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The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.

With the advancement in e-reading technology, I was curious if it were possible for readers to be able to hear the actual songs while reading the book. I contacted Amazon and discussed the idea with their Kindle team, and they were very enthusiastic about it.

The most remarkable moment is when you go out on the stage and you hear the applause of the audience!

When you hear romantic music, it makes you want to take your girl out to dinner or buy her something or take her out in the moonlight or take her on a walk.

I want my music to be everywhere, I want it to be heard. I want to give people an opportunity to enjoy my music, and maybe even hear about this beautiful truth that's in it.

It's funny, because in 1970 I met the Beatles quite by a chance at a party. It was the Beethoven bicentenary, and I was then also playing the Beethoven Sonatas. And that's all they wanted to hear about - I wanted to talk about them, and all they wanted to talk about was Beethoven.

To fans in a festival setting it's like a picnic. You want to have a good time with your friends in that crowd. And in the background you hear the band play, 'Oh, that's my favorite song!' everyone is there to enjoy the afternoon and that's about it.

The Italians are very unmusical. If I go to a Protestant church in London or Amsterdam or listen to a black choir, I hear four-part harmony. Italians could never do that. In Italy, we all have to sing the melody because we cannot harmonise.

I've been doing voices as long as I can remember. When I was little I could pick up on sounds, and then I discovered you could distort what you hear and make people laugh or disrupt a class.

A lot of times, people are ashamed of feeling weak and being rejected - so it's liberating to be able to sing about those things. And it's amazing when other people don't feel alone because they hear it.

Usually, if I'm yelling at the TV, I'm in a bar. If I'm by myself, and it's not a game, I often find myself scolding reality stars that can't hear me through the television set.

I often hear actors say during their interviews: 'I want to play a crazy person, a murderer, or someone who's on edge.' But that question scares me. I mean, of course there are characters I'd like to play, but I can't really say specifically who they are. It's much too hard to play a convincing normal person as it is.

You don't hear a film director saying 'Money mustn't go out of the industry' to actors. You don't hear a concert promoter saying 'We must make sure that money doesn't go out of our industry' to Elton John. Some people in football seem to think, 'Never mind the players, let's get on with the game.'

Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.

We're going to hear a lot of spirited discussion about the President's plan in the next few days and weeks and that's fine as long as everyone comes ready to talk and not just snipe, complain and argue.

The deepest and most sincere feeling I get is when I meet an artist and they have that steel in their eyes and they have that fire and that passion and all they want is to be a star and to hear themselves on the radio.

I strongly encourage listening to the radio to hear something you haven't heard before. It's a very healthy thing to do. It's strange: unless you reload your iPods every couple of weeks, you're listening to and recycling the same music all of the time. I'm serious. Listen to your radio station.

One thing all the way through the show to me is boring. I don't care how great the artist is. I find that if my audience is very young, and they want to hear very young songs, my show will be dominated by that. But there'll be some ballads here and there and some swing tunes.

During my own gap year, I learned an invaluable lesson - that I was a lousy teacher. Even though the children I 'taught,' in upcountry Uganda, were desperate for qualifications, they largely ignored me. Until, that is, I realised that they wanted to hear about other young persons around the world.

I'm coming into places with some people who just want to hear what I did before, with some people who want to hear me with a band, but I am just at the moment sticking to my guns and saying, 'You know what? I want you just to hear this for a minute. I want it to be in the context of me and a guitar.'

I hear that I'm funny, and I think I'm funny, but I go in all the time for multicam, and they say that I'm not big enough, or I'm too big. I'm so confused. Okay, well, I'm funny in real life.

Well, it is certainly not by choice at this time you don't see or hear about me. This business is very unpredictable. A lot of it is luck and being in the right place at the right time.

Kids know when you're pulling a fast one, storywise, and I think that even when they're being entertained, children want to hear the truth, just like adults do.

I actually did want to be an actor when I was younger, but my father didn't want to hear anything about it. And you know what? I went with his decision. I said, 'Yeah, maybe you're right. I don't know anything about acting.'

I've built employee perks programs before and it's impossible to manually build a program that makes everyone happy. I'd make a deal with one gym then hear about another gym an employee would prefer. As a small business owner, I didn't have the time or leverage to negotiate and manage dozens of vendor relationships.

