Street Quotations | Page 2

If you meet someone on the street that likes something that you did or likes the way you brought this character to life, that's really rewarding. That's really cool.

I see bad stuff on the street all the time that I don't do anything about. I do bad stuff myself all the time. The goal is not to somehow be perfect - that's silly, that's naive. The goal is to just recognize there are choices in front of us, and to try to make better ones.

Indian street magic tends to be very gory, blood and guts. One trick is for a magician to take a knife and appear to cut his kid's head almost off. The magician then says to the crowd, 'Well I can continue to cut off my son's head or you can all give me some money.' Then he wanders around and takes 10 rupees from everyone and restores his son.

I'm going to be a fashion icon in a minute. I'm not going to do it in a corny manner. I have a voice that speaks for a whole other market - not just black people, but high fashion urban people. I mix street wear with high fashion. It's never been seen before.

My family get so mad at me when they come over. All I'll have in is milk and eggs. I mainly keep film in my fridge - it's better for it; it stops it from going old. I'm bad at eating healthy; I usually just run across the street and get cheeseburgers.

I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.

If you look at landscape in historical terms, you realize that most of the time we have been on Earth as a species, what has fallen on our retina is landscape, not images of buildings and cars and street lights.

I like the idea that you can paint something outdoors, and anyone can see it. It's open to anyone, and people have to deal with it. In the gallery, it's the same 150 people on the San Francisco art scene. There's a dynamic on the street that's definitely more interesting.

If stocks double but the dollar loses half its value, who beyond Wall Street are the winners and losers?

I got married in Florence, Italy. My husband and I were in love but totally broke, so we eloped and got married in Italy, where he was going on a business trip. We had to pull a guy off the street to be our witness. It was incredibly romantic. Florence is still one of my favorite cities in the world.

When people call something a 'fail,' it's because you tried to accomplish something but didn't make it. If you're just walking down the street and something bad just happens to you, that's not really a fail on your part. You might call that situation a fail.

You know, we're a tight family. I live right down the street from my folks. I talk to my mother every day. I'm a momma's boy. We all are. So there's no exclusion in this family. You're part of it. We embrace you and lift you up.

For me, music was the only reason I went to school. I was kind of a street kid, in a lot of trouble committing crimes and stuff. Music gave me something to focus on.

If the goal is to build companies that maximize long-term equity value, then optimizing corporate performance in a way that Wall Street appreciates is obviously critical to that goal.

We would be driving down the street in a place like Zaire, now the Democratic Republic of Congo, and started to see, my gosh, the only people that have shoes are men. Why does that woman have a baby in her belly and one on her back, and she's carrying a huge load of bananas? You start to ask these questions.

I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly.

I don't know if I actually am good at the sight of blood. An accident on the street gets me very, very upset.

It's possible to spend every waking hour here on the ninth floor and not get out of the office. And this isn't the real world in here. And contrary to public opinion, I'm not incredibly poll-driven. They are an ongoing indicator of how we are going, but I take the feedback I get on the street as being the most important.

Machismo requires Latin blood. I'd say I never experienced machismo up close until I worked in a French office; the typical Wall Street gunner has the soul of a coffee filter in comparison.

I got into Goldman really by acquisition because I had gone - I grew up in east New York in the Linden Projects - I did go to fancy schools, but my resume wasn't up to a Wall Street set of resumes. I went to college. I went to law school and practiced for a while.

I often go out on the street with my camera and ask questions.

You go to Los Angeles or New York or Miami or Chicago, and you see Latinos everywhere; they are involved in every part of American society. That's why they have to start being represented in Hollywood, because an 'Americano' can't walk down the street and not see a Latino.

It's one of the terrors of old age that your body is not your friend. Or to be out on the street and be frightened of someone because you're not in good shape and can't do anything about it.

Wall Street is littered with clever plans to use financial instruments to change behavior - carbon trading, for example. Some have changed the world, and others failed miserably.

Even in the 1950s, President Eisenhower was concerned about what he called a campaign of hatred of the U.S. in the Arab world, because of the perception on the Arab street that it supported harsh and oppressive regimes to take their oil.

