Steven Holl
Steven Holl
Steven Hollis a New York-based American architect and watercolorist. Among his most recognized works are designs for the 2003 Simmons Hall at MIT in Cambridge, Massachusetts, the 2007 Bloch Building addition to the Nelson-Atkins Museum of Art in Kansas City, Missouri, and the 2009 Linked Hybrid mixed-use complex in Beijing, China...
NationalityAmerican
ProfessionArchitect
Date of Birth9 December 1947
CountryUnited States of America
unique opportunity princeton-university
Princeton University's campus environment presents unique challenges and opportunities for architecture to act as a social condenser.
thinking architecture intense
I think architecture, to be really intense and fulfilling, doesn't have to be large.
thinking giving house
Frank Lloyd Wright made houses right up until the end. I think that's important because it gives you a direct connection to all the basic aspects of architecture - the spatial energy of the place, the construction, the materials, the site, the detail.
space water darkness
Anyone who has become entranced by the sound of water drops in the darkness of a ruin can attest to the extraordinary capacity of the ear to carve a volume into the void of darkness. The space traced by the ear becomes a cavity sculpted in the interior of the mind.
always-trying limits world
You can say I'm not the easiest architect in the world, because I'm always trying to push the limits,
links architecture poetic
Architecture is bound to situation. And I feel like the site is a metaphysical link, a poetic link, to what a building can be.
absolute arts cabin family grew sound taught wood yearn
I grew up in a wood cabin on Puget Sound in Manchester, Wash. My family taught me to appreciate the arts and the outdoors, and I still yearn for the absolute silence I experienced there when I was young.
basically entire john
Some architects, such as John Lautner, never really did anything other than houses. His entire portfolio is basically residential. There's nothing wrong with that.
pads
I paint daily with watercolors on 5-by-7-inch pads that are small enough for me to take them everywhere.
almost architecture degree excitement experience immediate larger materials offer phenomenon revolves shape
For me, the excitement in architecture revolves around the idea and the phenomenon of the experience of that idea. Residences offer almost immediate gratification. You can shape space, light, and materials to a degree that you sometimes can't in larger projects.
The whole notion of an embassy is like 'The Other.' That's what makes Washington interesting.