When I hear myself singing, I hear Iggy Pop and Jimi Hendrix. There's a conversational thing going on. I suppose it depends on which The Pretenders song you're listening to.

One of my reasons for living in California is its close proximity to Mexico. The Latin influence is in every corner of the community. My love of Spanish music hasn't wavered since the '50s. I could hear the blues voicing from the Flamanco families and I always dig for inspiration in Latin music.

Whether the prayer of Seneca was granted we do not know; but, as we do not again hear of Marcus, it is probable that he died before his father, and that the line of Seneca, like that of so many great men, became extinct in the second generation.

I tell people I never got to hear Dylan Thomas read because my husband wouldn't let me, because he thought it would be a sort of bad influence. People say, 'And you didn't go?' They're so surprised because the me they know would have gone. And I say I was very much a 'yes, dear' wife.

The most frustrating thing to me is when I tell people I work on 'Friday Night Lights,' they'll say, 'Oh, I hear that's a really good show.' They never watched it.

The classical music scene was completely unfamiliar to me. It was something that I didn't have the most fun associations around. A lot of people don't - they think of older generations and stuffiness. But it's not. You listen to the Overture of 1812, and you can hear a rock n' roll catharsis.

I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.

We're in a celebrity culture, and when I turn on the news today I hear about Lindsay Lohan, Tiger Woods and Paris Hilton and the Kardashian sisters and 'Dancing with the Stars,' one thing after another, Kate Gosselin's new body.

You often hear this about directors, how it's like having the best set of toys. This fabulous train set, the biggest box of toys that a kid could possibly have. The best directors look like a kid having more fun than you're supposed to have.

Oh, happy triumph of the poet! - to hear his verses wedded to sweet sounds, and warbled by the woman he loves!

I mean the idea of this is that it's a good thing for the public to hear interviews like this and that there will be an inevitable amount of fewer interviews if people that the press talks to wind up thinking, well, it's not really a CBS correspondent.

You hear the word 'cancer,' and you think it is a death sentence. In fact, the shock is the biggest thing about a diagnosis of cancer.

When music is crashing around us, when you hear the same five songs on the radio that aren't really saying much, we can always go back to great music. Great music always lives on.

To hear people saying, 'The music you are doing has really touched my life and it's moved me in a lot of ways. It's helped me get through some tough times.' That's the best compliment that you could get.

My mother tried really hard to protect us, but occasionally, after afternoon cartoons of whatever was on... the nightly news would come on, and I'd see footage from the war zone, and I would hear the word 'Vietnam,' and I would know my dad was over there, and it was a very frightening experience for me.

I try not to read reviews. It's hard not to hear what the critics are saying, but as an actor, I try not to let it in and to just give the best performances I can. At the end of the day, if you're trying to please the critics, you're missing what's really important: being creative and having fun.

When I was younger, I listened to the greats: Winters, Mel and Carl, Nichols and May, Pryor, Carlin, Klein, Berman and lots of Lenny Bruce albums. But once I started doing fairly well, I didn't want to hear anybody's jokes or premises.

My mom is a translator for the school district in Delaware. She'd hear these different stories from working with families there. Those stories stuck with me.

Don't push away that chance if you're one of the lucky ones who find that partner. And remember, you can always change a job. I hear it's much harder to switch out a husband.

There was a time in my life that my mother told me that they didn't know whether they were going to send me to college or an institution, and it's rough to hear that... Childhood is tough.

When I go to a gig and I hear a song that I really like, a song that hits home to me or hits an emotional nerve, if I could ever recreate that for someone, that would be the ultimate goal.

The fact of the matter is that 40 years ago, unless you bought the record, you couldn't hear the music. It was such a narrow track in comparison to today.

Time and again, a student will send me an urgent appeal to hear her, saying she is poor and wants my advice as to whether it is worthwhile to continue her studies. I invariably refuse such requests, saying that if the student could give up her work on my advice, she had better give it up without it.

I limited myself to one shout a day. But I didn't like the sound of my voice. It sounded panicked, it sounded scared. And I knew from experience you can't hear more than 50 yards either way down a canyon.