My style is a little bit different than most conventional Republican Party chairmen. My style is more grass roots-oriented. I'm much more of a street guy. I love hanging out in boardrooms, but I prefer to be in neighborhoods and communities.

My first proper kitchen was this funny little club that we set up in Mercer Street in Covent Garden. It got shut down. Then I worked at a club in Notting Hill.

The issue is the Republican Party has been paying too much attention to Wall Street and not enough attention to Main Street.

I know what she used to do sometimes. She kept her best cape she wore on the street in there, and she used occasionally to go up there to get it and to take it into her room. She kept a great deal in the guest room drawers.

Occupy Wall Street didn't just spring from the earth organically, out of thin air. This was all part of the global socialist movement.

Political correctness is a poison to our security and defenses. It imposes a willful blindness, both at the macro level when unwilling to engage with radical Islamism or whatever you want to call it - if you're not willing to call it what it is - and at the micro level, at the street level.

Declining to go to church with my parents in the morning, I would ostentatiously set out for the Monist Society in the afternoon, down an obscure street which it seemed a little improper to be walking on, as everything was closed for Sunday, upstairs through a sort of side entrance over a saloon.

It's odd, because I used to see pictures, on telly or wherever, of what I now know to be Shaftesbury Avenue and I used to wonder what that amazing street with all the lights was. Well, now I know. I think when you get a wee taste of something, it maybe isn't what you thought it was.

For exercise, I tend to like the outdoors. In Paris, I rent a bike in the street and cycle around, and in L.A. I live up in the hills so I go hiking a lot. I like to stay fit by being generally active.

Working at the Food Bank with my kids is an eye-opener. The face of hunger isn't the bum on the street drinking Sterno; it's the working poor. They don't look any different, they don't behave any differently, they're not really any less educated. They are incredibly less privileged, and that's it.

My mother and father instilled in me a sense of purpose not defined by today's street obsession with bling, cars or cribs.

It's a blessing because the Baldwin vibe on the street is what I live for the most. I think our name is something that a lot of people get a good feeling about and brings a smile to their face, and we're very fortunate.

Our economy creates and loses jobs every quarter in the millions. But of the net new jobs, the jobs come from small businesses: both small businesses on Main Street and many of the net new jobs come from high growth, high impact businesses that are located all across the country.

Sometimes people will come up in the street and say: 'My daughter loves you, will you sign an autograph for her?' And some people send me stuff. I don't mind it at all: as a sportswoman, you owe them because they support you.

The vast majority of the people employed by Wall Street are the secretary who goes in to work on the Long Island Rail Road, who makes fifty, sixty, seventy thousand dollars a year.

The truth about people at every economic level of life is you get those who are kind and who are not, those who are greedy, whether they be rich or poor. That's a common thread through humanity on any street you go to.

On reflection, I am always pleasantly surprised when ordinary members of the public stop me in the street to say, 'Thank you,' I guess for making travel and other goods and services affordable to them.

I'm not specifically attached to anything other than trying to, in my personal life, fight against where I see right wing thinking. Whether it be around my dinner table or on the street or somebody reading the New York Post.

If an athlete takes a shortcut - literally, for example, by running a street that shortens the marathon route by a quarter mile - he or she doesn't have an insurmountable advantage. But it's an unfair advantage, and in a field of equally matched athletes, it's more than enough to make a difference.

What happened to the tradition of walking to school? The simple answer is change. Change in traffic patterns and street planning that have made school routes less pedestrian-friendly.

In 1986, I was attacked in the street as I helped Neil Mullarkey from the Comedy Store Players to put up posters. We were in the wrong place at the wrong time - midnight - and we were English. I got kicked in the head.

People were stopping me on the street to say, 'Oh my God, it's Crazy Eyes!' Which is kind of a funny thing to have people shout at you on the street.

I was actually born in New York. We lived there until I was three so I grew up watching Sesame Street and hearing the accent. You are a sponge at that age, soaking everything up.

People talk about Wall Street greed, but one of the things many people don't understand is that there are a lot of organizations that have been the recipient of largess from the same Wall Street.

Say 'Toronto' or 'Ontario,' and the immediate thought associations are with a somewhat blander version of North America: a United States with a welfare regime and a more polite street etiquette, and the additionally reassuring visage of Queen Elizabeth on the currency.

