Hilary Mantel

Hilary Mantel
Dame Hilary Mary Mantel, DBE FRSL, is an English writer whose work includes personal memoirs, short stories, and historical fiction...
NationalityEnglish
ProfessionNovelist
Date of Birth6 July 1952
years preparation adults
So many years of preparation, for what was called adult life: was it for this?
alter banal censor control evolve guess inside itself message ridiculous seems
You can control and censor a child's reading, but you can't control her interpretations; no one can guess how a message that to adults seems banal or ridiculous or outmoded will alter itself and evolve inside the darkness of a child's heart.
compared equipped historical life point
The old always think the world is getting worse; it is for the young, equipped with historical facts, to point out that, compared with 1509, or even 1939, life in 2009 is sweet as honey.
adhere art closely dramatic inside novelist responsibility shape work
The novelist has a responsibility to adhere to the facts as closely as possible, and if they are inconvenient, that's where the art comes in. You must work with intractable facts and find the dramatic shape inside them.
asked people recognise seems sooner
Novelists, it seems to me, are the very last people who should be asked to comment on the news of the day, and sooner or later, when they have been pilloried for their views, most of them recognise this.
suppressed
I think if I hadn't become a writer I would just have suppressed that part of my personality. I think I would have put it in a box that I never opened.
accounts available background deal details finding gone great involved people run scene side spend time
I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are, and to look where things have gone missing.
alter change details fill historical narrative point step
Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world.
again destroyed entire existing fantasize furniture state
Sometimes I fantasize that all my furniture has been destroyed in a cataclysm, and I have to start again with only the stationery catalogue. My entire house would become an office, which would be an overt recognition of the existing state of affairs.
history interested less truth
The more history I learnt, the less interested I got in winning arguments and the more interested in establishing the truth.
actions novels
Novels teach you that actions have consequences. They help you grow up.
My thoughts have been the thing I can rely on.
connection felt intimate reverence since
Since I was a very small child, I've had a kind of reverence for the past, and I felt a very intimate connection with it.
beside people seldom serene state
Sometimes people ask, 'Does writing make you happy?' But I think that's beside the point. It makes you agitated, and continually in a state where you're off balance. You seldom feel serene or settled.