When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.

No one wants to hear from the producer. He's the guy by the pool with a cigar in his mouth and a couple of lovelies on his arm. But when you're a director, they want to hear what you have to say about everything - the war, the world.

We have an open society. No one will come and take me away for saying what I am saying. But they don't have to, if they can control how many people hear it. And that's how they do it.

Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.

The principles of comedy are the principles of comedy. I can hear funny.

When I was younger, I used to do that a lot: I would hear a part of a song that would really relax me and then put it on repeat. That would send me to sleep. It was quite obvious classical music, people like Penguin Cafe Orchestra, Erik Satie, Claude Debussy, Maurice Ravel.

When I hear other people's stories, I like to believe that they contribute to my 'Encyclopedia of Human Experience.' The stories I hear help me expand my definition of what love is, what pain feels like, what sacrifice means, what laughter can do.

It's an amazing thing to hear they're finally giving out a Medal of Honor to a soldier from the wars of Iraq and Afghanistan.

With Dick Smith there, and the words of Peter Shaffer... they've got to be the most beautiful descriptions in music ever written on film or in literature. And we could hear the music accompanying the words... What more can you ask for?

We know about every massacre that has taken place close to the present, but the ones in the distant past are like trees falling in the forest with no one to hear them.

I walk away from writing what I consider to be a good song - with a good character, a good story in it - with all I'm gonna really get out of that song. My greatest pleasure is to create it, not to record it, not to hear anyone else play it, though that can be nice too.

Every once in a while, I hear somebody call me Tracy to try to let me know that they know me, you know, personally. But most of my real friends will call me Trey, or 'Ice' was basically short for Iceberg. So they would call me - some of my boys call me Berg.

Because they're my stories, they're my version of events of the past three years. But I really hope people can hear their own stories within the songs and they can become our version of events.

I'm a big believer than a great bit is a great bit - if I go and see someone I love, like Robert Klein. I want to hear some classics and some new stuff. But a great stand-up bit takes a long time to really polish and perfect, and they're beautiful things when they're done.

I do hear from people at my exhibition about seeing these things made from this toy from their childhood, and it brings them back. They'll go and buy a set of Lego from the gift shop because of that nostalgia and seeing it at the art exhibition.

I'm not one of those playwrights who says, 'Show up, hit your marks, and don't talk to me!' I always want to hear from the other artists involved, whether it's the director, the lighting tech, or the actors.

I can honestly say - not proudly, but honestly - before I had a child, I would see things on TV or hear the news, feel sad for the people and move forward with my day. Now I see everything through a mother's eyes.

I don't know if I'd ever sing a whole album because I don't know if I'd want to hear my voice for more than three or four songs.

Global warming has become a new religion. We frequently hear about the number of scientists who support it. But the number is not important: only whether they are correct is important. We don't really know what the actual effect on the global temperature is. There are better ways to spend the money.

For years, I longed to hear Armstrong describe what it was like to contemplate Earth from 238,900 miles away. Former Space Center director George Abbey once told me that many NASA astronauts felt that looking at Earth was akin to a religious experience.

When I hear people say that Fox News is right wing, I know that's not true, because I'm the one doing the news. It's my show, and there's no place for opinion on my show. It's uninteresting to me.

I hear from the business community all the time that what they need is an educated work force. They need an infrastructure that can make people and products. You need to cultivate an environment that they can imagine living in and being in, having employees be in. And a fair tax structure. And a responsive government.

Success for open source is when the term 'open source' becomes a non-factor in the decision making process, when people hear about Linux and compare it to Windows NT, and they compare it on the feature set and don't have much of an excuse not to use it.

I take it for granted that you do not wish to hear an echo from the pulpit nor from the theological class-room.

I've always been a fan of instructional videos. The bass-player ones are insane. The music on them is fascinating. It's not something you hear on CDs or would really ever play in bands. You listen to it and are like, 'What is happening?' It's this blizzard of notes in weird time signatures, and they're trying to teach you that.

I love criticism. Equitable Life went down because management wouldn't brook criticism, but if you are in business, you have to hear what's going wrong.

There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.

