Saw Quotations | Page 4

I saw it as a challenge to play with Pat and we put hours and hours into it, usually on the bus. The trick was to find something that we both wanted to play within our different styles which would add up to being greater than the sum of its parts.

I realised that the only time I really enjoyed music was when I was in the studio writing. So even though it was a six album deal, they saw quite early on that I wasn't enjoying it as I should be. I didn't feel there was anything behind it.

I only saw my father twice a year. If I'd seen him all the time I'd probably have murdered him by now. He was very strict.

If humans evolved in a tiny area of Africa, they only saw plants and animals within a 100-kilometre radius for a million years. When they began to migrate, there would have been different animals and plants - and potentially a lot of allergy issues.

I work from opposites to opposites, in a way. It's finding one thing and then doing the other from film to film. So maybe after 'I Saw the Devil,' I might do something like 'I Saw the Angel' or perhaps something warm and happy.

I lived among the Japanese, and saw their mode of living, in regions unaffected by European contact.

Margaret Thatcher had more impact on the world than any woman ruler since Catherine the Great of Russia. Not only did she turn around - decisively - the British economy in the 1980s, she also saw her methods copied in more than 50 countries.

I don't really care about audio quality. If people saw some of the ways that I record stuff, they'd see I don't care in that respect. I obviously care about things sounding good, but I think quality exists through other things like emotionally connecting with a lyric or a feeling, or whatever.

In 'Friday Night Lights,' the relationship between the coach and his wife, that marriage was something that you couldn't really understand until you actually saw it exist on film.

Anytime somebody tells me they saw 'Safety Not Guaranteed' in the theater, my answer is, 'That was you?'

Before Darwin, our world was very religious. People saw altruism as something given by God for us to be good so that we could go to Paradise.

The electronics industry expanded rapidly and the seeds for the semiconductor and software revolution were planted. The postwar period also saw the suburbanization of America, the rise of the homeowner, the build-out of the interstate highway system, and the rise of automobile culture. Credit availability expanded dramatically.

When I was in acting classes early on, there were so many people in these classes who were doing great work, and you'd just look at them and say, 'Wow, I hope to someday be like that.' And yet these people never worked. You never saw them.

He just was being four. He just was being a child. He wasn't interested in what my agenda was. He wanted to do what he wanted to do and it started because he saw the lights on in Toys R Us.

That death was near, I suppose I believed, but I saw it only as a rest after the day's work.

Americans are really obsessed with their teeth being white and straight, aren't they? I saw this little girl the other day with one of those whole head braces. Elastic all the way around! How traumatizing for a child to have to wear one of those! You look like a monster.

One day, when I was 33, I shifted. I suddenly saw acting as a higher calling. I understood that my goal was to serve the play. And I realized if an actor can make audiences' hearts resonate or make them question their values - that's an important thing to do!

I saw the Kino print of 'The Man From Beyond,' but apparently a superior new print has been produced by Restored Serials. Maybe a few snippets of missing footage will close up some of the plot holes, but I have my doubts.

My dad was a workaholic. I saw him work seven days a week.

I can tell you one of the most surprising ingredients I've ever found. Perhaps five years ago on a beach I saw this herb that looked exactly like chives. I put it in my mouth and started chewing and, surprise, it tasted exactly like coriander.

I wasn't enjoying golf much. I was kind of getting a little bit tired, I was getting a little bit moody, and I was constantly getting angry. That's not me. And when I saw that I knew I had to change.

La Mancha is a very macho, chauvinistic society. I saw very clearly that my life had to be in Madrid, and I liberated myself from my mum and dad after high school.

I saw the prospect of serving as labor secretary as a wonderful opportunity to further the policies that I have been fighting for my whole life, and I had to seize it.

I saw Tom Cruise at every audition I went up for, and he was a friendly go-getter back then. You gotta remember, in New York I would go up for something, I would sit, and in the room would be Matthew Modine, Matthew Broderick, Andrew McCarthy, Tom Cruise, and Kevin Bacon.

