John Travolta
John Travolta
John Joseph Travolta is an American actor, dancer, and singer. Travolta first became known in the 1970s, after appearing on the television series Welcome Back, Kotterand starring in the box office successes Saturday Night Feverand Grease. His acting career declined through the 1980s, but enjoyed a resurgence in the 1990s with his role in Pulp Fiction, and he has since starred in films such as Face/Off, Swordfish, Wild Hogs and Hairspray...
NationalityAmerican
ProfessionActor
Date of Birth18 February 1954
CountryUnited States of America
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What if you built a carport, but for a plane, and with a Frank Lloyd Wright feel?
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Those are usually your better parts because you're not worried about the likeability, ... I think it's a great movie because of the idea that we're not afraid to be at moments unappealing and true to those people who are drinkers and are not always in the best mood. And they're often wicked. And they're sometimes emotional.
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What we've seen in the shelters is wonderful, because people are being taken care of. What we've seen in the city is disastrous.
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When I was a kid in the 60s, believe it or not, most of you are younger and don't know that, but it was a blast to fly! You dressed up, you got in your Sunday best, women wore white gloves, you had room to stretch your legs out, you had a very nice meal, the stewardess paid particular attention to you. It was an event. It's so different today.
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Oh yeah, dancing's part of my soul. I enjoy it, it makes people happy, and it makes me happy.
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I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.
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Most people forget that you have to create relationships. The allure of the first years settles down, and at that moment, you better start creating it; otherwise, you're going to lose out.
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When I say 'yes' to a movie it's usually because, to a greater or lesser extent, it's because I'm enthusiastic about the character. How well that character ultimately comes off depends on a lot of things: your relationship with the director and so on. But at first, you're on board because you think you can do something with it.
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We really had a commitment to the firefighters to finally get this movie right. Especially after September 11. We really wanted to put our best foot forward and kind of leave our egos at the door and really be what these guys are, which are a lot of selfless wonderful men and women that want to help,
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Yesterday we left the house, kissed the kids goodbye, then we went into the back yard, got in a jet and flew to London. That was pretty cool,
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We'd use IVF. It's not a big deal any more. Children are such a joy.
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When I first started making films like 'Saturday Night Fever' and 'Urban Cowboy,' those were accidents as far as social impact is concerned and we didn't know what we were doing as far as the effects they would have. But when you make decisions like 'Primary Colors' or 'A Civil Action,' those are bolder and kind of dangerous in a way because you can't be guaranteed that anyone will come to them. I really can't do it without you (the film critics) because these kind of films don't survive out there without your acknowledgment. We have to be a team here, otherwise we can't survive very well.