Sebastian Junger

Sebastian Junger
Sebastian Jungeris an American journalist, most famous for the best-selling book The Perfect Storm: A True Story of Men Against the Sea, his award-winning chronicle of the war in Afghanistan in the documentary films Restrepo, Korengal, and his book War...
NationalityAmerican
ProfessionAuthor
Date of Birth17 January 1962
CountryUnited States of America
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The American military generally counts on a kill ratio of 10 to 1 when fighting lightly armed insurgents: for every dead American, there are probably 10 dead enemy.
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Well, you got to remember, bin Laden killed 3,000 Americans and, in some ways, he and his ideology killed tens of thousands of his fellow Muslims, including Pakistanis. I understand that that was provocative and complicated for Pakistan, but only if you accept the idea that he was an acceptable member of Pakistani society.
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There are photographers who don't really engage with their subject. It's a really unfortunate phrase, but they take their photo and they leave with it. It works but I think it ultimately limits how profound the work can be.
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One could reasonably argue that the Turkish pogrom against the Armenians during World War I qualifies as a crime against humanity, as does the United States' ethnic cleansing of Native Americans.
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The Kosovars were granted autonomy at the end of World War II, but then aspiring president Milosevic had the autonomy revoked in 1989, and the Dayton Accords of 1995, which ended the recent war in Bosnia and Croatia, failed to address the issue of Kosovo's status.
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In some ways, risk-taking is the ultimate act of self-indulgence, an obscene insult to the preciousness of life. And yet, how can one dismiss something that persists despite every reasonable theory that it shouldn't?
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What is and isn't justified by military necessity is, naturally, open to interpretation. One of the key concepts, though, is the law of proportionality. A military attack that results in civilian casualties - 'collateral damage' - is acceptable as long as the military benefits outweigh the price that is paid by humanity.
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People ask me about 'The Hurt Locker' a lot, and it's an incredible piece of filmmaking - as are 'Band of Brothers' and 'Platoon' and 'Full Metal Jacket' and 'Apocalypse Now.' But they're not necessarily true to war in a literal sense. What they are, really, are brilliant movies about Hollywood's idea of war.
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There are no journalistic ethics that transcend the value of human life. There are none. In a situation where you can save a human life, you must. There isn't any conflict in my mind.
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The combat environment has the effect of flattening out civilian identities. If you're young or old, or a graduate from Harvard or the son of a farmer from Alabama, or if you're gay or straight or good-looking or ugly: none of those things matters much in combat, as long as you can conform to the group expectations.
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Well, the fact that the news industry doesn't have enough money to only send salaried staff to war zones means there is an enormous, wide-open opportunity for young people who want to be on staff and don't know how to get there.
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People really in the meat grinder of the front lines are not, for the most part, insured or salaried network correspondents. They're young freelancers. They're kind of a cheap date for the news industry.
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I had grown up during Vietnam. I had no connections to the U.S. military, and I had a pretty cynical default opinion about the U.S. military.
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The attacks of 9/11 came out of Afghanistan. It was a failed state, a rogue nation. That's why al Qaeda was there in the first place.