'Close Encounters of the Third Kind.' Big, big, big smash for me. My birth of the love of cinema was born with 'Close Encounters' and '2001.' Those sci-fi movies I saw when I was a little kid.

I saw Al Foster with Miles Davis the other week. It was beautiful. But, the whole thing was, Al Foster played as well as everybody else, but all of them were quite brilliant under Miles Davis' direction.

I was brought up largely by my grandfather because my father only returned from a prisoner-of-war camp in 1947 and worked in the nearest small town, so I hardly ever saw him.

Strangely enough, I wasn't into fast guitarists. I preferred Peter Green's subtle touch. I saw him with John Mayall's Bluesbreakers at the Marquee Club in London and was very impressed. He was the only guitarist I've ever seen to turn the volume control on his guitar down during a solo.

In America, celebrities who go to see your show will come backstage and introduce themselves. Meeting Annette Bening and Ethan Hawke that way was amazing, but when Tom Hanks came, it was really special - I've loved him since I first saw him in 'Big!'

I think that, for me, the great books like that, autobiographies, are great when the artists who write them throw caution to the wind and really put it out there as they saw it.

What launched me toward Feedburner? Well, the Internet happened. When I saw Mosaic, I thought, 'I gotta do this.' I founded and sold a few companies. Feedburner was my fourth.

I've never been one to take glee in anyone's demise, and when I saw Jerry Sandusky walk out in handcuffs, I did kind of feel a bit sorry for him, even though the jury found him to do some horrific things; I was like, 'His life is over.'

Tom Snyder was big enough to fill the night with talk and his own persona. The Snyder we saw on TV was not a replica of the real guy; it was the real guy.

There was one occasion when I was very young - eight years or seven years old - that Jewish businessmen went through the forest, and they were assassinated. And that was for the first time I saw in our paper where there were assassinations in our place.

In the past I've worked with directors who saw very much their scene in their head and knew exactly how they were going to cut it.

I grew up in war and saw the United Nations help my country to recover and rebuild. That experience was a big part of what led me to pursue a career in public service. As Secretary-General, I am determined to see this organization deliver tangible, meaningful results that advance peace, development and human rights.

I was a banker in Morocco when I first saw 'American Graffiti.' It was before I was an actor, a melancholy time in my life, and this mood was reflected in the film.

I can't deal with the ears in 'Star Trek.' I only saw the first 'Star Wars' movie, and I don't think I saw an entire 'Star Trek' TV show, and I certainly didn't see the movie. I like 'Andy Griffith' and 'Deadwood.'

I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.

I saw Frances Bean at a Blink 182 show. And she was with a guy who looked just like Kurt Cobain.

America was a thing I saw on TV - that wasn't a real world. That wasn't within my realm of dreaming.

I saw someone the other day with yellow on their eyelids, and it looked so fresh. But I thought if I did that I'd look like a clown. So I went and I bought some yellow eye shadow from M.A.C. and I noticed that when you mix it with water it works better. So I tried it, and I looked like Big Bird. I will never do that again.

A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.

Our publicist at Warner Brothers is a young guy who has worked so hard for seven years with us and when we saw him backstage he broke down and cried. He couldn't believe it happened. It was seeing him so overcome when we realised how much it really meant.

The cast was huge, but I never saw anybody.

Suddenly we saw that you could do plays about real life, and people had been doing them for some time, but they weren't always getting to the audiences. They were performed in little, tiny, theatres.

I think the Bush Administration had basically inherited a policy toward Iraq from the Reagan/Bush Administration that saw Iraq as a kind of fire wall against Iranian fundamentalism. And as it developed over the 1980s, it became a real political run-a-muck... even though the Iraqis were known to be harboring Palestinian terrorists.

The Olympia was a really special place for me as a kid. I saw Dad perform there so many times, so it means a lot.

