Tv Quotations | Page 3

It's a well-known fact that the TV camera adds 10 pounds. I don't want to say that I've been calling my Jenny Craig consultant a lot, but I'm pretty sure I'm the first spokesperson whom they've considered filing a restraining order against.

I was surprised that the TV series was popular itself, but after that it went on to become more popular over the years and thus it seemed eventually that they would turn it into a movie.

It seems that whatever we do is somehow beyond reproach - murder, rape, drunk driving - as long as we go on a TV show and apologize.

I'd like to be the next Oprah financially, but I'm not a TV actor. I'm not someone with an entertainment background, I'm a cop. And I'm not afraid to go anywhere and get down and dirty.

Oh wow, you know what's wrong with all these families on TV? All these kids say stuff no kid would say. Stuff grown-ups want them to say. Man, I'd make a really realistic family. Where kids get spankings. On TV parents say, 'Oh, you shouldn't do that ever again. Now you can have ice cream.' Forget it.

I love theatre because that is my foundation. So, if I had to make a choice in terms of where I get the most fulfillments, it would be theatre. The reaction is so immediate, unlike with TV and film.

You get to actually see the music video on the TV in the pilot and we have the soundtrack playing at this big party. I thought that was sort of a cool moment, to actually have the A-Ha video is pretty cool.

You hit a certain age and - especially because of TV - the young cooks coming up say, 'You're a sellout, because you're doing something other than what you should be doing.' 'Top Chef' is a double-edged sword for me: There's a whole group of people who will not come to the restaurants because they assume I'm not in them anymore, all I do is TV.

The moment I finish 'any' book, my feels are pretty much the same. Goes a little something like this: It's done? Whimper. Tears of joy. Oh, my back. Relief! Shower! Food! Sleep! Oh, my back. You mean I get to catch up on my favorite TV shows? Tears of joy. Oh, my back.

I think you just have to accept the fact that no one lives forever, and eventually things are going to come to an end, whether it's a TV show or life.

I think feature films sell on the idea, and I think TV works based almost entirely on execution. I don't think anybody is going, 'Wow, that show is executed poorly, but the idea is so cool I just have to keep watching.'

I owed Lewis one thing, at least. Once you had suffered the experience of presenting a case at one of his Monday morning conferences, no other public appearance, whether on radio, TV or the lecture platform, could hold any terrors for you.

I never knew much about business. But I've been made happy. The TV and commercials have been very fortunate for me and my career. And Atlantic Records has always been wonderful to me. I don't think I could have chosen a better record company.

I'm really not a TV junkie... OK, I kind of am a TV junkie, but I'm much more of a movie junkie - my junk food is romantic comedies I've seen a million times.

I operated a periscopic TV camera so the commander, Anatoly Artsebarsky, could establish where we were heading. It is real teamwork on Soyuz.

And the greeter is what sets the tone for this company and I've been on TV a little bit this morning.

One of my initial memories of being taken over by music was watching Paul McCartney on TV play a tribute to John Lennon. He was playing piano by himself and singing 'Imagine,' and I remember feeling an anxiety and shortness of breath.

My brother's friend worked at a TV station, so we went in; the producer of a show asked if I wouldn't mind taking some photos for his wife, who was a talent agent. Next thing I know, I'm enroute to the agency.

The casting of 'Slumdog Millionaire' is a dream. Anil Kapoor, as the sleazy TV host, diamonds winking in his earlobes, has never been better; the quietly understated Irrfan Khan turns in another bravura performance as the police inspector whose questioning brings out Jamal's story.

Since I'm a story-oriented critic, sometimes it's difficult to discuss issues without defining them. At the same time, I try not to give away anything that hasn't been given away in first half, in TV commercials, or that isn't obvious from the set-up of the movie. My editors are aware of this tendency of mine and read carefully for spoilers.

I can honestly say - not proudly, but honestly - before I had a child, I would see things on TV or hear the news, feel sad for the people and move forward with my day. Now I see everything through a mother's eyes.

