Said Sayrafiezadeh
Said Sayrafiezadeh
Saïd Sayrafiezadeh is an American memoirist and fiction writer living in New York City. He won a 2010 Whiting Award for his memoir, When Skateboards Will Be Free. His short-story collection, Brief Encounters With the Enemy, was short-listed for the 2014 PEN/Robert W. Bingham Prize for debut fiction. He serves on the board of directors for the New York Foundation for the Arts...
NationalityAmerican
ProfessionPlaywright
CountryUnited States of America
war character wanted-love
Love and happiness inextricably combined? I wanted love stories to coincide with war stories, I wanted hope for my characters, I wanted a sense of a future. So do they. So does the reader. But perhaps I shouldn't speak for everyone when I say that love and happiness are interdependent. In my own experience, happiness came with love. Specifically, my wife. That's when my own apathy and stasis ended for good.
war character weather
Since most of the action of the war actually happens off the page (offstage), I wanted to give the characters something they had to contend with on a daily basis, some sort of obstacle. Weather seemed to be the one great equalizer regardless of your station in life - when it snows, everyone is inconvenienced to a certain degree. Plus it's tactile, weather, it affects the skin.
country war writing
An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague, no? After all, how do you actually have an entire city - or country, for that matter - be a character a reader can follow? One way is by making it smaller and personalizing it, by writing specifically about the citizens and the way they contend with the reality, even minutiae, especially minutiae, of their lives.
real character political
I liked the push and pull of that, between the outer political world and the inner personal lives of the characters. It's also real life... Many of us are keenly aware of world events, but break your nose and I bet that's the main thing you'd be focused on.
real writing character
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
mom dad writing
I don't feel any ethical dilemma when I write. In my memoir, I was able to write with candor about the two most difficult people in the world to write with candor about - mom and dad. Everything else is downhill from there.
country military war
I was trying to hold up a mirror to this country, to reflect the past years or so, and the varying degrees in which we've been affected by the war(s) that doesn't seem to end. And we've all been affected somehow, even if we have no connection to the military, even if we don't know anyone who's killed or been killed. No one escapes something so large.
detail hours obscure order originally public socialist united workers york
While writing my memoir, 'When Skateboards Will Be Free,' I would sometimes have to pore over hours of microfilm at the New York Public Library in order to try to get one obscure detail right. For instance, was the Socialist Workers Party originally called the American Workers Party or the Workers Party of the United States?
background barack caused equate fact far hostage iranian name raised similar strange ways white
In many ways I'm similar to Barack Obama, who also has a strange name but was raised by a white American mother. His background is far more complicated than his name would suggest. Furthermore, the fact that I was a child during the hostage crisis has caused me to equate being Iranian with being alienated.
born brooklyn connection extent home iranian left months nine raised speak
I was born in Brooklyn and raised in Pittsburgh. I've never been to Iran, I don't speak the language, and, probably most important of all, my Iranian father left home when I was nine months old. That's the extent of my connection to Iran.
age childhood defined presence superstar until
My childhood was defined by my father's absence. His presence looms so large. Up until the age of 18, he was a superstar for me.
great limited
My characters are not underachievers; they aspire to great things, but they are limited by the world around them.