You know how sometimes you hear a chord played on an organ and you can feel it vibrating in your bones? Sometimes when I'm writing, I can feel my bones vibrating because I'll have a thought or I'll have a character's voice in my head, and that's when I know I'm on the right track.

I try to stay away from talking about boys all the time. You can go to Taylor Swift to hear that.

If you listen to my tapes, you'd hear 14 different ways to arrange the rhythm guitar behind the harmony vocal, and then 14 different ways with a different vocal. You'd have to really be a music lover to sit through that and find it entertaining. I enjoy it, but I'm easy to please.

If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.

I'm quite a confident person in many ways, but there's only so much you can hear about being compared to Hattie Jacques. For the record, she was a comedy goddess, but she was 25 stone. I hope I'm right in saying I'm not in any way nearly 25 stone.

I hear a really good pop song every now and then. 'ROAR' by Katy Perry, I love that! 'Poker Face'... Oh! What a song! And 'Rolling in the Deep'... Oh!

It's so critical for people frustrated with the economy, with changing tides in government, who aren't able to hear their voices, questions or their ills being talked about, to have a place for discussing what others won't.

Regardless of what I do, whether I write a book or whether I act or whether I host, I'll always do stand-up comedy because those moments, that's what I crave. If I do something funny, and I hear a crowd laugh in that moment, we're all sharing the exact same experience and the exact same feeling.

So, it didn't do well. But now when I talk to kids who are first seeing it, they're surprised to hear the movie failed at the box office. Sometimes that's what happens.

As a composer, I know that all sorts of sounds I hear are making their way into my brain and soul and later sneak into my music.

I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.

Despite what you hear about the publishing industry being a fixed game that you can only get in if you know somebody, I'm here in person to tell you it ain't so. If your stuff is really any good, sooner or later some editor will take a chance on you.

You hear some people saying, 'I'm alive on stage; it's where I feel most complete...' I don't understand that at all; I find that weird and depressing. I don't dislike the audience; it's just when I'm up there, they're in the darkness. There's just a sound of laughing or not. They're not 'people,' they're this big organism.

I don't really listen to my work. If I have to DJ and I play something, I hear it. But I don't sit quietly and listen to my work; I'm always off to do the next thing.

You always hear how female artists don't get along, how they hate each other - but that hasn't been my experience.

I don't take the roles home with me. I don't work that way. I don't understand that; I mean, I really don't when I hear that.

I don't follow anything blindly. I have to know the entire thing, if I have to get in to it. It might sound funny to you, but it's like using English language. I use an English word only when I know its meaning and understand its connotation. You won't hear me say, 'What's up, dude' or anything like that just for the heck of it.

The only music we ever listened to out in the piney woods was Roy Acuff and the Grand Ole Opry. That was the only night of the week I was allowed to lay in the middle of the bed with Mama and Daddy, just long enough to hear Roy Acuff sing; then I had to go back to bed.

I don't listen to the radio, cause I don't have a driver's license. But if I'm in L.A. or somewhere where we have to rent a car, I'll hear my songs. Sometimes I hear them when I'm in stores, and I'm still like a little kid in a candy shop: 'Oh my God, that's my song!' I don't know how that could ever get old.

When you see a comedian on stage, the best comedians make it feel like a conversation. But it's not. We have very little interest in what an audience has to say during a performance. Being a stand-up comedian, you're an egomaniac to some degree. Everyone wants to hear what you have to say, apparently. That's not how real relationships work.

From infancy, I had been accustomed to hear pro and con discussions of slavery and the American Civil War. Although the British government finally decided not to recognise the Confederacy, public opinion in England was sharply divided on the questions both of slavery and of secession.

In Kazahkstan, you would drive five hours outside the city to where roads sort of stop being roads, and it was just in the mountains and deathly quiet. And you could only really hear the clumping of the horses, and it was a sort of a beautiful silence. Like it enveloped you.

We hear of the wealth of nations, of the powers of production, of the demand and supply of markets, and we forget that these words mean no more, if they mean any thing, then the happiness, and the labor, and the necessities of men.

We all know that much of what we hear in life is not really so. Canned laughter and 'sweetened' applause have been TV staples for decades, and all the slamming doors, breaking glass and squealing tires you hear in movies are sound effects.