Gregg Allman Quotations

As they say in the bible, that you're supposed to rejoice when people die and mourn when they're born, because it's one of the most painful acts you go through in life, is being born, and dying.

I would like to be remembered as a - somebody who could rock your soul or make your cry with a song. And somebody who's kind, who loved to laugh, and loved his God.

Pop just didn't have enough substance for me. All this nyah-nyah-nyah, you know, 'Paper Tiger' and 'Hold the Ladder, James' and 'Crimson and Clover.' That wasn't music!

So many people out there can probably sing very good - all they need to do is just drop their inhibitions. That's why most people do their singing in the shower.

I didn't think we would ever make enough money to pay rent by playing music.

'Queen of Hearts' is one I'm really proud of because I worked so hard on it, and then I was told it wasn't good enough to be included on an Allman Brothers album. That directly led me to go into the studio and cut 'Laid Back,' my first solo release. So 'Queen of Hearts' is special to me.

When you travel on a bus with guys who love all kinds of music, you get exposed to some great stuff, man.

Stage fright is not a thing about 'Am I any good?' It's about 'Am I gonna be good tonight?' It's a right-now thing. It helps me. If I went out there thinkin', 'Eh, we'll go slaughter 'em,' I'm positive something would go seriously wrong.

I said, other people can write songs, let's see if I can. So the first 400 or 500 wound up on the floor somewhere. Then I wrote one called Melissa.

There are as many ways to write songs as there are songs.

My father was murdered when I was two. Duane, even though he was only a year and 18 days my elder, he became a father figure to me. I would have done anything for my brother - I loved him so much.

I've come to the conclusion that I'm not supposed to be married.

The booking agent had the audacity to take 10 percent, so we wound up with about $100 a week apiece.

When I got out of high school, I thought, I'll take a year or two off and play the clubs, get this out of my system, and then go to med school.

I got tired of playing other people's songs.

At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time

Clapton asked my brother to play on his record. I thought that was the most wonderful thing in the world.

Gotta take my puppy on the road with me, Killer

I got Jimmy Hall from Wet Willie and he also plays now with Hank Williams Jr.

In my line of business, there's no better feeling than having a real nice work that you're really satisfied with.

I play every show like it's my last. Fortunately, that's never turned out to be the case.

The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.

There's only one cook in the kitchen, only one chef. I let the soloists do their thing - you've gotta let a man do a solo the way he wants - but as far as picking the tunes and working on the arrangements, I take full responsibility for it.

When I got out of high school, I thought, 'I'll take a year or two off and play the clubs, get this out of my system, and then go to med school.' More than 40 years later, I figure it's finally time to write about this crazy journey that's taken me around the world and back.

People always lean toward who's the best guitar player, who's the best singer? I don't see it that way. They're all the best, you know? They've all gotten your attention, you've admired them, you've tried to sing like them. That makes them the best, each and every one of 'em.

Duane Allman was the best guitar player I ever heard who didn't read a note.

My goal is to put out an album with every song being an original composition of mine. I want the credits to read, 'All songs written by Gregory L. Allman' - that is something I really want to make happen.

I was always the Doubting Thomas of the bunch, and I don't think I was convinced about the Allman Brothers until 'Fillmore East' hit - that one removed all doubt!

I've never sat down and tried to write something for some occasion. You just write the tune and stay totally wide open to everything. It'll find the person or persons who are supposed to do it.

The best advice I got really had nothing to do with singing; it came from my brother, who always told me to stick to my guns and to believe in myself. I think Duane saw my talents and believed in me long before I ever did, and that meant the world to me.

I really told my story as I saw it in 'Cross to Bear,' and I was pleased - and a bit surprised - by how well it was received and how it sold. No. 2 on the 'New York Times' bestseller list? I'll take that any day, my man!

Before I got into rock n' roll, I was going to be a dentist.

You couldnt get a job playing in a club unless you played so much Top 40 and so many Beatles songs. I just went into a sort of revolt.

The Beatles had just come out, and everybody had a band. It was incredible competition out there.

I have been going to the gym instead of the bar, trying to get back down to my fighting weight.

You got to be pretty thin to be in the movies, or it helps. I would actually love to do it.

Yeah, like, when I look back on my life, I just remember back what happened in '74, or something. It seems like only the real good stuff comes to mind. I don't think of all the tragedies and all the funerals. That just doesn't come to mind at all. I guess I'm really blessed that way.

I left home the day after I graduated from high school because I knew we weren't going to make any dough to pay the rent in music.

It seems like only the real good stuff comes to mind. I don't think of all the tragedies...

Rock 'n roll was born in the South. It's like saying rock-rock.

It's hard to live your life in color, and tell the truth in black and white.

I could not see myself going back into the studio without Tommy Dowd, our beloved producer who passed away in 2002. Then in 2009, Michael Lehman, my manager, really pushed me to meet with T Bone Burnett. I ended up meeting with T Bone in Memphis, and we hit it off right away; I knew he was a guy I could work with.

You couldn't get a job playing in a club unless you played so much Top 40 and so many Beatles songs. I just went into a sort of revolt.