Since the 1980s, I've been known more for my TV work, I used to host 'Live at Jongleurs' and of course 'Grumpy Old Men,' and so it's really all come from there. It's been a funny career really, there are people that know me now as a TV person, a comedian, an interviewer - I've had people genuinely gobsmacked to find out I am a musician.

The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.

But I want people to understand that poker's not all glamorous, it's not all being on TV and making tons of money. It's a hard life. It's a lot of travel. It's a lot of weird hours.

I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.

When I first got into wrestling as a kid, I would read all of the wrestling magazines I could get my hands on. There was a satisfaction discovering that there was a whole wrestling world that existed that you didn't see on TV on Saturday morning. There was this idea that there was this stuff going on there that they didn't want us to see.

It's a wonderful thing to see a segment of our population that is open and eager to learn more about Chinese culture. It has filtered into the mainstream. You see credit-card ads on TV with white couples and Chinese babies.

I was just a little girl watching TV and wanting to be in it. My parents had no idea how to get me there, but here I am as a part of this great cast on the Disney Channel. Truly, if you just want to do this, then you have to commit to it.

There have been discussions of doing 'The Demon Cycle' on both large and small screen scale, and while there is no project currently in development, I think the series has both the big imagery and complex character development to have legs either as a TV series or film franchise.

I live my life on TV - it's like a home video.

I have new bodyguards ever since I got a TV show. I didn't know, but it's a lot like becoming president. They tell you every single secret, like who shot JFK. When you have a TV show, they not only tell you who shot JFK, but they assign you bodyguards.

When I was around 9 years old, I was watching TV one day. I was looking at this commercial, with a kid in the bathtub playing with a rubber ducky or something, and I said, 'Where do those kids come from? How come they get to be on TV? I could do that stuff.'

Television is kind of a disappointment. I often want to watch it, but I find it quite hard - I don't like soaps, reality TV or celebrity chefs.

Jonny doesn't want to do TV interviews because he thinks that he comes across as an idiot.

Not having the online game has made it more difficult. There are a lot of young and upcoming players in poker. But you don't get to see them because TV has sort of been taken away.

During seventy years of TV, the audience came to feel that the rules are, you can't kill the second lead on your TV show! Whatever's going to happen, it's all okay because there's no way they can kill the star.

Since I was very young, probably two or three, I had really good memorization skills. I would memorize stuff from TV and perform it for my family. I was the little performer for most of my early life. So eventually, my mom caught onto that and thought I might want to get into acting.

If I was discovered by anyone, it would be Stephen O'Neil, who saw me in a play at Williamstown and introduced me to my team who I'm still with today. He was the first person to introduce me to the film and TV world. Other than that, I just assumed I would be a theater actor my whole life.

Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.

When I first started working on 'Secret Diary,' I definitely felt like I needed to shape up. The idea of being in my knickers on TV was a great incentive! Now I try to eat right, and I go to Bikram yoga three or four times a week. I have my 'naughty' days, and I indulge in pizza and cake, but so what!

I don't claim that our TV comedies are highbrow in anyway, but I think there's a basis to them, and that's why they're more popular than other TV comedies. There's a basis of truth in them, a gut feeling.

All Oprah needs is a good book. My only request when she's building any house is, 'Could I please have a TV in my bedroom?'

A few years after 'Melrose Place,' when the luster of 'Melrose Place' wore off and what was left was just the stink, and I was just doing bad TV movies, that was a personal low point. I felt I needed to stop doing those, and I did.

My earliest memory is nursing and struggling to see the colored lights making up the map of the world, the famous backdrop for Larry King's TV show. There's an 'I-want-to-do-all-things-at-once' kind of theme to it.

The most frustrating part of working in TV and film is that you have to convince someone to let you make what you want; in comics you can do whatever you want and for 1% of the budget of TV and film.

When I was a kid, like four or five years old, I was obsessed with the 'Batman' TV show in the '60s. And I took it totally seriously. At that age, I took it completely seriously. I didn't get the fact that it was kind of played for laughs. I didn't understand why my mom was rolling her eyes or chuckling.

Right now my favorite TV show - because it's too close to home - is 'My Name Is Earl.' That show kills me. There's some funny stuff in there.

