The extras on most major Hollywood product are rarely worth wading through. Only the real fan-driven titles need extra detailing.
The coverage we saw on September 11, and in that first week of Katrina, not only won't make this stuff go away, it ups the ante. You don't want to just see the Hollywood sign fall, you want the Statue of Liberty along with it.
The problem with the Hollywood model is that it's generally the day you wrap production that you realize you've finally figured out how to work together. We've made the leap from an idea-centered business to a people-centered business.
The problem with most Hollywood movies is they don't give the director enough control.
When I moved to Hollywood, one of the first people I ever wanted to meet wasn't a movie star. It was a disc jockey, it was Casey Kasem.
We use the Hollywood Stock Exchange to assess what market expectations are for a film.
We set out to make a movie that let people think for themselves. Hollywood spends a lot of time and money trying to prevent that, but that's not the way I like to tell a story.
The people of Hollywood had nothing to do with that Hollywood sign event on New Year's Eve, ... The city of L.A. decided they were going to run it. They took our trademark and they had their shot at it -- and they flunked,
I have plenty of money, unlike other Hollywood celebrities or athletes that have not invested well.
I came to Hollywood and within a decade I was one of the biggest action stars of all time.