Skrillex Quotations

To me, it's always a joy to create music no matter what it takes to actually get there. The real evils are always whatever stops you from doing that - like if your CPU is spiking and you have to sit there and bounce all your MIDI to audio. Now that's annoying!

I book myself tight. If I have any time off, I get antsy.

Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.

The greatest gift of all time is that you can make creation infectious because people spend less time being negative If you log all the time with negativity in the while world, I wonder how much better the world would be if people sat down and did something positive. It spirals.

I don't care about having money. It's about being happy, man.

With 'Bangarang,' I didn't make any announcement, no campaign. I just put it on my Facebook and some other places. That's how I've done everything with my previous records. I've always kept it organic.

I do most of my vocals - aside from a couple of little one-shot vocal samples. I record everything into the Saffire with an SM58 then scratch it with loads of plug-ins. I don't do much vocoding to be honest. All my vocals are usually done with Melodyne and a ton of other plug-ins to make it sound weird.

If something gets too easy... I want to do something else. But every album is going to be me, no matter what.

I don't think I'll be remembered in a big Michael Jackson, Led Zeppelin way. I think I'll be remembered in this way: by the people who were there, who can't capture or explain it. I'm not trying to brag or anything. It's not about me. It's about facilitating a good time for everyone.

The people who I grew up making music with, we've all grown up and become successful in different ways. My manager supported me since I was 16 and believed in me as a musician. He's been there since Day 1, and there's so much to be said about doing something with people that you love.

No one worries about genre when they're dancing. They're not asking themselves, 'Is this song a dubstep song?'

I don't do much press. I don't like to talk about my music too much before I do it.

There's been not a dime spent on marketing for any record I've ever put out.

I like doing things in a very minimal, unconventional way as a personal way of saying, 'Look, I made a career out of carefully and craftfully, though unconventionally, making records on laptops and blown speakers.'

I was never really a DJ... I just kinda figured it all out at once as I started to tour. I was making music and producing and I just had to start to DJ as I got more into touring.

I want to continue to constantly put out great music, expand further and further with the live show and music that is attracting music fans from all over the place, not only for ravers or electronic heads.

I really like iZotope Trash, which is a great plug-in for distortion, as is Ohmicide, which I love. It's an absolutely crazy multiband distortion, compression, EQ and filter, which pretty much lets you do anything.

I'm always on tour, so I'm always trying new tracks out live before they're released. That's more necessity than anything, because I don't get a proper chance to sit in a studio and work on tracks like other producers do.

I don't like being overexposed. I don't like being on covers. And I don't like people talking about me.

I never set out to be part of a genre, because I listen to all types of music.

Throughout my years in From First to Last, I was always dabbling and making electronic music on my own time. The first records I ever owned were crossover electronic rock, like Prodigy, Marilyn Manson and Nine Inch Nails.

I prefer the gloominess to the sun. I don't know why.

I don't really think about recognition; I'm not really involved.

I seem to spend a minimum of eight hours a day in transit of some sort or another... that's eight hours of your life gone. People always ask if I suffer from jet lag, but it's kinda become really normal for me... Although the jet lag does become a factor and you're pretty much always tired.

My best monster bass sounds have come from FM8. People think they all come from Massive, but most of the ones that kids online are trying to recreate in Massive are actually from FM8. I also really like Sylenth1, my Tone2 Gladiator and some other granular soft synths as well.

Sometimes a song can take up to a year to write, and because I waited that year and waited to work on it that day, it came up that extra 50 percent.

Whenever I am in my videos, it's rare. A lot of it is, they feel more live and hyper-realist, rather than fantasy. People would just be like, "Oh, Skrillex is acting in this video," and it wouldn't work as well.

It's strange - some directors are really talented but they can be so precious when it comes to letting you be a part of it.

I haven't played EDC since 2011. Normally, my sound fits a little bit better in mixed festivals.

An artist creates songs and timeless moments that are reflections that impact culture, and you can do that in any way - with guitars, ukelele, a computer. So, that will never die. It's always the artist behind the computer, not the computer.

I don't like hype cluttering art.

Singing's not my real passion.

There are artists that are using computers in all genres - Kendrick Lamar's music is electronic-made, and Taylor Swift is the same thing. There's a lot of pop music, underground music, and music for films made with computers. In that sense, it's not going to go away.

Fantasy is hard to do when it comes to making it look good compared to something that's a documentary or hyper-realism.

I think phone cases will always be novelties, but there's always so many interesting phone cases I like phone cases and I think the sillier the better - but this is a cool take on it.

I remember seeing the full Daft Punk pyramid show in 2007. I went alone, drove up in my Honda Fit, bought a ticket off a scalper for $150, got on the floor, and had the best time of my life. I didn't have a drink, no drugs. But I was high out of my mind. It changed my life.

If I can win grammys then that means all you yet to be seen bedroom geniuses will one day TAKEOVER THE WORLD

There is a lot of music out there that you can play side by side and you can't hear the personality - that has a timeline on it, for sure.

Obstacles are an opportunity to create something new