Most authors writing books like 'He's Just Not That Into You' dream of doing what I was being asked to do. I didn't like it. I'm good at giving advice, but doing it on TV and radio felt wrong, and when people resisted my point of view, I was like, 'Why am I doing this? This was not the plan.' So I stopped. It didn't make me feel good.

My dad was an interior design and furniture person. I started working with him for four years before my first TV writing break.

Like, if you are a celebrity, then anyone will let you be in a film or on a TV show, and if you're an actor, chances are if you are successful, you are becoming a celebrity.

But TV has changed completely. It's not until you come into people's homes that everyone says, 'You're a success now.'

There are days I like going out, and days I like to sit naked with the remote control on my thigh, watching 'Breaking Bad.' I'm in love with that TV show. And 'Louie' on FX. And 'The Newsroom' - well, I don't know if I like it, but I'm obsessed with it. It's so Sorkin-y. But I've got some friends on there, so it's good to support them.

One hazard of our job on TV is people are always checking us out and noting every pound we've gained or haven't quite lost.

I loved the movie 'Heathers' and the TV show 'Twin Peaks.'

Every day, I learn something new. I think one of the most exciting things for a writer is to work on a TV show. It's like a novel. You have a really long time to develop and learn about the characters, and you can just really keep digging in deeper, every week.

My father always said, 'Never trust anyone whose TV is bigger than their book shelf' - so I make sure I read.

We all know that much of what we hear in life is not really so. Canned laughter and 'sweetened' applause have been TV staples for decades, and all the slamming doors, breaking glass and squealing tires you hear in movies are sound effects.

Most people just half-watch TV. They watch TV while they are doing many other things in the environment of their home. So, what they are doing goes through their ears as much as through their eyes. In television, the narrative and characters are in the foreground of everything, because you are watching TV as you do other stuff.

The movies and TV shows I like to watch tend to put their characters in situations where they have to dig deeper.

Oprah's aspiration to inspire her audience with hope - elaborated on her TV show, in her magazine, and on her website - is hardly ignoble.

When you look at Kennedy and Nixon, TV played a crucial part in Kennedy's popularity. He was incredibly photogenic, while Nixon was this scowling figure. American viewers judged him on his appearance on TV.

Being home alone at night makes me a bit nervous. If I'm at home alone, I have to sleep on the sofa - I can't face going to bed. I'm there with the TV on and all the lights on. I'm not very brave about anything in life. In tennis, yes. In everything else, not very.

In a psychiatric hospital, a lot of people believe that people on TV are talking to them directly through the screen. I'm with about 500 of these people, and I'm on TV every Friday night. As I was queuing up for breakfast one morning, one guy nearly jumped out of his skin. My first thought was to go 'Woooo!'

I'm actually a very lazy person. Most of the time, I'm happy to sit around and stare. Or watch bad TV soaps. It's quite rare for me to get inspired by anything, but it could be something small. A view of the Serpentine. A snatch of music. Or a little shred of conversation overheard on a bus, such as, 'You also will marry someone of my choice.'

If this TV success had come in my twenties and I'd become a heart-throb, I would have been very stupid. I would have got into a lot of situations that I really wished I hadn't.

I started out a die-hard New Yorker but really grew to love working in Los Angeles. Even though I originally wanted to do theater, TV presented more opportunities for me, which led me out west.

In film or TV work, you can have this amazingly dramatic pause, and they'll just edit it out.

Having gotten TV shows on the air, that's so much less work that trying to get the 'Veronica Mars' movie made.

As a five-year-old kid, I used to sit in front of the TV - I never missed 'Dukes of Hazzard,' not once. It was me and my dad's show.

I've been on the road since 1983. Nothing ever changed, even when I was doing TV and movies.

My favorite TV show ever is 'Boy Meets World,' and my favorite movie is 'Ferris Bueller's Day Off.'

You can talk about reality TV if you want to, but guess what - it was a big commercial for Kym Whitley.

The quality of TV drama nowadays is getting better and better. They've had to invent a new term for it: 'high-end television.'

The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot.

Well I've got lots more great TV projects in the pipeline.

