Ryan Adams Quotations

You could eat sushi off my bookshelf. My cleaning regime is like a battleground. I'm Genghis Khan and my cleaning products are my Mongolian army and I take no prisoners. The rest of my life is an experiment in chaos so I like to keep my flat neat.

Music is my thing. It's my thing; it's what I love. It's what I do. It's football to me; it's Christmas to me; religion to me; poetry to me.

Maybe I am a jerk sometimes. Maybe I'm not. I think most people are kind of a jerk once in a while.

I have found in black metal the lyrics are profoundly beautiful... a pathos and mythos at the same time.

Fame is an unnatural construct and those who go in search of it are the least likely to find it.

There is this strange fog of being a young man that I would refer to as soft time. Time does not go forward there. It's a series of doors that kind of wind back into one another, like a series of doors in the upper floor of a house. You revisit the same lessons over and over again, or you choose to ignore them.

I think I've been incredibly raw my whole career. A lot of people spend a lot of time trying to look cool and spend time being guarded and putting up walls. I just never had the time. It seems more honest to say, 'Hey, this is who I am.

Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.

Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.

I've gotten to a place where I still love to play and sing, but I don't have any ego agenda left, outside of just wanting to stay in a creative place and play music. I much prefer to sing for somebody else, and to somebody else.

Writing and creating, those things come to me on their own. I feel like... you sort of summon them and it's like allowing the universe to enter your heart in an entirely different way to what it normally does. It's like inviting that energy of the universe to enter into your craft in a way where it has a meaning.

My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.

To make a song is a gift, and once it's done it keeps evolving and changing and becomes a tool to interact with other people. It's like a conversation.

I was a nervous young man. I wanted to do so many things. And I was so enthusiastic and earnestly in love with so many things that I tried too hard. I tried really, really hard. And I made a lot of mistakes. I was afraid of a lot of stuff. And I kind of feel bad for that person I was.

I routinely never discuss my marriage. It's nice to have things in my life that are totally mine.

When I'm in New York, I just want to walk down the street and feel this thing, like I'm in a movie.

I think it would be wrong to consider 'Ashes and Fire' a love album. The record is obsessed with time. I believe that there is a kinder view of the self on this record.

On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.

There definitely isn't a structure anymore to how I get ideas. A lot of times I'll just write down a phrase, or I'll have an idea that's attached to just a few chords. Other times, it's work.

When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.

I think that we live in a time where it's easier to be suspicious of dedicated men and women, people dedicated to their craft, because the world around them inspires them to be lazy. It inspires them to be negative. It inspires them to be snarky.

There's all these musicians in the world, and anybody that takes enough time to create a record or even think about the fantasy of rock & roll, it's a vulnerable place to be in, it's a huge thing to do.

It is awesome. They thought we were losing all our starters (from last year), and we come back and we just show them that we all can do it. It doesn't matter who it is.

The band got a bad bug on the way back from Japan that just kept wearing us down.

It's a neat community. I'm excited about the growth that's occurring in Little Elm.

I want to keep him as far away from the real world as possible,

I like the fact that this record is not so self-serious.

If I could find my way home/ Where would I go?

He's mythological to me, like Zeus or Thor. I don't want to dispel all the myths and mysteries that surround some of his stuff, which I think is just absolutely phenomenal, inspiring and righteous.

I can sort of will that stuff to happen to me if I put myself in the right headspace. Then I can actually get to a space where it won't just be one song that comes through, but a series of them.

For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"

I always have to remember that I am the narrator, but it doesn't have to be about me. A lot of songwriting is about trying to use what part of me is valid in telling the story. I don't want to overcook it, you know? Sometimes it seems that's really where the work is.

I like things that reach a little further and are a little more abstract, but I don't think that's what I do naturally well. How I write naturally is probably what's furthest from me, and the most removed from what I understand.

For me, a record is valid when I actually hold the vinyl. Like, I've worked on the art for a while and I see the vinyl and I go "Ooh, it's an actual LP. How cool is that?" That's very sacred to me. You can't take that back, you know?

It's hard to view myself sometimes as even in the same league as other musicians, mainly because there's so much music before me. I feel overinformed by different styles and different possibilities.

Not to discount my music, but I'm always suspicious of the music that I make on some level, as to how valid it is. Or maybe not "valid," but how important.

I'm a big music fan outside of the music I make.

The weirdest thing I've been fascinated with nowadays is the new contemporary country music, which to me sounds like very strange '70s pop, and sometimes like rock music. But some of the themes in there - maybe it's because I know how the songs were written, but it really does sound like it was written by two or three people, with the idea to appeal to the most general audience.

I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.

I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.

It's really very easy for me to be in The Cardinals, because I bring my voice, my guitar, and my songs to them, and then we all play around to find out what works.