Musicals have clearly gotten more physical. You never saw Ethel Merman doing step aerobics.

I think I was first choice for the part. I don't know - that's what they always tell you anyway. I didn't have to do any audition for the part. Sam saw me in Dinner and the whole thing slipped into place.

You've got to be very conscious of what people see. If I saw somebody every day, I would get sick of them. Most guys think, 'If I can get on TV every day and give that quote, I'm going to be golden.' It's not about that. It's about showing people you can be yourself.

I loved Ingrid Bergman. I sat and saw her on the stage in a theater in the round.

I saw a man killed in front of my eyes just before my eighth birthday.

I saw no reason why other nations should tell Central Americans how to solve their problems.

When I was a teenager, the actors I was really into were Mickey Rourke and Sean Penn. I saw 'Rumble Fish' on my 16th birthday, and around the same time, it was 'Falcon and the Snowman' and 'Bad Boys' from Sean Penn.

I think people are too hard on the Pistols. The Pistols started the whole punk thing and never saw much money.

In 1985, I saw a tape of myself where my eyes were puffy. I looked very tired and bedraggled and not as youthful as I would like to have been.

My mother was from West Bromwich; my grandfather was Pakistani. I had an aunt who started trying to trace the family tree and stopped when she saw what turned up.

Brother Colm is one of the best coaches who's ever been here in Kenya. He's been, of course, my coach since I started running. He saw me in high school when I was still doing 400, and 200 meters. He decided for me to join his club and we'd been training for one month. That is when he saw me and he thought I could do a good 800.

Lionsgate and Lorenzo di Bonaventura saw my Korean Western-style film, 'The Good, the Bad, the Weird,' and probably felt that I would be right for 'The Last Stand,' which could be classified as a modern Western.

My grandparents used to bring me books every time they saw me.

I grew up in a small town where I went to the movies a lot and fell in love with all these people. I also fell in love with the movie business. So all I saw were actors on the screen so I thought, well, that's what I have to be if I want to be a part of the movie business.

I'd seen 'Punky Brewster,' I'd seen 'Webster,' I saw 'Annie,' and it was time to either be an orphan or an actress.

I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.

I was quite young when I went to a drama workshop. I was around 9 or 10. I showed interest in it. I never saw it as a career. At around 16, I knew what I wanted to do.

In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.

I saw 'Six Degrees of Separation' because my brother was in it. It was a watershed experience. It was theatrical and scary, and New York functioned like a character. John Guare became a hero for me.

I grew up watching those blaxploitation movies. Ron O'Neal, Richard Roundtree, Jim Brown, Pam Grier. For the first time, I saw 'The Negro' get one over on 'The Man.'

I saw what government programs were and how they were executed. In some cases, they were executed beautifully, but in others, there was tremendous waste.

'The Blair Witch Project' is great for motion sickness. The first time you see it, it is extremely creepy. The first time I saw it, I saw it on a bootleg tape on a tour bus before it had even come out. It was one of the first movies I'd seen like that. I didn't even realize it was a damn movie!

When I went to get my master's in creative writing at San Francisco State after Grinnell, I joined the moribund remnants of the Actor's Workshop, until I saw Kay Hayward and Sandy Archer in the San Francisco Mime Troupe and drove down that day to audition. The rest is history.

When I was in South Africa, I was meeting with people who never heard of Lego bricks. And yet, when I was like, 'Here they are,' they immediately got it. They saw the appeal, were snapping bricks and creating their little creations right there immediately.

A publisher saw one of my historical novels and thought I would write an admirable detective story, so she offered me a two-book contract, and I grabbed it.

From my background in travel at HotWire and Expedia, the metrics that TaskRabbit is seeing are more than double at what I saw at both those companies.

One day I was in the grocery store, and I saw raspberries, and I was like, 'Oh, I can make a lip stain out of that.'

I was brought up in Cumbria where I saw all these fierce agricultural women.