Originally, back in 1992, DKNY started because I couldn't find a pair of jeans. I also wanted to dress my teenage daughter Gabby. So it was the perfect street wardrobe: jeans, anoraks, jumpsuits, boyfriend jackets, sweaters, skirts and dresses. Then DKNY grew into an entire lifestyle concept, including tailored clothes you wear to work.

The Internet doesn't always play a great role for art, especially art in the street, as people take what they see for the final image of it. But the most interesting thing about street art is to see it for real, to understand what it means and where it's displayed.

In the same way that Occupy Wall Street forever elevated that concept of income inequality, the Black Lives Matter protesters have elevated the idea of inequity in policing as it relates to minority communities.

One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.

I think if you study people in the street today, you do sometimes feel that they have taken their behavior and their language from things that they have seen rather than read - from soap operas and movies and so on.

I went to Norman High then I walked across the street after that and went to college. That's my home town, that's where I'm from. Physically I'm a Texan, but I'm an Oklahoman.

We need to hold Wall Street accountable for issuing the kinds of deceptive loans that nearly brought our economy to its knees in 2008.

Normally street children are shown in terms of the tragedy of their lives - which is true - but there's also another dimension: their wisdom, dignity and enormous capacity for survival.

I didn't want to go marching down the street with camera crews. Oy. To get married? Really? It seems like you have an agenda when you do it that way. I wouldn't want to get married to be an example.

He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.

Captain Richard Phillips of the good ship Maersk Alabama - and Sully Sullenberger splashing down his crippled airliner in the Hudson River - broke through the poisonous smog of economic depression and Wall Street skullduggery with a reminder that pure individual heroism is a daily occurrence if we know where to look for it.

Well, playing a guy who writes songs and busks on Grafton Street in Dublin and falls in love with Marketa Irglova wasn't very difficult for me. There was very little acting going on.

I like cooking, but I don't think I could be a chef. Everyone from the ground up does terrible hours, whether you've just walked in off the street and you've got no experience, to whether you're the head chef. You can work 14 or 15-hour days. It's really, really intense.

Every day, families in Africa go without food and water, never knowing when their next meal might be; but we can change that if we all work together. In order to make a difference, every purchase of my new energy shot, Street King, will provide a meal for a child in need.

Nobody's going to say hello to me in the street, really, because there'll be someone a bit more famous coming along the street in a minute. That typifies London, really.

If you're a new artist, practice your art and share it. Set up shop somewhere, whether it's a street corner or a coffee shop. I got my start in a coffee shop that didn't even have live music. I wanted to play in coffee shops that did have live music, but I didn't have an audience.

'Iggy' was my dog - he was named after Iggy Pop - and 'Azalea' is the street where I grew up; together, they have the right amount of syllables to make the perfect name.

People come up to me on the street and make some little joke - like they'll say, 'Excuse me, sir, what time is it?' And I'll say, you know, '5:15,' and they'll say, 'Hey! Made you talk!' And that's merely a way of saying, 'I know your work and I like you.'

I wanted to be the best street fighter in Houston, Texas. And I thought if I got a trophy or two, I'd go back home, and everyone would be afraid of me. I had one fight in '67, the first one. In '68 of October, I was an Olympic gold-medalist, a dream come true, with a total of 25 boxing matches.

Street artists need to get back to actually doing things on the streets instead of in the galleries where they all seem to be ending up. I hope this term 'street artist' falls from the face of the earth, in my honest opinion.

The economy may be complex, but Americans understand that the Wall Street banks control an outsized portion of the economy and that they have an outsized interest in their own profits.

I got caught stealing when I was a kid from the local bodega right across the street from where we lived. I tried to steal a big bag of Red Hot Dollars. And I swear, I was about 7 years old and the bag was bigger'n me.

In New York, I'm around a lot of the reasons I started playing music in the first place. I live right behind Matt Umanov Guitars. I live on the street that Suze Rotolo and Bob Dylan were walking down on the album cover. I recognize the history.

I'm not really into alternative country - I'm into Patsy Cline, who lived down the street from where I lived, and old Dolly Parton records, Kitty Wells and that old stuff. I like country music. I also like Eric Church, who has a great new sound but also holds onto that old sound.

