Charles Mingus
Charles Mingus
Charles Mingus Jr.was an American jazz double bassist, composer and bandleader. His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of Third Stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences...
NationalityAmerican
ProfessionBassist
Date of Birth22 April 1922
CityNogales, AZ
CountryUnited States of America
I'm going to keep on finding out the kind of man I am through my music. That's the one place I can be free. But the reason it's difficult is because I'm changing all the time.
I was always doing revolutionary things, things that would alert people, so they would stop being so subservient.
In high school I was on the basketball team, but the coach did something I didn't dig and the next day he looked up and saw me practising with the football team.
What do you think happens to a composer who is sincere and loves to write and has to wait thirty years to have someone play a piece of his music?
I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
If you think this is weird, just look at yourselves.
Life has many changes. Tomorrow it may rain, and it's supposed to be sunshine, 'cause it's summertime. But God's got a funny soul, he plays like Charlie Parker.
In my music, I'm trying to play the truth of what I am.
Since the white man says he came from the evolution of animals, well, maybe the black man didn't. The white man has made so many errors in the handling of people that maybe he did come from a gorilla or a fish and crawl up on the sand and then into the trees. Of course, evolution doesn't take God into consideration. I don't think people learned to do all the things they do through evolution.
Our nights didn't begin until after noon. Because in the old days, you'd start Birdland at 8:30 or 9 pm and play until 4 in the morning. Then you'd go out to the corner and talk to a couple of musicians - I used to talk to Oscar Pettiford a whole lot - you'd stand there till 7, 8 or 9, or else go down to the jam session at Minton's.
If someone has been escaping reality, I don't expect him to dig my music.