Paul Hirsch may refer to: (wikipedia)
They are all human beings there, ... I think it played significantly in the final decision.
When I started out, I preferred to watch my films without music, as its presence tends to mask the underlying pace of the film. I felt I could feel the rhythm of the film better without music to influence me.
The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
I have been typecast in my career, although the type changes with the decades.
I have always had a certain rhythmic approach to my work.
The shooting of the movie is the truth part and the editing of the movie is the lying part, the deceit part
It was another mixed bag. Every year, the hype gets bigger but I'm not sure the ads could live up to it.
