Room Quotations | Page 2

I went to a Cal Tech party after the 'Facebook' movie came out, and there were kids in dark rooms coding because it was cool again. That movie made it cool to sit in a room at a party and write code.

To create something new is both thrilling and excruciating at the same time. It's great to have all these choices in front of you, and to have the writers in the room so you know exactly what they meant. But the downside is you want so badly not to screw it up!

When I go to business meetings, I'm still told way too often by some receptionist, 'The mail room is downstairs,' to believe that racial perceptions don't still exist. But I figure there are always going to be knuckleheads no matter how many of their herd get stuck in the tar pits of progress.

I teach a lot of graduate creative writing classes, and on the first day, I like to go around the room and ask everybody what's the last book you've read that you really loved. And all of the women tend to give me chick lit titles. And to me, that's sort of disappointing because it's their only exposure to fiction somehow.

In this room we're all here together, but there's probably a lot of different views, people sitting here thinking, I don't own any slaves, all the slaves are dead. Why am I responsible? My family were immigrants, too.

My room is dominated by the huge painting, which is a copy of 'The Violation' by the Belgian surrealist Paul Delvaux. The original was destroyed during the Blitz in 1940, and I commissioned an artist I know, Brigid Marlin, to make a copy from a photograph. I never stop looking at this painting and its mysterious and beautiful women.

I started my career in parent education with the idea that we needed to let our kids go. I believed that parents were suffocating for their children. There was no room for individuality and personhood.

When Captain America is in a room full of Marvel superheroes, he is always Top Dog, even though his powers are pretty modest. He could be stood next to Thor, Iron Man, whoever. He is the one that everyone looks up to. To me, that is Superman, too. Even de-powered in the Legion arc, he was still Superman. Still Top Dog.

Stand-up comedy is a sickness. Who wouldn't want a room full of people laughing and screaming at you just because of who you are? Nothing is as good, except maybe having a baby.

The stance I took was there is no room for racial bias anywhere in sports. I believe that was basically all I said about it. Certainly I was cast as an abolitionist. Death threats came. Hate mail came.

Nothing is more powerful than an idea whose time has come - even if it came in a - living room - or to someone - with a humble living.

The way they had the room that I was in set up, there was some sort of sound deadening platform that I had to stand on in order to get close enough to the microphone.

We have been restraining the growth of the cost of education-that is, tuition, room and board-to be within approximately one and a half percentage points of the consumer price index.

When you lose everything, and I mean everything, you sit there in this empty room in the dark, and the only person who can get you out is you.

When I was a kid, my parents never let me use race as an excuse. They'd say, 'When you walk into a room and it's all white, those kids have to work to stand out, not you.'

The Dorm Room Diet is nothing like the conventional diets you may have tried in the past. It offers guidelines for creating a healthy lifestyle on your own, without the daunting restrictions of a quick-fix diet.

People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.

There's a certain aura when a superstar like Brad Pitt walks into a room - I've seen it myself - but it comes from everyone else going, 'Aaaahhh!!' That's what you have to deal with, people looking at you and whispering. That would be the strangest thing, feeling the change as you walk in a room and trying to ignore it. But I think I could cope!

If I go anywhere, and I don't have my coffee, I don't drink coffee. When I travel, I carry it with me - and I ask hotels to grind it and brew it for me if I can't have it in my room myself. I'm dedicated that way.

When I do the roles, when I'm in the room and auditioning, I'll ask the director if they're cool with me adding stuff, or just improvising while we're doing it. And I would say, like, 90 percent of the time, they say, 'Absolutely.'

I think, as journalists, we sometimes are afraid to enter into the emotional lives and the complications of the lives of the people we write about - we don't really have the space and the room to deal with those things. But as a novelist, that's precisely what you're writing about.

In college, everything's structured. In the NBA, it's like, you have a lot of free time, and you have to use it wisely. A lot of the time, you're in a hotel room all day. And rest is really the most important thing. Then, just trying to enjoy yourself and have fun.

There's no substitute to actually being in the room and having people in the room feel the force of your audition. It's very hard to beat that.

