Dallas Roberts Quotations

If you're into a leather-jacketed crime fighter and his artificially intelligent robotic supercar, tune into 'The Good Wife.' If, on the other hand, you prefer the misadventures of a freelance itinerant trucker and his simian sidekick, check out 'The Walking Dead.' Or DVR them both and go talk to your family.

Like all kids who want to be in action movies, I want to jump out of a speeding car, shoot guns, slide out the side in slow motion like a John Woo movie.

I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'

The notion of being on a cop show was appealing, just because it's one of those tick boxes in a career.

Yes, it's annoying that Hamlet doesn't kill his stepfather ten minutes into the play, but if he did kill his stepfather ten minutes into the play, there wouldn't be a play. He has to be annoying, if you will, and not do what would be the thing to do.

I like computers as a tool. I like them as an instrument. I think they're just pretty.

I try my damnedest to quirk up anything that Im in.

I remember walking out in front of that crowd, all the parents' faces and the applause, and folding my little self in half and thinking, 'I could get used to this.' And I just never stopped.

I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.

I came up in the theater, and I learned pretty quickly that reading a review, whether it's good or bad, can strangely affect the next performances, because you're reacting to something that's been said about you. So I tend to avoid that stuff pretty studiously.

I was the guy literally in the chess club who decided to wear a bow tie for the last two years of high school, so I obviously wasn't trying to get the ladies.

I've been a fan since I was a kid of that sort of bump-in-the-night stuff. I don't tend to go in too much for the slash-and-burn-'em or the walker kills on 'The Walking Dead.' That stuff's not necessarily the stuff that frightens me or gets me going. It's more the terror of waiting, the thriller aspects, that I find compelling.

To try to create a character without a whole lot of information can be taxing. At the same time, it's fun to just stay on your toes and let the next bit of dialogue come in, and turn the page as you read the next script and see what they have in store for you next.

I never have been a coder, outside of when I was twelve or something, like on the Atari 1200 XP or whatever I had.

When you get a job on 'The Walking Dead' you imagine you're going to be running through the woods with a lot of weaponry shouting, 'Look out!'

I enjoy playing someone who doesn't show up and say, 'This is what I am, and this is what I'm about,' but is someone who, four hours in, makes you go, 'Really? Is that what's going on?'

I find that on serialized television it's wiser to hit the ground and look forward, and take the cues from the writers and the events happening, otherwise you just tie yourself in knots.

I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.

I'm from Houston. I think I was thirty-seven before I ever set foot in Dallas, and that was just in the airport. So I've never really been there. Dad grew up in Port Arthur, Texas and all I can ever get out of him is, 'I wanted my first son to be named Dallas.'

It's funny, my kids and I live together, and I have a lot of actor friends. So my kids think everyone is on television every now and again, since everyone they know pops up here, but there's a whole rap of things they won't watch until they're 16 or 17.

When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'

There's this notion that actors choose their career. After a certain level, I think that that's true. I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.

I'm attracted to good writing. When I read the page and I know what we're after and where we're headed, and I'm fortunate enough to respect that idea and am able to pitch myself toward that, that feels like the culmination of everything that I've spent my life trying to do, since I played that tree in that play in third grade.

Once the audience has to use themselves to cross the distance to the character, that's what's really exciting. That's when it starts to be a discussion between the art form and the audience, and that's fun stuff.

Luckily, what you trade off in not being part of the comic book canon and not having some literature that you can use to your benefit, in terms of figuring out who you are, you gain in the ability to just be whoever you want to be.

I remember walking out in front of that crowd, all the parents faces and the applause, and folding my little self in half and thinking, I could get used to this. And I just never stopped.

It can be annoying not to know who you are, where you came from, or what you're doing. To try to create a character without a whole lot of information can be taxing.

In the acting community in New York we call 'Law & Order' 'grad school,' because everyone eventually does a 'Law & Order.' My first one was in 1995, which was a year after I got out of school. Matthew Blanchard was the character's name.