a drug that soothed the pain, but only temporarily.

But somehow, I felt no inclination to be interested in it in any amateur way, let alone professional, until suddenly I became interested. And the first thing I did was to compose: not play an instrument, but to compose.

I have never felt anchored when it comes to fashion. I've always had to depend on a stylist helping me to figure it out.

Times of my life, brief periods without music, have completely felt dangerously over the edge.

I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had.

In Korea, when I started, there wasn't a trend where people chose to be both actors and singers. I was the first to do both. It was a great deal hard work, but I got a lot of support and love from my audience. And for me to receive the same treatment overseas, I felt that I was also very lucky.

I was a pop freak. I love music. Of course, I knew soul because I grew up in it. Writing it and everything. I love soul. But I love a tune that has some meat in it. Something I could hang my hat on. Because music is universal. Therefore, I felt no boundaries.

If I somehow felt like having a site which strictly validates was an indication of my manhood, maybe I'd do it, but it really means very little to me. We're mavericks over here, what can we say?

You're convincing these big, tough football players to wear what was essentially women's lingerie. There was a little bit of a Jedi mind trick that needed to take place. The product really spoke for itself once guys felt it and touched it.

I spent 2010-2012 in Stockholm, trying to figure things out. I caught up on life! At the end of 2012, the relationship I was in ended, and I took the first plane to L.A. where my Swedish label has been setting up base. I felt so much more inspired to write and record than I had ever been, and the songs just started coming.

Many women have told me they remember where they were when they read the book, and how they felt suddenly that what they really thought or felt about things made sense.

I felt along with her - not the physical pain, of course, but all her mental anguish. You can't be detached. She needed to have someone who understood what was happening in her mind.

I reached a point where I'd watched enough directors do the job that I felt I understood it. And it's not that I'm a slow learner and it took me this long; I also was enjoying writing, and I still enjoy writing - I get tremendous satisfaction out of the writing end of it.

Whenever they sang a certain song in church, I used to sing it the loudest: 'Lead me, guide me, along the way!' One day, as I was singing this song, I felt as if the Lord was saying to me, 'Lead you along what way?' I realized then that if you don't have a plan, God doesn't have anything specific to direct you in.

The Guess Guy has to have a masculine presence and project a strong personality as a counterpoint to the sensuality of the women in the campaigns. With Tom Skerritt, I think people thought he was an interesting - maybe not the most obvious - choice for a Guess campaign. However, I felt he had that perfect combination that was right for the brand.

I was born with confidence in myself and who I am. Even when I was a little kid, I felt that, and I carried it all through my years. I'm 26 now, and I'm still that person. I think every woman needs to have that self-love.

I'm very lucky, as I've never ever felt any pressure from any producer to lose weight, whereas a lot of actresses have.

The only time I've ever really felt envy is when I've watched people make music, which made my time living in the now-legendary Jazz Loft at 821 Sixth Avenue in New York a constant source of agony and ecstasy!

There was a time when people felt the internet was another world, but now people realise it's a tool that we use in this world.

It was depressing, very depressing. I worried about how I would make a living. I didn't want to stay on the farm. It didn't offer the challenge I wanted and yet, without a college education, I felt that I was really out of luck.

I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.

I always felt that the music sells by itself. The music has always been the successful aspect on my career, and that means that, to me, I can always still stay very focused on music.

When I sold my first business, I wanted to do something nice for my dad. I wanted to give my parents a bunch of money, but they wouldn't take anything from me. They were so happy for me; they felt they didn't need money.

But I am a blasted tree; the bolt has entered my soul; and I felt then that I should survive to exhibit what I shall soon cease to be - a miserable spectacle of wrecked humanity, pitiable to others and intolerable to myself.

I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.

I felt that justice had been served and that the world was, in some way, a better place for all of us.

Hindered by asthma since I was six weeks old, I had begun experimenting with my diet and discovered a disquieting correlation. When I stopped eating the normal American diet of sugar, fats, alcohol, chemicals, and additives, I felt better. I could breathe freely. When I tried to sneak in a hamburger and a Coke, my body rebelled.

I was always the weirdo who wanted to have an egalitarian service in synagogue and felt I was always going against the grain.

The international media concentrates on the famous, the big names. Al Jazeera goes to the margins, investigates stories that are still developing and in the future become very big. Why did the Arabic world love Al Jazeera? Everybody felt he was represented in the newsroom and on the screen. That kind of belonging is ours.

As FIFA leaked information to the media, portraying me as an unethical person, I felt I was left naked, helpless to defend myself, as they repeatedly cut me with a sharp knife.

'Downward Spiral' felt like I had an unending bottomless pit of rage and self-loathing inside me and I had to somehow challenge something or I'd explode. I thought I could get through by putting everything into my music, standing in front of an audience and screaming emotions at them from my guts.

Our struggle was political, ideological and economic, and we felt we couldn't make something of ourselves unless we bettered society. We saw the two together.

For a short time I was an assistant to a professional photographer, and I felt that my soul was not there. That is the stage when I decided to stay in London and do a graduate degree.

Growing up, I had a terrible pudding-bowl haircut. I used to cut it myself, and I'd sew my own clothing, too. I looked a little strange compared to the other kids. But the thing was, I felt I looked amazing, so what other people thought never bothered me.

With 'That Awkward Moment', you could argue I'm just playing the girlfriend of Zac Efron, but the director was such a creative force and let me make her my own. I loved being part of something that felt so relevant and fresh.

When I was a model, I started with an opinion, but was encouraged to lose it. It began as play-acting, but then I lost sight of myself a bit: so when I did the audition for 'Popworld' and they asked my opinion, I felt like crying with happiness.

I was able to sit at Lincoln's side and see how he thought and how he acted, and how he felt about what was going on around him. I felt the pressures that were on him. You can see what people were writing to him, how they were nudging him.

I felt like I'd culturally arrived when a character on the HBO show 'True Blood' was reading a hardback of 'Heartsick' at Sookie's kitchen table.

All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.

I felt like an extraordinary hero. I was only five or six and I had the whole of life in my hands. Even if I had been driving the carriage of the sun I could not have felt any better.

Canada was for me very much Sweden, you know? Very much open people, that they read books, they go see films. I felt at home in Canada. And also, you speak French.

Though I had success in my research both when I was mad and when I was not, eventually I felt that my work would be better respected if I thought and acted like a 'normal' person.

I agreed to film after my rookie year in Golden State. I was more used to cameras and felt that my journey to the NBA was a story worth sharing. Little did we know how much bigger the platform and documentary would become after Linsanity.

As soon as I started writing Julia, by which I mean while writing its first sentence, I felt a sudden, reassuring charge of excitement. I knew it was going to work.

I mean, Emily Harris was his wife. And she seemed to resent his leadership, but on the other hand, she felt like a good soldier, that he had to be the leader.

Right before I jumped out of a plane, I knew what Superman felt like.

I felt the need to tell stories to understand myself.

I felt pretty comfortable with Westerns, apart from the fact I couldn't ride.

I understood at a very early age that in nature, I felt everything I should feel in church but never did. Walking in the woods, I felt in touch with the universe and with the spirit of the universe.

I moved to Los Angeles when I was about 20, all by myself. It was exciting. I had this moment when I felt like I needed to put on my big-boy pants and just make that leap to see what would happen.