I was thrilled, because I like the big screen and I could then move on to the next thing. It was the biggest break for me. In a way, though, I wish it had been a TV series because then you are working for five years.

Here are a few of the actors who have brought my novels to TV life: Bill Pullman, Holly Hunter, Frances McDormand, Julian Sands, Gena Rowlands, Rob Lowe, Julia Ormond, Chelsea Hobbs, Tate Donovan, Anne Heche, Max Martini, Campbell Scott, Kimberly Paisley-Williams, Alexa Vega, and the late legends Richard Kiley and Kim Hunter.

Even if a media of a TV is not available in a home, there's this concept of community homes, where a reasonably well-off villager will have a TV - and a nice TV - and he'll keep it outside the house in the evenings.

I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.

My uncle is so funny - Don Vito. He was always fat with the craziest voice. Dude, he barely speaks English; it's just full-blown jibber-jabber. It's so funny to watch on TV because you really need subtitles because you can't understand him.

It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame.

On television, you have an intimate moment with the camera. In theater, you are making something live with people there. My brain doesn't understand that you don't get another take ever. I'm finally learning on TV that you can do something over if you make a mistake.

My family, they're story tellers. My mom is Irish, and my dad is Italian. In my family, we weren't allowed to watch TV while we ate - we had to sit around the table and tell stories about our day.

The Monte Carlo TV Festival is great because it's a celebration of television and great storytelling.

There's a million leading men on TV today that are perfectly great, and their jobs are fantastic. But it's not as interesting to me when every fight they win, every case they solve, every girl they get.

Tom Snyder was big enough to fill the night with talk and his own persona. The Snyder we saw on TV was not a replica of the real guy; it was the real guy.

In America you can be Donald Trump, have a business go wrong, and file for Chapter 11. You can move on, and no one complains. When his casinos were in Chapter 11, he was still on TV telling people how to get rich. I had to persevere for years with easyInternet because I couldn't afford to hurt the brand.

TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'

I can't deal with the ears in 'Star Trek.' I only saw the first 'Star Wars' movie, and I don't think I saw an entire 'Star Trek' TV show, and I certainly didn't see the movie. I like 'Andy Griffith' and 'Deadwood.'

I've appeared three times on 'The Good Wife.' I'm proud of being associated with the show. 'Time' magazine called it 'the best thing on TV outside cable.' Did I mention that I also appear on cable?

One of my problems is I am getting so mature that I have to pick up a TV and toss it through the coffee table just to remind people of who I am. I want to go ranting and screaming into the grave.

I think reality TV for dancers has changed for the better. There are more opportunities and the platforms that we are being given are better. We have more job security and TV is allowing different levels of dance to come through to the forefront. People can now take their abilities and turn them into brands and make these top dollars.

One of the things I really love about TV is this symbiotic relationship you can get between the writers and the actors, and the characters start to come to life because you start to collaborate.

You might be the leader of the team, but without the rest of the team, you're not doing anything. I think that's the way I look at my job as the lead of a TV show.

I had a brilliant drama teacher while I was at Roland Park: Ann Mainolfi. But the school was mostly rich in academics. It wasn't like I was prepping myself for a life in acting. There, you prepped yourself to have a stable future. The school's piece de resistance is college prep - it didn't teach you how to audition for a TV show.

A lot of reality TV is repellent, but that doesn't diminish the qualities of some of the people who take part. There are decent people in there who have no alternatives.

I could care less about the radio or the TV or album sales. I want that connection with people because when I'm able to walk down the street, I want them to feel like I've done something for them and helped their life because I've never felt that way about a musician.

A female friend who caught me watching Fashion TV reckons its audience is largely made up of slobbering men who are just taking a break from the appalling Men & Motors channel. I don't agree.

I see a film or a TV series or a play as being this machine. It sounds quite robotic, in its description, but it's basically a machine and you're just one of the cogs that goes in it. You're not the biggest one, and you're not the smallest one. Everyone's the same size.

I've read a lot of fiction from writers just starting out, and the dialogue is a little bit forced, or it's almost too teenager-y, or too slang-y or putting too much technology or trends in there. I try to stay pretty trend-neutral. I try not to mention too many current bands or current TV shows.