We'd be working in our motel room through the night, and I'd come up with an idea at two in the morning, and he'd start jumping up and down, pacing across the room, or whatever.

There is no room for political, personal or religious ideologies in science.

I once went into a meeting, and every woman put her a million-pound bag on the table. Then I'm there with my tote bag and anorak. And I'm like, well, I'm still the most important person in the room right now.

If you're entering a room for the first time, do it the way you would in life - look around; see how they have the furniture arranged. If your character is meeting another character for the first time, meet them the way you would in life.

If you have multiples of anything, you have the possibility of repetition. Repetition creates pattern and also unity. Put anyone in a room with a pile of similar objects and say, 'I want a pattern by 3 P.M. or no dinner.' Anyone would come up with a design. It is easy, fun and available to anybody. Most people just don't have the nerve.

I think the biggest part of a good party is the host and then going around making sure nobody's left alone and knows enough about the people in the room to know who to introduce to whom.

I'm a fun person, but to be the life of the party all the time, just to walk into a room and be 'on' and have everybody looking at you, that is so incredibly scary for me.

You couldn't get me to go travel around and sit in a hotel room again. I have no interest in doing that. So everybody's happy. I am, at 74. Some people like doing it, but I never was much for that, anyway. It's a lot of work. So the only thing I miss about all of it is the camaraderie of the tour, but that doesn't offset the rest of it.

When we start to write for a new record, we never really know what we're doing. We don't come into the room with a set of ideas, but miraculously, a song comes out of it.

I certainly know what it is like to go to work and leave your baby at home. It is an ache that only other mothers can understand. I always say that it feels like you've left a limb at home. And I really struggled for the first few months of work. There were times when I shut myself in my room and cried.

I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.

Politics has come to resemble a cynical team game played by politicians, while the public has been pushed aside as if sitting on the seats of a stadium in which passion for politics is gradually making room for blindness and desperation.

My mother treats me exactly the same as she has always done, and the same as my older sisters. She tells me off when I need it, and sometimes I do need telling to go to my room or to do my homework.

Theatre's great. It's such an act of faith. It's a wonderful art form where you suspend disbelief for a couple of hours. It's a lovely art form because the actors and the audience are alive and in the room at the same time together. That's why I love the theatre.

I remembered watching the film from Alfred Hitchcock, 'Dial M for Murder,' and he shot almost all of that movie in one room. There was a genius in what Hitchcock did by manipulating things in that room so that you could see the distances between things like the tables and the vases because of how he used perspective.

For the live shows, I'm just getting my song together. I go back to my hotel room and I just listen to my song over and over again, figure out how to make it different and put my little Pia spin on it.

If I had spent as much time in the weight room as I did designing football uniforms, I probably would have had a free college education.

Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.

I lived at the Gramercy Park Hotel for about 10 years. It was terrific. It was a pleasantly run-down hotel of the '70s and '80s with a mix of older, rent-controlled apartment dwellers, Europeans and new wave and punk bands. The room service was great, the hamburger was terrific, and they had a doctor who made house calls.

In a portrait, you have room to have a point of view and to be conceptual with a picture. The image may not be literally what's going on, but it's representative.

I don't know what cancer did to me but I put on probably 10 pounds of muscle and got a lot stronger in the weight room and during our dry-land stuff.

The FSB's invisible presence continued; the agency became an intangible part of my Moscow life - sometimes loudly, sometimes quietly, with someone in a back room clearly turning the volume of minor persecution up and down.

In school I was in the dark room all the time, and I've always collected stray photographs; there's a great deal of memory in them.

For me and my husband, one of my biggest peeves is that I can't stand for an old friend or a woman to walk in the room and just run up and speak to my husband, but they don't talk to me.

You can imagine what a dorm room environment is to a CF parent. It's like, oh my God. It's crazy.

I think it's a really big deal to be able to meet people outside the context of something like a conference room or someplace where everything feels like it's formal talk.

Drinking beer is easy. Trashing your hotel room is easy. But being a Christian, that's a tough call. That's rebellion.

And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.

Richard Gere's got this very old-school Hollywood charm. He has a presence that when he's in a room you just feel him. I mean, I'm married, but he's sexy!

