Museums Quotations | Page 6

The Oriental Institute has the most important pieces from early Nubia outside of museums in Sudan.

Japan suffered terribly from the atomic bomb but never adopted a pose of moral superiority, implying: 'We would never have done it!' The Japanese know perfectly well they would have used it had they had it. They accept the idea that war is war; they give no quarter and accept none. Total war, they recognize, knows no Queensberry Rules. If you develop a devastating new weapon during a total war, you use it; you do not put it into the War Museum.

The debut show, "Second Lives: Remixing the Ordinary," is supposed to be about how artists reuse humble or unusual materials. There's good work here, but much of what's on view is actually more about obsession and repetition: a couch made out of 3,500 quarters, a necklace composed of 100 handgun triggers. The building [of Museum of Arts and Design], too, seems caught between wanting to be an object of decorative delectation and making an architectural statement.

Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.

The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design.

Paris was a museum displaying exactly itself.

Where do you get your ideas? people ask. Sometimes they’re at the bottoms of cups of tea. Sometimes they’re lurking in my shower. Sometimes they’re waiting patiently in glass cases in museums.

In some ways painters have been more important in my life than writers. Painters teach you how to see—a faculty that usually isn’t highly developed in poets. Whether you take a walk in the woods with a painter, or go to a museum with one, through them you notice shapes, colors, harmonies, relationships that enhance your own seeing.

As far as I can tell the only thing worth looking at in most museums of art is all the schoolgirls on daytrips with the art departments.

Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.