Hank Azaria Quotations

Getting over someone is a grieving process. You mourn the loss of the relationship, and that's only expedited by 'Out of sight, out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine, it reopens the wound. It's a high-class problem, but it's real.

Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.

You know those award shows. The cliche is that it's an honor just to be nominated, but that happens to be true. Whoever wins it in the end, I don't know, sometimes it feels arbitrary. Sometimes it feels like it's deserving.

The Iraq War. No one took to the streets over it. It certainly would have been appropriate. If anybody even hinted we should... you were called un-American and not supporting the troops.

Godzilla's a monster for the '90s. He's been working out.

I'm very happy I get to keep working - it's an insanely fortunate thing.

When you're on a series that's been cancelled, there's a little bit of a stink on you.

I wore a thong and a bra and a wig. Those things hurt. I mean, thongs? Like, they dig in. It takes a tough man to be a woman.

I was 16 and did a play at school. I was a rather good student... And then I did a play when I was 16 and completely lost all my concentration for academics.

In my cranky old age, I actually prefer recording alone now, on 'The Simpsons,' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.

The craft Emmys are kind of the kids' table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.

I've been divorced and I had to get back out there be single again and do some of that in the genuinely miserable state where you really do wonder what the hell is going on. And you feel like trying to have casual conversation with someone you don't know on the surface of the moon or something.

Guys will definitely settle for women who get the joke. But a woman who can make you laugh? It's not high on a guy's must list. Perhaps it should be.

I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.

You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.

I tend to not watch things that are current. And then if everybody swears it's amazing then I'll like watch the whole series in a weekend.

Women are, in general, less shallow visually. If their man gains 10, 20 pounds, they don't care as much. But I've been with women over the years when my weight fluctuated, and they're definitely more interested physically when I am in really great shape.

I ask for a lot of advice from different fathers - all kinds of dads.

I bartended for a catering company for two or three years.

I don't really remember much about the '60s at all. You know, 1970 is the first year I remember pretty well.

I have no new voices - they've all been used.

I joke that my niche in Hollywood has been naked foreigners.

I've been doing silly voices since I was a child.

My ultimate is Peter Sellers - his ability to go broad and somehow humanize that and be hilarious at the same time. He was just relatable, real at the same time as insane. I find Ricky Gervais absolutely hilarious. Steve Martin is another hero of mine - he's a genius.

I always hoped for a show that was realistic and provocative and moving and funny. And to me, it's exceeded those expectations ... not to mention the people who have climbed aboard to join in it. As a creative endeavor, it's been the greatest experience of my life.

When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'

When you mimic everyone, sometimes authority figures really don't appreciate it which is not an original story. And pretty much every comedian has some tale of that.

Creatively, this is the best job I've ever had.

It's such a complex little show. Watching the second season, the writing deepened, the performance deepened, our interactions deepened. It was fun to get another whack at it, and we all know what we're doing a little bit more this time.

The 'Family Ties' role was the first of many gay roles that I've ended up playing. I remember that I made them laugh, and it made me feel good, 'cause it really cracked them up.

I've met a lot of rock stars when they come to The Simpsons, and almost every one of them I get really freaked out.

I've done literally 100, 150 different characters.

I've done literally 100, 150 different characters. Some of them have only appeared for a line or three. But the point is, every sound I can make has been harvested.

It's always impressive when talented comedians are easy laughers or generous with their laughs.

You never know who's going to kill you until you meet them.

It's not really difficult to go from one voice into the next.

When you do well in a movie that's seen as really great, you're revitalized for six weeks.

That's a true actor's nightmare: "Improvise in British sign language. Go."

I put a tremendous amount of pressure on myself. I felt like I shouldn't have to audition for anything and all that. And that energy did not serve me at all.

A lot of times, when I record with a group, I'll stay after class for another hour or two and go, 'Let me try a bunch of things I was thinking of, as you were doing that.

There's no experience like on-the-job training.

Literally, I see my writing as transcription - a transcription of what I see, hear, think, live.

You have to always physicalize, when you do animation recording. Otherwise, you won't get the performance right.

Just watching Jack Lemmon made me want to get into this business.

The craft Emmys are kind of the kids table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.

As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.

I did a lot of theater in college, and I knew that not many people make it, but I just figured, 'Well, I really want to try acting while I'm young, and I don't ever want to look back and say that I never gave it a try.' I fully figured I'd be back in grad school - probably for psychology.

Once someone is in your family orbit, there's a mutual responsibility, and whatever happens to them happens to you.

I would love to do Broadway again.

When you become deeply involved with someone, their problems become yours, and vice versa. It's family.

I love acting, but I want to explore other things.

Historically, there would always be people among the general population who had family members, friends, cousins who'd done time or who'd been in prison.

I had kind of sworn off network TV a while ago.

I've always been a fan of plain writing. I hate metaphor-laden, heavily larded, lyrical writing.

[Kids] are just like annoying short people

It's not really difficult to go from one voice into the next. It's like asking you to sing a line of Happy Birthday and then Goodnight Irene - assuming you know the words to both those songs

I guess I'm used to seeing actors, but rock musicians still hold a special magic for me.

Association bring you into the larger world of other people and things. Not having that is a kind of prison, a prison of such a limited consciousness, of such a limited frame of reference and association.

A self-help book can't really address a problem unless it's individualized. It's not going to talk about a globalized problem.

I guess for me the greatest injustice is to see people robbed of that interiority and process of association.

In gay culture hookups are a way of escaping your class.

I was hedging my bets by the time I got to college. I was interested in drama and journalism and psychology.

Even trying it as an actor, I never thought I'd actually make it.

Politics is topical - it's what's happening now, and we can either respond in the present or avoid it.

You know, I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor.

The first two months I imagined Godzilla, ... Then I got bored of that and I imagined different things. What if my agent was that big? What if my dog was that big?