When I walk into a room that is all white and all male, I'm sitting on the outside of that club. That's sometimes an intimidating experience. But I think that everywhere that I've gotten is because I've worked hard. I have the experience, I have the credentials - I continue not to take any of that for granted.

When I turned 11, my dad decorated a room at the Standard hotel in Los Angeles in a '60s, Austin Powers style. There was human bowling: You run inside a giant inflatable ball and try to knock down pins. To this day, adults say it was one of the craziest parties they've ever been to.

Dad's funeral was standing room only; most in attendance were strangers to me. At the back, a lone Marine stood silently, then left. People told me he'd saved their life or helped them in their darkest hour.

It makes sense that we came up with our public school system during the Industrial Revolution because it's like everybody is a factory worker, eating their terrible food and going back to the room where you're silent and listening to an idiot. That's an epitomizing idea, getting called 'Nothing' for your whole high school experience.

Lacey had this huge chip on his shoulder. He walked into the room thinking that the people didn't welcome him and didn't like him. He gave the impression that he didn't understand the Voice and New York, and he didn't want to.

You can sometimes avoid costly mistakes. Paint a corner of the room a certain color to see how the light affects it. Or buy just one yard of an expensive fabric to see how you like it in your room.

My contention is that if we expand the patient-centered health care approach, we'll have less people that have to go the medical clinic that provides free service or go to the emergency room - they can have their own health care plan.

Twelve-step promotes spirituality, not religion. It gives a practical, day-to-day spirituality that tells me what I can and cannot control. There is room to be imperfect and to be someone who struggles to find God.

I love team environments, like the Celtics, the Bruins. I love going into the locker room and meeting these guys.

If I'm uncomfortable on stage, everybody can see it. I'm not very good at hiding it. I like long, loose jacket dresses - anything that I can literally have room to move in - not that I'm a very big dancer, but because sometimes I'm sitting down at the keyboard, and then sometimes I'm standing. It just has to feel good.

Being truthful is a necessity because when I'm not being truthful it takes a toll on me. I don't have any room for it in my life. I don't have an across-the-board opinion on honesty in relationships. But for me, personally, it's paramount.

It was a good 15 or 20 years before anyone at Rand would be in the same room with me. They didn't want the question raised, 'What's your relationship with Daniel Ellsberg?' And not one of them wrote me a letter because they didn't want a letter of theirs to show up in my trash - which the FBI had been going through.

I'm a straight guy and I date women, but I get on really well with gay guys. I'm very comfortable with my sexuality. The weirdest thing for me is when straight guys get really freaked out by gay guys. It's almost like they're insecure in their own sexuality. For me, I can be in a room full of gay men and have fun.

If you want to go out and see a movie and sit in a dark room with strangers, it's not an experience you can replicate at home.

You watch Bono in a room - and we're talking about a room of thousands swarming around him - he'll take every single person and make that moment about them. You can pat him on the back or pull his arm, he's not looking away from the person he's talking to.

I become a better actor after I step on a stage in front of, like, 500 people when it's just me, a microphone and my guitar. You don't get as nervous walking into a room in front of 3 or 4 people and to do a scene or to walk on a set. You gain confidence.

My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.

It's much more fun to be the person who comes into the room and lights the match. I get to be the force, the girl who always says or does something completely outrageous, and leaves everyone thinking, 'What was that?'

But I will say that Harve Presnell... he was one of those guys who, when you're standing in a room with him... he's such an older masculine force that I remember thinking, 'Wow, his voice makes me sound like Pee-Wee Herman.'

The funny thing about children is that, whichever room we're in, that's where they'll be. If I'm in the bath, they'll want to be in there too, playing with the toothbrush pot or brushing my hair.

For most people, their wealth accrues slowly, and at any given point they say, 'Okay, I should kick up my standard of living because now I've earned slightly more wealth.' I went from the dorm room to having a billion dollars.

I remember my first meeting with my management team when I became Indonesia's Minister of Finance. I was the youngest person and the first woman ever to hold that job. Everybody else in the room was male. I knew then that I had to work harder than any man to prove to them that I was capable.

