Damien Chazelle
Damien Chazelle
Damien Sayre Chazelleis an American film director and screenwriter. He made his directorial debut with the musical Guy and Madeline on a Park Bench. In 2014, he wrote and directed his second feature film Whiplash, based on his award-winning short film Whiplash. The film premiered at Sundance Film Festival and went on receiving 5 Academy Award nominations, including Best Picture. Chazelle received an individual nomination for Best Adapted Screenplay...
NationalityAmerican
ProfessionScreenwriter
Date of Birth19 January 1985
CityProvidence, RI
CountryUnited States of America
What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
First time that I cried at a work of art was at a drum solo that I saw. A drummer named Winard Harper, part of the Billy Taylor Trio, gave back in - I would have been in high school - 2005 or something.
There's something very particular about the kind of rage you feel when you're alone in a practice room by yourself, unable to master a simple thing like a rudiment.
Practicing is not normally fun. Sometimes people say they're practicing, but they're really just enjoying themselves and the instrument. That's not real practice.
I've always wanted to make movies that are fever dreams.
I've always, especially through old Hollywood musicals, loved just to watch tap dancing; I adore it. I think it's fantastic.
I was a writer for hire. I wrote to pay the bills.
'Whiplash' was always the song I hated the most because it's a song designed to screw with drummers.
Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.
I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
I was really trying to sell to people who hate jazz: to make a case for the art form as youthful and energetic, not the sort of rarified intellectual activity it's painted as.
Mozart was born Mozart. Charlie Parker was born Charlie Parker.
My hands were constantly blistered or bloody; my ears were always ringing. I tore through drumheads and drumsticks like there was no tomorrow.
My dad is a big jazz fan, and that was the reason I first got into jazz.