I think I've grown up in a mixed environment, and maybe a lot of the time I haven't really belonged anywhere in the way I've dreamt of belonging to, you know, living on the street and playing to all the kids on the street, growing up together. I suppose 'Raw Like Sushi' was a place where all of those things could come together.

I'll tell you, in my life I've never once have seen a Hispanic panhandler, because in our community, it would be viewed as shameful to be out on the street begging. Those are all conservative values - faith, family, hard work, responsibility.

Here's an irony of the history of conservatism's relationship with business and business's relationship with conservatism: 'Wall Street' used to be the right-wing industrialists of the forties and fifties' greatest term of derision. (Wall Street was the place that humiliated them by forcing them, hat in hand, to beg for capital).

In truth, Wall Street is in for a radical makeover. Fewer people, lower margins, lower risk, lower compensation - and ultimately, fewer talented people. It is likely to change the culture of an industry that for nearly a century has been the money center of the world.

The sound of the '90s, to me, is a combination of soul and street - it's a feeling.

The ethos on Wall Street has not changed, and that's not going to come from the corner office. That's going to come, for better or worse, from Washington, and the whole idea of greed is still good, that is still pervasive.

When I'm in the studio, I'm strictly thinking about the beats, the rhymes and the song. The decision I make once the songs are created, and there's a barcode put on the package, and I'm out there in the street selling it, those decisions as a businessman are different than the creative decisions you make.

In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in the people's faces. You hear the songs immediately. Here in Los Angeles, there are less characters because they're all inside automobiles.

When I started at Ricci, I did street wear for very cool, young girls, but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.

I had a long-lasting love affair with the flavors from Japan and the hustling New York street vendors. And, of course, a life-changing return to Ethiopia has made huge impacts on my life in food.

With stand-up, I can have an idea, go down the street to a comedy club and work on it, flesh it out, book a venue, people will come, then film it. I do all that myself; I never have to answer to anybody.

If you were to ask me about a mistake I have made, it's calling my fourth album, 'New Jersey', because for the first time in my life, we were compared to the E Street Band.

In general, great companies prefer to grow 'organically,' as Wall Street likes to say. That is, from the inside out, by finding new markets or by taking market share from their competitors.

Here's the perversity of Wall Street's psychology: The more Wall Street is convinced that Washington will act rationally and raise the debt ceiling, most likely at the 11th hour, the less pressure there will be on lawmakers to reach an agreement. That will make it more likely a deal isn't reached.

You will find that every successful entrepreneur has suffered many setbacks. These entrepreneurs just forget to mention these when they are doing interviews with the 'Wall Street Journal' or Bloomberg TV.

Everywhere I go - from Main Street to Wall Street - people ask, 'What's happened to our political system? Why can't Washington folks work together?'

They say 15 million people are watching the show, but what does that mean, you know? It's not until I'm accosted on the street that I understand!

New Yorkers stop me on the street all the time to say, 'You're terrific! You're the nuts!'

I realized that I needed to be anonymous on the street and somebody else on the stage. I had tried to put my street self on the stage, but what they want is an actor on stage.

The Mexican debt crisis, Latin American debt crisis, the crises of the 1990s, the Wall Street stock market crash, and other events should have reminded us, and did remind us, that financial instability remains a concern, remains a problem.

There were two very distinct voices going on in my head and I moved easily between them. One had to do with sports, street life and establishing myself as a male... The other voice, the one I had from my street friends and teammates, was increasingly dealing with the vocabulary of literature.

I think voters want somebody who understands their problems. You're right that they don't expect the president to fix everything. When he's wrestling with Congress and Wall Street and the rest of the world, they hope he'll be looking at things from their vantage point.

I wanted to do something as an extension of my passion for music. My aim for the STREET by 50 On-Ear Wired Headphone range is to present music as it's meant to be heard, in studio-mastered sound.

I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.

I've never been on Wall Street. And I care about Wall Street for one reason and one reason only because what happens on Wall Street matters to Main Street.

When I walk down the street in New York, I swear to God, the building constructor, the guy pounding cement and what not, will yell, 'Hey, you hockey puck!'