Antoine Predock Quotations

Anything I do informs how I design. I wouldn't isolate any one activity. Everything I do feeds back to my life, and my life is expressed in my work.

Underwater, I experience space with my body. I'll see a school of fish gathering and moving together and I'll exclaim, 'This is architecture.'

The connection to place, to the land, the wind, the sun, stars, the moon... it sounds romantic, but it's true - the visceral experience of motion, of moving through time on some amazing machine - a few cars touch on it, but not too many compared to motorcycles. I always felt that any motorcycle journey was special.

The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.

The prime communities of the Southwest are survival communities. Their sustenance is governed by rainfall and wind direction. You can study little enclaves of plant materials, how they huddle together for protection. Some are nurse crops.

A building that has great environmental responsibility is a political animal in a way because it becomes promotional of a cause. I think that kind of advocacy through architecture is really good.

My beginnings in the Southwest are clear and palpable. My beginnings here made me pay attention to where the sun is, where the winds are, the power of the site... I take that baggage with me.

The legendary tumbleweed is really a nurse crop that protects the growth of prairie grasses under its shade, and then sacrifices itself and blows away.

One of the things I think about as I've evolved as an architect is, 'Where do the poetic impulses come from?'

I didn't know what architecture was except that I lived in a house. I don't even think that I knew the word for a long time. My dad funneled me into engineering because it was his background.

I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. Its an inclusive approach that brings in many disciplines and sees place as a dynamic thing.

I like to think about machines and technology in relation to landscape and architecture.

Architecture is a ride - a physical ride and an intellectual ride.

The concept of architecture as analogous to landscape is something that has interested me for a long time.

It's a fault line where the flotsam and energy that washes up from the Pacific collides with all of urban America crashing in from the other direction.

I didnt know what architecture was except that I lived in a house. I dont even think that I knew the word for a long time. My dad funneled me into engineering because it was his background.

The connection to place, to the land, the wind, the sun, stars, the moon it sounds romantic, but it's true - the visceral experience of motion, of moving through time on some amazing machine - a few cars touch on it, but not too many compared to motorcycles. I always felt that any motorcycle journey was special.