'Story of My Life' was essentially a two-man musical play. In hindsight, I don't know if there was room for a two-man musical on Broadway.

If you were to go to the National Museum in Addis Ababa, you would walk into a huge room filled with literally tens of tons of fossils, and most of them would be elephants and rhinos and hippopotamus and monkeys and giraffes and antelopes and so on. Hominids are very rare in the landscape, and it's very rare to find them.

Everyone's unique; no one's ever alike. But my son has the same good cheer as my father. He's capable of making a room happy with a few words.

My poor mum had a lot of problems with me around that time. I was young but I'd been working for years, so if she asked me to clean my room I'd say, 'You can't tell me what to do after I've worked a 12-hour day.' It gave me a power that no one that age should have.

I brought a lot of my own pieces of clothes to the design room when I first met with the design team just so they could see what my style was like.

The idea of having one ensemble do everything is what was on 'Sea Lion' and that's what I tried to make happen for 'Metals,' which is having five people in the room and all of us contributing equally to every arrangement and every song.

When you actually take the time to go over to somebody's office and personally thank them - whether their office is in a cockpit of an airplane, or in a break room - that's an actual manifestation of interest in them. You need to take the time to show the people around you who work for you that you're interested in them.

Hard systems are everything we're using right now - computers, phones, planes, the clothes you're wearing, the room you're in. Everything there involves 100% use of technology and expertise to make it, and nothing we make - including space exploration vehicles and so on - is complex. Everything we make is complicated. Nothing is self-renewing.

Grief is a room without doors - but somehow, with its tinsel and cliches, Christmas finds a way in.

I don't want to play stinking, beer-ridden clubs. It depresses me even thinking about that. I really hate it when you're finished with a show and you're in your dressing room with that stink of beer and sweaty girls. It brings back an ugly picture for me. I'd hate to have to do that again.

You cannot trust 25 guys in a locker room to have the same respect and training as I do with a weapon. That I do understand. I've carried a gun for 10 years. I've carried them in the locker room, and nobody really knows about it. I know how to handle myself.

I think my first big purchase was actually for my mom. She had one of those '90s TVs in her living room that's like a 10x10 brick, so I purchased her a flatscreen for her living room.

Extraverts are comfortable thinking as they speak. Introverts prefer slow-paced interactions that allow room for thought. Brainstorming does not work for them. Email does.

In my special place, room service could only consist of my husband making me a breakfast of eggs, avocados, and hummus. And coffee with milk.

It was almost a desecration to put a building on the Boulder Turnpike, which is now U.S.-36 and is almost backyards and even junkyards all the way up. We didn't have to put development just cheek to jowl all the way up to Boulder. There's enough room in Colorado! But we did.

I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.

When I was growing up, there was a feeling in one's living room as much as in one's local gallery that a little elitism was good for the soul.

For 'Narrow Stairs', the majority of the songs I brought in were guitar songs - songs we could sit in a room and just play. I can honestly say I had more fun and felt more inspired on this record than anything that we had done in a long time.

I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.

If you travel too often, you actually come face-to-face with what you're trying to escape. I feel like when I travel alone, sometimes it's like being locked in a hotel room with my own worst enemy.

If it's a romantic holiday, the only thing I need is my wife. We love quiet and calm places where we can't be disturbed. Neither of us likes being in busy places; we would much rather stay in our hotel room and enjoy each other's company.

Obviously, when you walk into a room and see people like Ashley Judd and Morgan Freeman and Charles Martin Smith behind the camera, it's big time. You just try not to think about it, try and keep up, hold on for the ride.

We are able to use technology to make it clear that someone's car is available or a room in a home is accessible; that there is an available desk in an office someplace.

We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless.

Parents don't take a baby's temperature to decide whether the room is too warm; likewise, for global warming, we need a story that spurs us to do what is necessary.

Every time - well, not every time, but in celebration of a great review or a great accolade, I take the team of Daniel to Katz's Deli for lunch. We take the trip on the subway, we were like 40 or 50 people, and we go in the back room and have a pastrami sandwich.