What I love most in life happens to be the very thing that I do day-to-day, as my work. What would be my hobby, you know, happens to be my actual job. So I'm very lucky. Even if I didn't want to do as much work as I do, I'd still feel compelled to, because I so longed to be a full-time artist, and since I've been given that opportunity, I'd never want to let down the gift.

I don't think I've ever gone on stage to be an asshole. I know one thing, from the past, and that's that my intentions always began in a pure way. I really want to just try and play the songs.

It was never my first choice to be a singer/guitar player. I really wanted to play drums.

This is going to sound crazy, but I can hear music in my head. I can imagine a piano or a guitar playing, and I can sort of think out...

You can imagine several scenes from Star Wars? The way they looked? For me, that's how music is. Sometimes I'll be developing riffs for songs, just while I'm sitting around and not playing.

The good thing about playing the guitar: You can take on different kinds of music. I'm always doing something different from the last thing I did because I have the shortest attention span on earth.

To conceive music, to execute it in front of others, to make it so others can do it...it can be pretty humbling, and kind of scary. So yeah, I don't really feel in competition with anybody. Not because I feel elitist, but because I have enough self-competition. I'm always struggling.

Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.

I don't think, that all my stuff could've been records. Some, maybe. The ones that I really wanted to be records, those are the ones that are going into the box.

If I had a reed made of lightening I could blow the sax all night... I don't know where one would acquire a reed made of lightening but I would imagine that Bill Clinton has one.

A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.

I use to be panicked, but know I'm curious!

Is it possible to love someone too much? You bet.

I'm a pretty bad troubadour. I'm more of a music fan who got away with making records.

Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.

When You're young, you get sad, and you get high.

They don't make coats for this kind of cold

It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.

Can you still have any famous last words if you're somebody nobody knows?

I kiss her mouth and I know... for everything there is a word... for everything but this.

I quit drinking every night, at 1:30 A.M.

I think that music, or at least the kind of music that I make, benefits greatly from improvisation.

The process of making music is more interesting to me than the end result. If I was a cook, I'd be more interested in cooking food than eating food.

I'm actually a pretty upbeat person outside of playing music.

It's hard to be bipolar and bicoastal at the same time.

Bad nights lead to better days

Most of my songs are pretty sketchy. There's not a lot of bass sections. I don't write big bridges. Sometimes I'll try. But it's hard for me to focus that way, because I always think it's more interesting to just see what will happen next.

Forever only takes its toll on some

The night destroys the sun

Do you remember stormy winter?Well button up your coat, one's comin' soon

I'm never argumentative for the sake of being argumentative, I don't think. And more than ever, I've had to be willing to fight just to get records released, or just to be able to walk away with a little bit of self-respect and pride.

Words may move but they're never moving fast enough

While the things I do kill me, they just tell me to relax

On Heartbreaker, I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs

I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.

I went down to Houston and I stopped in San 'Antone, I passed up the station for the bus. I was trying to find me something, but I wasn't sure just what... man, I ended up with pockets full of dust.

I'm sort of planting Post-It notes all over my psyche. Do not skateboard wasted. Do not buy $10,000 rugs. Be careful what you say to journalists. You don't have to stay up until 7 A.M. - tomorrow is a new day.

It's like—I don't know, sometimes it's like chasing a pretty girl on the beach. And things I never thought I could do…I can do.

Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.

I've never been to Vegas, but I've gambled all my life.

There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.

I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.

It would be really nice to make a record that would be super-fun to play live - a record that would be funny, with a little bit of heart.

A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet.

Some people want to go forever, I just want to burn off hard and bright.

That's why I played music; my social skills were limited. I think a lot of people that experience that pick up guitars, because they can't communicate otherwise.

Being a human being is lost. For 120 shows, the one that goes bad is the one that people will talk about.

I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.

I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.

I was never much of a bass player.

I no longer know the author of this book, for simply stopping long enough and writing it down was where I changed from a boy with his eyes squeezed shut to a man with his eyes wide open so that the sunlight might reach my heart despite all that darkness.

Some things were made to be felt

While you can fill every heart as your own full of laughter loud as gold and passion quick as silver.

Rock records. It's the main source of inspiration for people - fans, or musicians, or both - to act out in ways that they wouldn't normally act out. Especially rock critics. Ultimately, records don't really hurt anybody, and neither do reviews.

When I'm in New York, I just want to walk down the street and feel this thing like I'm in a movie.

I want to make sure I'm with a girl that's a good kisser, and that when I wake up, I have coffee and a cigarette. That's all I really want out of life. That, and world domination.

There is nothing wrong with loving the crap out of everything. Negative people find their walls. So never apologize for your enthusiasm. Never. Ever. Never.