There's an assumption in many of these cultures that these children are mentally retarded, when in fact they're not at all. I saw how the operation affects the child, as well as the child's family and often the village.

As a writer, Chris Columbus was a big influence. 'The Goonies' was the first movie I ever saw that kids speak normally and not imagined how kids would talk. Always a big fan of Chris Columbus' dialogue and storytelling.

The whole time I was on 'Grey's,' I'm still reconciling myself to my 11-year-old son, because he never saw me during that time. By the time he got up, he'd see a dent in his pillow, but by the time I got home, he was already asleep. So for three years, he had a daddy that he never saw because I had to work.

When you have girl children, they torture you! If at any moment of the day I ever think I'm remotely cool at all, which is hardly ever, I have two daughters who make sure that never happens. They say, 'Mom, you didn't really wear that?' And I say, 'Yes, and pretty much everyone saw it.'

I was a production assistant. I saw what people who are full of themselves are like - another reason not to lose your humility! I have a mouth on me so I wasn't the best P.A.

River Phoenix and I were friends for nine years, and I watched him grow and mature, and I also saw him struggle. I watched him deal with the whole up and down aspects of Hollywood and saw him bounce back, so when he passed away, it was such an enormous shock.

One day, I saw a magic show, and I was like, 'I have to learn how to do this!' Every time I went to Las Vegas, I had to get at least two or three tricks from the magic shops.

The subscriptions were working so well, and on top of that, we saw the success of Netflix and Spotify and thought, 'We can create a similar kind of experience for books.'

I wasn't the only one that saw Sarah Palin vacillate between glorious highs on the campaign trail - and, you know, while she was speaking and at the convention - to really troubling lows when she seemed stumped in interviews.

I saw Mercury Prize-winners Alt-J for the first time recently, touring their debut album 'An Awesome Wave,' and I'm still riding the high: they're the most musically dynamic and exciting band to have poured tune into my lug holes live since Bellowhead.

I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.

How comedic are squirrels? We don't have squirrels in Australia. The first time I saw a squirrel was at a meeting at Disney.

I saw 'Billy Elliot' again, and what I loved about it was the way it had become a social document, a reminder of what happened with the mining communities in the '80s. And I thought, 'Everyone keeps wanting me to make a sequel to 'Beckham,' but maybe a musical remake is the answer, embracing all this theatricality.'

In 1949, I saw a World War II veteran named Lou Brissie, who had nearly lost a lower leg in combat, pitch in the All-Star Game in Brooklyn.

I want to see that 'Anita' documentary. I want to see 'Lovelace'; I want to see 'After Midnight,' because I saw the other two and I loved them. I thought the last one was great.

I saw my father preach in Madison Square Garden, and I was a little embarrassed, I think, the first time I heard him preach. That's my father up there, and I kind of slid down in my chair.

I saw a sign it said left lane closed so I went someplace else.

Then when I went to Iraq and saw the strength and character the men and women in our military service exhibit every day and their belief in what they're doing, I knew I wanted to get that on film and share it with everyone. They are my inspiration.

I saw 'Wild,' and I thought, 'Wow, this is a lot of things, but one of the things is it's a therapist's dream and a climate-change denier's nightmare.'

My father never saw me play ball, and I was an outstanding ballplayer. I missed all that adoration.

But I really felt that, something about the lights going down, and the sense of community. I saw this movie at one festival, and there were 1700 people.

I saw myself as a teacher's pet but with a little of Ed Haskell mixed in. I was the teacher's pet, but that didn't mean that I was trying to pull one over.

Living most of my life in New York, I witnessed plenty of nanny state laws. Later, I lived in D.C. for a bit and saw even more. I assumed when I got to Colorado, the Wild West, there would be a rejection of such intrusive legislation. I was wrong.

When you grow up in the church, the only translation in that insular world that people understand is preaching. You're supposed to be a minister. So I was going down that path, and then I saw the Tonys.